Review – ELVIS AND THE COLONEL: THE UNTOLD STORY (1993) [The Elvis Beat newsletter]

I was 18 when I wrote this review back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.


Elvis And The Colonel: The Untold Story (NBC), starring Beau Bridges, directed by William A. Graham, aired January 10, 1993.

Elvis And The Colonel: The Untold Story is a story that should have remained untold. Not only is this the worst movie ever made about Elvis, but this is also probably the worst movie ever.

The initial concept behind this television movie was actually a good idea – an examination of the well-documented mismanagement of Elvis’ career by Colonel Tom Parker. But the end result is an absolute failure.

Elvis And The Colonel is one big mistake after another. A listing of some of the many factual errors contained in this movie appears on page 5 of this newsletter.

The biggest mistake of all occurred in the casting department when Robb Youngblood was chosen to play “Elvis.” Youngblood does not bear the slightest resemblance to Elvis, so one can only assume that he was selected for his acting ability. The problem with that theory is that [. . .] at no time during the entire two-hour movie is he convincing as “Elvis.” [. . . .]

It is also obvious that no effort was made to make Youngblood look like Elvis. Throughout the 22 years of “Elvis”‘ life that this movie portrays, Youngblood wears basically the same hairstyle–even while in the Army. It looks awful and resembles none of the many different styles Elvis wore his hair in over the years.

Youngblood’s clothes in the movie look so cheap that even the local [discount store] would be embarrassed to sell them. Once again, they resemble nothing the real Elvis ever wore. The styles may have changed since his time, but Elvis never looked cheap the way Youngblood does.

All of these cosmetic problems could have been overlooked had Elvis And The Colonel been a good story but, as mentioned before, it is filled with errors. And even beyond those errors, the script is poorly written and the entire movie is poorly made. [. . . .]

Beau Bridges, who was obviously chosen only to draw more viewers, stars as “Colonel Parker” and does a poor job also, but in a different way than Youngblood. Bridges makes the Colonel appear too likable and too nice, defeating the purpose of the movie.

Youngblood seems to have accidentally studied Gomer Pyle videos instead of Elvis ones for his part, for he plays Elvis as an extremely stupid fool – which could not be further from the truth.

Appropriately, even the house that is supposed to be Graceland looks nothing like the real thing.

The ELVIS television special, or the ’68 Comeback Special as it has come to be known, featured Elvis in top form. Of course, this movie slaughters this as well. One of the most ludicrous moments in the movie, and there are many, occurs when Youngblood is shown standing in front of a series of waist-high letters that spell “ELVIS” in red lights. The real version was over two stories tall and looked much better.

One of the many myths that Elvis And The Colonel perpetuates is everyone’s old favorite: “Elvis” appears overweight throughout the 1970s in this movie while the real Elvis did not begin to experience significant weight problems until about two years before his death. Youngblood is shown obese by 1971, while the real Elvis at the time was in shape and would remain so for a few more years. Of course, in such an inaccurate movie, such mistakes are not surprising.

Half of the “Elvis” songs used in the movie were apparently taken from Ronnie McDowell’s work for the 1979 television movie Elvis, starring Kurt Russell, and not surprisingly, Youngblood does a poor job lip-synching to them. The rest of the songs were performed by Youngblood himself and are awful. One particularly bad scene uses a combination of McDowell’s and Youngblood’s vocal tracks.

The most surprising thing about this movie is that Dick Clark was its executive producer. Clark also executive produced the Kurt Russell Elvis movie, directed by John Carpenter, which is one of the better movies based on Elvis’ life.

With this new movie, Clark has gone wrong. He has stated his respect for Elvis in the past and his disdain for the Colonel, but this movie serves only to slam Elvis instead of its intended target.

Incidentally, Elvis And The Colonel was directed by William A. Graham, who directed the real Elvis in Change Of Habit, which was one of Elvis’ better films.

It is apparent that no one connected with this movie bothered to do any significant research about its topic. It is also apparent that the movie’s production was rushed, probably to have it ready in time to cash in on the free publicity of the Elvis stamp release two days prior to this movie airing. They need not have bothered, for The Carol Burnett Show: A Reunion special beat it soundly in the ratings.

The worst part about Elvis And The Colonel: The Untold Story is that some people, who knew nothing about Elvis, probably watched this irresponsible movie and now think that this is what Elvis was really like.

Songs include:

  • “Lawdy, Miss Clawdy”
  • “Rip It Up”
  • “Tutti Frutti”
  • “Long Tall Sally”
  • “Heartbreak Hotel”
  • “Trouble”
  • “Blue Moon Of Kentucky”
  • “Are You Lonesome Tonight”
  • “The Wonder Of You”
  • “Dixie/The Battle Hymn Of The Republic”

Rating: 1 out of 10