Monthly Archives: March 2011

Elvis 1967: Album Release #1 (How Great Thou Art)

How Great Thou Art became Elvis’ first album release of 1967 when it hit record stores that February. The LP, recorded May 1966 in Nashville, featured the following songs:

SIDE 1

  • How Great Thou Art
  • In The Garden
  • Somebody Bigger Than You And I
  • Farther Along
  • Stand By Me
  • Without Him

SIDE 2

  • So High
  • Where Could I Go But To The Lord
  • By And By
  • If The Lord Wasn’t Walking By My Side
  • Run On
  • Where No One Stands Alone
  • Crying In The Chapel (October 1960)

Though he had been nominated ten times in the past, Elvis went on to earn his first Grammy award for the How Great Thou Art album, which won for Best Sacred Performance of 1967. By March 1968, How Great Thou Art had also sold enough copies to earn a gold record.

Billboard article, March 30, 1968

Billboard article, March 30, 1968

After the lean years of 1964 and 1965, arguably the low points of his entire recording career, Elvis fired the opening salvos of what eventually became his comeback during that May 1966 session. How Great Thou Art features many moving performances, perhaps none more so than the title song. It also showcases the raucous energy of “Run On,” a song that rocked more than any of his recent secular efforts.

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Research Sources

  • Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen, St. Martin’s Press, New York, 1998.
  • Billboard, Vol. 80, No. 13, Billboard Publications, Inc., March 30, 1968.
  • ELVIS: His Life From A To Z by Fred Worth and Steve Tamerius, Wings Books, New York, 1992.

Throughout 2011, The Mystery Train is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.

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The Pacific War Memorial Commission Proudly Presents In Person: Elvis Presley

Today marks the 50th anniversary of Elvis’ benefit concert in Hawaii for the Pearl Harbor USS Arizona Memorial. Below is a repost of a feature I wrote last year about this event.


Elvis was nervous at the start of the show, but the screaming audience has since calmed his fears. Truth is, he learned to use his nervous energy to his advantage on stage years ago. Despite all that has changed in his life, the fuel that powers him continues to be his fans.

This concert is a little different from most of the others, though. This time, he is in Hawaii to raise money for a cause that is very important to him. Colonel has worked out most of the details, of course, including talks with NBC to have the concert aired on TV.

A few songs in now, Elvis glances at his hastily scribbled list to see what is up next. It turns out to be one of his favorites, one sure to get a reaction from the crowd. “Treat me like a fool,” he begins and is met with more yells of approval. He still knows his audience, no matter what anybody says.

After introducing the band and backup singers, it is time for another song. He first heard this Drifters number back in 1954, but didn’t get to record it until he was out of the Army. “It was a night, ooh what a night it was, it really was such a night,” he sings into the microphone.

This time, the audience is a little quiet at first. They don’t know this one as well. No problem, Elvis throws a little leg into it and is instantly rewarded with more cheers. Secretly, he is glad Colonel’s deal fell through and those NBC cameras aren’t here after all. No need to tone this show down.

The year is 1961, and Elvis is in Hawaii to help raise money for the USS Arizona memorial. Just over seven months from now will mark the twentieth anniversary of the December 7, 1941, Japanese sneak attack on Pearl Harbor that plunged the United States into the middle of World War II.

That attack sunk the mighty Arizona, forever entombing over 1,000 officers and crew below the water in the battleship. Yet, a memorial commission established in 1949 is still having trouble finding the money to start construction on a proper tribute to the fallen.

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Though NBC ended up not filming the show, fortunately at least the audio was captured and preserved for us to still hear today. It appears on the 1980 “Silver” boxed set Elvis Aron Presley, which received a CD release in 1998. The sound quality is not great, but it is certainly listenable.

I pulled this set out for the first time in years yesterday and loved hearing this top-notch and exciting concert. It also reminded me that quite some time ago I had set aside a related book for later reading. As is often the case, by the time “later” came, I had forgotten about it.

Elvis In Hawaii by Jerry Hopkins (author of Elvis: A Biography and Elvis: The Final Years) is an oversized book filled with text and photos about Elvis’ various excursions to Hawaii, including this 1961 concert. One of the cool pieces of memorabilia in the book is Elvis’ handwritten set list for the show, which helped inspire today’s post. Interestingly, he originally planned to sing “Doin’ The Best I Can,” a 1960 album cut from G.I. Blues, before scratching it out and replacing it with his 1956 hit “Don’t Be Cruel.”

Of course, Elvis would return to Hawaii a number of times after this show, including the 1973 cancer fund benefit for which the television cameras of NBC and the world were present, Aloha From Hawaii.

