Monthly Archives: August 2011

Jerry Leiber, 1933-2011

Jerry Leiber, best known as the lyricist half of renowned songwriting duo Jerry Leiber & Mike Stoller, passed away yesterday in Los Angeles. He was 78. His place in the Elvis legend cannot be overstated, co-writing such classics as “Jailhouse Rock,” “Love Me,” “Hound Dog,” “Santa Claus Is Back In Town,” “Treat Me Nice,” “Don’t,” “Bossa Nova Baby,” “Trouble,” “Loving You,” and “Baby, I Don’t Care.”

Leiber’s association with American music is not limited to Elvis, though. His list of song credits often reads like the history of rock ‘n’ roll. Other hits include:

  • “Charlie Brown” (The Coasters)
  • “Dance With Me” (The Drifters)
  • “Fools Fall In Love” (The Drifters [later covered by Elvis])
  • “Love Potion #9″ (The Clovers; The Coasters)
  • “On Broadway” (The Drifters)
  • “Ruby Baby” (The Drifters)
  • “Saved” (LaVern Baker [later covered by Elvis])
  • “Smokey Joe’s Café” (The Robins)
  • “Stand By Me” (Ben E. King)
  • “There Goes My Baby” (The Drifters)
  • “Yakety Yak” (The Coasters)

For a full list of Leiber & Stoller songs, see their official site.

Leiber is survived by three sons and two granddaughters. My condolences go out to his family and friends.


Related Links
Leiber & Stoller: Official Site
“Jerry Leiber has died at age 78″ — Elvis Australia
“Christmas Blues” — Elvis Today Blog
“Jerry Leiber – RIP” — For Elvis CD Collectors Forum
“Songwriter Jerry Leiber Dies at 78″ — Rolling Stone
RIP Jerry Leiber: half of one of rock’s greatest songwriting teams” — LA Times
“Jerry Leiber, Prolific Writer of 1950s Hits, Dies at 78″ — The New York Times

Categories: In A Flash, The Mystery Train Elvis Blog | Tags: , , , , , , , | 4 Comments

Elvis Shocker: 1974 Richmond concert is a multi-track recording

Elvis Australia and others reported yesterday that 48 Hours To Memphis, capturing Elvis’ March 18, 1974, concert at the Richmond Coliseum in Virginia, will feature a recently discovered 16-track recording of the event.

48 Hours To Memphis (concept cover art)

48 Hours To Memphis (concept cover art)

Instead of the typical soundboard recording most fans expected, it turns out that this is actually a fully mixed, professionally-recorded show. “Taken from a tape copy (2 channels mix-down) of a 16-track recording, the show is complete (with some tape damage that has been fixed/altered),” notes the Elvis In Norway site.

Two days after the Richmond concert, Elvis closed out his tour with a live appearance in Memphis. RCA also recorded that performance at the Mid-South Coliseum in multi-track. It appeared in an edited form a few months later as the album Recorded Live On Stage In Memphis.

Questions abound. Did RCA record Richmond as preparation for that Memphis concert album? Or did RCA originally conceive the album as a tour compilation? How did RCA seemingly lose this multi-track recording and any record that it ever existed?

As a Richmonder, this was already a huge release for me when I thought it was just going to be a soundboard. Now, 48 Hours To Memphis has become a huge release for the rest of the Elvis world as well.

Sony’s Follow That Dream collectors label will release the CD in September, packaged in an oversized, 7-inch digipack and including a 16-page booklet with photographs from the show. You can get more details over on Elvis Australia.

See below for the tracklisting. Is it September yet? Elvis is coming to town!