USS Arizona Memorial in 2006

USS Arizona Memorial in 2006

The 1961 USS Arizona benefit raised over $50,000 for the memorial as well as turned a spotlight on the issue to encourage contributions from others, including the US Congress. On Memorial Day 1962, the memorial was finally dedicated.

Though no one knew it at the time, the show also marked Elvis’ last live appearance for over seven years until the studio audience tapings of the 1968 ELVIS television special and his full-fledged 1969 Las Vegas shows. Instead, for better or worse, most of the rest of his 1960s career would focus on making movies.

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Elvis knows he could stay on all night and they would stay, but the show is winding down now. He won’t be leaving Hawaii yet, though.

In just a couple of days, he has to start filming a new movie, Blue Hawaii. Though Mr. Wallis once told him it was to be a “drama,” Elvis is no longer so sure of that after reading the script and recording over a dozen songs for the soundtrack back in Hollywood just a few days ago.

Being on stage in Hawaii is a lot better than that stuffy recording studio. “We’d like to do a spiritual song for you, ladies and gentlemen, from our religious album called His Hand In Mine,” he says. “It goes something like this.”

He launches into “Swing Down, Sweet Chariot.” For that moment on stage, all is right in his world.

Categories: Music, Pot Luck, The Mystery Train Elvis Blog | Tags: , , , , , , , , | 6 Comments

Go behind-the-scenes with Old Yeller in Viva Las Vegas

Filming Viva Las Vegas

Filming Viva Las Vegas

Because it linked to my “Victory in Vegas for Elvis the Jedi Master” post, I recently came across an incredible webpage containing 19 behind-the-scenes photos of Viva Las Vegas. The photos are from the collection of two-time Academy Award-winning cinematographer Haskell Wexler. Wexler owned the “Old Yeller III,” a car featured in the Las Vegas Grand Prix race sequence.

One of those images from Tam’s Old Race Car Site is above. The site describes it as, “Three of the most interesting cars involved in the production await instructions at a staging point in the mountains. Old Yeller III and the ‘Vinegaroon’ are joined by a beautiful Ferrari 250GT ‘Tour de France’.”

Really cool stuff! View the full set of images at the “Filming ‘Viva Las Vegas’” page. If you’re a car buff, the entire Tam’s Old Race Car Site is definitely worth checking out as well.

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Image Source
Original image is from the Haskell Wexler Collection, provided by Tam’s Old Race Car Site. Thank you to Jeff Wexler and Tam McPartland for allowing use of this photograph on The Mystery Train Elvis Blog. Please do not reproduce this image without obtaining permission.

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The Elvis Today Blog goes retro!

The king of Elvis blogs.

The greatest Elvis blog of all time.

Those are two apt descriptions that immediately come to mind for Thomas Melin’s Elvis Today Blog. Thomas is far too humble to promote his blog with such strong words, so I thought I’d take a moment and do it for him. Some folks out there like to brag, but I suppose when you are already at the top of the mountain, there’s no need for it.

Who says the Internet will be the death of books? On the contrary, Thomas has turned his first 271 Elvis Today posts into a book – now available. I’ve already read every post on his site, but I’m looking forward to reading them all again in this retro format. The book also contains one bonus post that never appeared on the Elvis Today Blog web version.

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Thomas has been kind enough to guest blog for me a couple of times:

I hope he keep those Elvis Today Blog posts coming. After all, every spectacular book deserves a sequel.

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REVIEW – Live In Vegas: August 26, 1969 Dinner Show CD

Live In Vegas

Live In Vegas

If you believe some fans, surely we’ve already heard enough 1969 Las Vegas concerts. Now that Live In Vegas: August 26, 1969 Dinner Show is available from Follow That Dream Records, I decided to take a closer look at their claims. Read my full review of the latest FTD release over on Elvis Australia.

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And all four speakers were blaring Elvis

The latest FTD release, Live In Vegas: August 26, 1969 Dinner Show, arrived at my house yesterday. I resisted the urge to give it a quick listen last night so that I can give it proper attention this weekend. I’ll be reviewing this one soon, and I can’t wait to hear it. I wonder if my wife would mind if I blared an Elvis concert at 6:30 in the morning? Of course, it wouldn’t be the first time.

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Came across a nice little Elvis mention courtesy of Google News while web surfing last night. I started to post a link here, but was too sleepy to type coherently. I’m definitely a morning person, you see. Anyway, over on JSOnline, the web site of the Milwaukee Journal Sentinel, someone wrote the following comment and question to “Mr. Music:”

I know the peak time for quadraphonic albums is around 1975. But the first quad LP I bought was ‘Aloha From Hawaii via Satellite,’ the soundtrack of Elvis Presley’s 1973 Honolulu concert. Since this came out before quad’s heyday, is it the first quad album? I’ll bet it is the top-selling quad release. Also, did anyone ever make quad singles?”- Jeremy Norbert, Milwaukee

Quadraphonic sound was an early consumer version of what we now call surround sound. In stereo sound, the audio is separated into two distinct channels. In quadraphonic sound, the audio was separated into four distinct channels – meaning you would listen with four speakers. Though it was indeed used for Aloha From Hawaii via Satellite, the format did not catch on.

I didn’t even notice this last night, but another perusal of the article just now reveals that “Mr. Music” is none other than renowned record collecting and Elvis expert/author Jerry Osborne. No wonder I was so impressed with his response. I was surprised last night that a “mainstream media” member could give such a knowledgable reply without tossing in snide comments or jokes about Elvis in the 70s. Now it all makes sense.

Check out Osborne’s reply: “Elvis in Hawaii helped take sound to a new level” — JSOnline. I’ll definitely be keeping an eye on Osborne’s Mr. Music column in the future.

An updated version of Osborne’s Elvis: Like Any Other Soldier book is available now. You can find out more information about his publications over at Jerry Osborne’s site.

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FTD to release Elvis Sings Guitar Man

Just learned terrific news. The next Follow That Dream Records release is going to be the “imaginary album” Elvis Sings Guitar Man, filling in its Classic Album series with songs recorded in Nashville in 1966 and 1967 (“Elvis Sings Guitar Man” — Elvis Today). These songs originally found their homes as bonuses on various movie soundtracks. This 2-CD set will fit in perfectly with The Mystery Train’s ongoing tribute to Elvis events of the year 1967.

The CD is due out in April. From ElvisNews.com, here’s the tracklisting:

DISC 1

01) Guitar Man 2:22
02) Tomorrow Is A Long Time 5:24
03) Big Boss Man 2:54
04) Love Letters 2:52
05) Indescribably Blue 2:50
06) Fools Fall In Love 2:08
07) Hi-Heel Sneakers 2:48
08) Down In The Alley 2:54
09) Come What May 2:03
10) Mine 2:39
11) Just Call Me Lonesome 2:08
12) You Don’t Know Me 2:32
13) Singing Tree 2:22
14) I’ll Remember You 2:48

Bonus Song
15) Beyond The Reef (overdubbed version)

First Takes
16) Guitar Man – takes 1,2,5 4:22
17) Tomorrow Is A Long Time – takes 1,2 6:15
18) Big Boss Man – take 2 3:35
19) Love Letters –take 2 2:53
20) Fools Fall In Love – takes 1,4 2:40
21) Hi-Heel Sneakers – take 5 4:58
22) Down In The Alley – take 1 3:13
23) Come What May – take 2 2:12
24) Singing Tree – take 1 3:11
25) I’ll Remember You – vocal overdub take 2 4:14

DISC 2

May 1966 Sessions
01) Down In The Alley – takes 2,3,4 2:18
02) Down In The Alley – take 6 2:51
03) Love Letters – takes 3,4,5,7 4:39
04) Love Letters – take 8 3:12
05) Beyond The Reef – takes 1,2 (undubbed master) 5:42
06) Come What May – takes 3,4 2:27
07) Come What May – take 6 2:07
08) Come What May – take 7 – 2:21

June 1966 Sessions
09) Indescribably – (vocal overdub) take 1 2:55
10) I’ll Remember You – (unedited master) vocal overdub 1 4:10

1967 Sessions
11) Guitar Man – takes 7,9 2:52
12) Guitar Man – take 10 2:55
13) Guitar Man – takes 11, 12 (unedited/undubbed master) 4:02
14) Big Boss Man – takes 1,3,4,5 3:19
15) Big Boss Man – takes 7, 9 3:48
16) Singing Tree – takes 2,4 3:28
17) Singing Tree – take 8 3:03
18) Singing Tree – takes 10,13 3:44
19) Just Call Me Lonesome – takes 3,4 2:55
20) Just Call Me Lonesome – takes 5,6 2:31
21) Hi-Heel Sneakers – takes 1,6 2:51
22) Hi-Heel Sneakers – take 7 – (unedited master) 4:57
23) You Don’t Know Me – take 2 2:57
24) Singing Tree – (remake) takes 1,2,3 3:21

FTD is Sony’s collectors label for Elvis fans. The releases are available from various online stores. Since they originate in Denmark and then ship to retailers, there is sometimes a two or three week delay after the “release date” before the CDs arrive for those of us in the United States.

Categories: In A Flash, Music, The Mystery Train Elvis Blog | Tags: , , , , , , , , | 4 Comments

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