Live At The Richmond Coliseum: March 18, 1974
01) Also Sprach Zarathustra/
02) See See Rider
03) I Got A Woman/Amen [edited with Memphis, March 20, 1974]
04) Love Me
05) Tryin’ To Get To You
06) All Shook Up
07) Steamroller Blues
08) Teddy Bear/Don’t Be Cruel
09) Love Me Tender
10) Long Tall Sally/Whole Lotta Shakin’ Goin’ On/Your Mama Don’t Dance/Flip, Flop & Fly/Jailhouse Rock/Hound Dog
11) Fever
12) Polk Salad Annie
13) Why Me
14) Suspicious Minds
15) Introductions By Elvis
16) I Can’t Stop Loving You
17) Help Me
18) An American Trilogy
19) Let Me Be There
20) Funny How Time Slips Away
21) Can’t Help Falling In Love/
22) Closing Vamp

Bonus Songs
23) Sweet Caroline [Tulsa, March 1, 1974]
24) Johnny B. Goode [Memphis, March 17, 1974]
25) That’s All Right [Memphis, March 17, 1974]

FTD releases are official products and available from various online stores. They originate in Denmark and then ship to retailers, so there is sometimes a two or three week delay after the release date before the CDs arrive for those of us in the US.

Read more about Elvis in Richmond in a post from 2010.

Categories: Music, The Mystery Train Elvis Blog | Tags: , , , , , , , , , , , , | 9 Comments

Down that lonely road

Elvis Presley, 1935-1977

Elvis Presley, 1935-1977

“Should you go first and I remain for battles to be fought, each thing you’ve touched along the way will be a hallowed spot. I’ll hear your voice, I’ll see your smile, though blindly I may grope. The memory of your helping hand will buoy me on with hope.”

–From “Should You Go First” by Albert Roswell, Poems That Touch The Heart, compiled by A. L. Alexander, Doubleday, New York, 1941.

Categories: Pot Luck, The Mystery Train Elvis Blog | Tags: , , , , , , , ,

Another look at FTD’s “It sounds great, but…” CD

On July 17, I reviewed Stage Rehearsal over on Elvis Australia. I won’t completely rehash that CD review here, but this portion sums up my feelings:

Ultimately, Stage Rehearsal is a well-intentioned release that I recommend with reservations. It offers 1970 rehearsals in terrific sound quality, but with unfortunate splicing decisions. It also offers some 1972 and 1973 rarities, but in subpar sound quality. Be aware of what you’re buying so that you won’t be disappointed. Then, just crank it up and enjoy. That’s what Elvis is supposed to be all about anyway.”

The “unfortunate splicing decisions” refers to the use of live tracks to augment missing introductions on many of the 1970 rehearsals. What I have discovered since writing that review, however, is that there was even more trickery going on with this release than I first realized.

Stage Rehearsal (2011)

Stage Rehearsal (2011)

As someone who is not in the habit of collecting bootleg recordings, I have never heard the August 10, 1970, rehearsals in their raw forms. While I disagree with the underlying decision, I can give Follow That Dream Records a pass for attempting to make the best of an unfortunate situation when it comes to the beginnings of the rehearsal tracks not being recorded.

Far more disappointing than that, though, was later learning that Sony’s FTD collectors label for Elvis fans also made completely unnecessary alterations to the rehearsal recordings themselves.

For example, here’s what Thomas had to say in his excellent post, “A Reconstructed Rehearsal,” over at the Elvis Today Blog:

But what really, really annoys me, is ‘Polk Salad Annie,’ which is a splice/edit of the two versions Elvis did on his show rehearsal, both of them available on [a bootleg]. My guess is this was done to avoid some suggestive lyrics by Elvis, but parts of it can still be heard anyway, sounding far away, like the line ‘… overweight old woman …’ The end result is a more ‘plain’ version than the two original ones, one of which has Elvis having fun with the line ‘Polk A Little Sock Salad’ (not included on the spliced version). Why it isn’t even mentioned in the sparse liner notes on the inside of the cover that ‘Polk Salad Annie’ is a combination of two takes is beyond me.”

There have been several threads about Stage Rehearsal over on the For Elvis CD Collectors forum. Today, in one of the more recent threads, Ray dubbed this album Stage Rehearsal: That’s The Way It Wasn’t. I sure wish I had thought of that clever line, because I am in complete agreement with the sentiment.

On Friday, Piers Beagley posted an in-depth review of Stage Rehearsal at Elvis Information Network. A great read, his review unravels this CD track-by-track – illustrating both the rewarding and annoying aspects of this release. Though my review lacked knowledge of the additional edits beyond the openings, Piers and I arrived at the same conclusion:

“While any new multi-track recordings of Elvis are brilliant to have I would only recommend this one to collectors with a few reservations,” he states.

Categories: Music, Tell It Like It Is, The Mystery Train Elvis Blog | Tags: , , , , , , , , , , , , , , | 2 Comments

Pump up the volume: Elvis Week 2011 begins

Elvis Week officially kicks off today in Memphis. Of course, Elvis Week really occurs all over the world – wherever there is an Elvis fan. Most of us take a little extra time to remember and enjoy the music.

If you’re fortunate enough to be in Memphis, I envy you, but also hope you have a fantastic time. Elvis Presley Enterprises and others put on a variety of events, so it always looks like there is something for everybody.

Perusing the schedule, one thing that I’d definitely attend if I was there is Saturday’s screening of the 2000 documentary Sam Phillips: The Man Who Invented Rock ‘n’ Roll, which was written and produced by none other than Elvis biographer Peter Guralnick. Guralnick, along with Knox Phillips (Sam’s oldest son), will speak after the film.

In honor of Elvis Week, the O.co (Overstock.com) entertainment blog yesterday featured a fun Elvis infographic. Check it out.

Have a great week, everyone. Remember to crank up the Elvis!

* * *

August 12, 2011, Update: Check out MJ’s fantastic post about visiting Graceland during Elvis Week 2007 on her blog.

Update #2: And here’s another one. This one is from the Elvis Today Blog with Thomas’ memories of Elvis Week 2005. The funny thing is, this was written shortly after Elvis Week 2007 – referenced in MJ’s post above.

August 18, 2011, Final Update: To bring things full circle, here are a couple of great blog posts from Memphis resident Deena Dietrich about Elvis Week 2011.

Categories: In A Flash, The Mystery Train Elvis Blog | Tags: , , , , , , , , , , | 8 Comments

Thomas claims victory in Elvis Trivialities #4, becomes first back-to-back winner

Thomas has once again triumphed over Elvis Trivialities by being the first person to correctly answer the fourth installment.

With a response time of two hours and twenty-six minutes, he becomes the first member of The Mystery Train’s Hobo Jungle to score not only a repeat victory, but a back-to-back one at that. Thomas now receives even more bragging rights.

And the answer is…

Brett Reno in Love Me Tender was played by an actor who later had two different roles on Star Trek.

Veteran character actor William Campbell portrayed Brett Reno, a brother to Clint (Elvis). Among many other television roles, he went on to appear as Trelane in the first season Star Trek episode “The Squire of Gothos” (1967) and Koloth, a Klingon captain, in the second season episode “The Trouble With Tribbles” (1967). Both installments consistently rate among Trek’s best.

He reprised the role of Koloth in “Blood Oath,” a 1994 episode of Star Trek: Deep Space Nine. Campbell passed away earlier this year.

If you’re a fan of Star Trek, be sure to keep an eye on my new blog, Wordy Rambler. Though I have not yet posted any Star Trek content, it will no doubt be a frequent topic there. [May 13, 2013, Update: The Film Frontier/Wordy Rambler has relaunched as Pastimescapes.]

Congratulations again to Thomas!


The Hobo Jungle

  • August 6, 2011: Thomas (2:26)
  • July 9, 2011: Thomas (5:26)
  • June 23, 2011: Fred Wolfe (0:18) <— Record time
  • June 22, 2011: [Troy Y. stumps the train]
Categories: Movies, Pot Luck, The Mystery Train Elvis Blog | Tags: , , , , , , , , , , | 2 Comments

Elvis Trivialities #4

Welcome to Elvis Trivialities. Your question is:

Which character in Love Me Tender was played by an actor who later had two different roles on Star Trek?

Bragging rights to the first person to post the correct answer in the comments below.

Will we have our first repeat winner? Or will a new winner join their ranks? Can anyone break Fred Wolfe’s speed record? Check in next time to find out.

Categories: Movies, Pot Luck, The Mystery Train Elvis Blog | Tags: , , , , ,

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