Elvis’ new job [The Elvis Beat newsletter]

I was 20 when I wrote this article back in 1995 for The Elvis Beat #12, my official Elvis Presley Fan Club newsletter.


Fans visiting Graceland this summer can look forward to a revamped tour of the mansion, featuring a new audio guide system and the addition of the home’s kitchen to the experience.

The audio tours were slated to begin in the spring. According to Graceland Express, “Guests will pick up a headset and tape machine in the visitor center. . . . Then the tour of the house, grounds, fan mail office, racquetball building, and trophy room will be presented almost entirely on tape.”

The audio tour will include a narrator, but will primarily feature the voice of Elvis from spoken material and musical recordings. “It is expected to feel very much as if Elvis himself is giving the tour, especially in the trophy room,” stated Graceland Express.

The kitchen is the first new room added to the public tour since the opening of the mansion in 1982. The kitchen has been restored to the way it was when Elvis was alive. “It has harvest gold appliances and avocado-colored appliances. It’s very much the ’70’s,” a Graceland spokesperson said.

The audio tour was expected to be available in several different languages by the summer. In the future, the audio concept will also be considered for the other Graceland attractions, including the airplanes and the car museum. Traditional tour guides will remain on staff at the mansion to answer questions or offer other services.

Elvis Treasures [The Elvis Beat newsletter]

I was 20 when I wrote this article back in 1995 for The Elvis Beat #12, my official Elvis Presley Fan Club newsletter.


1995 marks the return of Elvis Presley on tour. Well, sort of. A nine-state tour of Elvis memorabilia made ten stops across the nation from April 28 to June 22. The tour, known as “Elvis Treasures: The Great Road Show Of ’95,” featured a $150,000 collection.

The collection included an authentic Elvis jumpsuit, a TCB necklace, guitars, and other items. The tour began on April 28 in New York City and concluded on June 22 in Colonial Heights, Virginia.

Viewers of the exhibit had the opportunity to win various Elvis prizes, including the grand prize of a trip to Graceland.

“Elvis Treasures” promoted the newly released Official Price Guide To Elvis Presley Records And Memorabilia by Jerry Osborne.

RCA to release 70s MASTERS boxed set [The Elvis Beat newsletter]

I was 20 when I wrote this article back in 1995 for The Elvis Beat #12, my official Elvis Presley Fan Club newsletter.


RCA plans to release The 70s Masters boxed set in September. The 5-CD set will contain a studio version of “My Way,” a song previously available only in live performances. According to Graceland Express, “This studio recording gets a much softer vocal treatment from him, and seems more intimate, and in its quiet way maybe even more powerful” than the live versions.

Possibly my most eagerly anticipated release since Elvis’ death, right up there with the Elvis: The Lost Performances video, The 70s Masters CD set follows the 1992 release of ELVIS: The King Of Rock ‘n’ Roll – The Complete 50s Masters and 1993’s ELVIS: From Nashville To Memphis – The Essential 60s Masters I, both of which were also 5-CD boxed sets. The sets are part of RCA’s commitment to release all of Elvis’ songs, from the best available masters, in the CD format. However, cassette versions are also available.

Scheduled to be released on July 18, ELVIS: Command Performances – The Essential 60s Masters II will contain 62 of his movie tunes from 1960 to 1969. An RCA press release stated, “Whereas the previous volume focused on Elvis Presley’s secular studio sessions (in the 1960s), Command Performances documents the highlights of his movie recording career.” Elvis made 27 movies in the 1960s. [. . . .] The set also comes with a 24-page booklet of liner notes.

ELVIS: Command Performances – The Essential 60s Masters II seems to be following rather closely on the heels of the Elvis Double Features soundtracks, which were also devoted to his 1960s movie tunes. In March, three new Elvis Double Features CDs were released:

  • Flaming Star/Wild In The Country/Follow That Dream
  • Easy Come, Easy Go/Speedway
  • Live A Little, Love A Little/Charro/The Trouble With Girls/Change Of Habit

With the new CDs completing the series, there are now ten CDs in RCA’s Elvis Double Features collection. So, is it really time for the ELVIS: Command Performances – The Essential 60s Masters II set? Probably not, but RCA has been doing such a great job the last five years that they can be easily forgiven for one small mistake, especially since The 70s Masters is finally almost here.

Lisa Marie appears on PrimeTime with Michael Jackson [The Elvis Beat newsletter]

I was 20 when I wrote this article back in 1995 for The Elvis Beat #12, my official Elvis Presley Fan Club newsletter.


A national audience of sixty million people tuned in to see Lisa Marie Presley-Jackson and Michael Jackson in their first televised interview together. Hosted by Diane Sawyer, the ABC PrimeTime Live special easily beat out the final game of the NBA basketball championship to win the time slot and also was the highest rated program of the week.

Lisa Marie, 27, rarely grants interviews, and this was her first to be televised. She and Jackson, 36, were secretly married outside the United States on May 26, 1994. Although rumors soon spread through the press, the news was not confirmed until August of that year.

On June 14, at the Sony Pictures Studios in Los Angeles, the couple fielded a variety of questions on their controversial marriage and Jackson’s controversial life.

“When we first met, she was 7 years old, and I was 17,” said Jackson. “This was in Las Vegas. She used to come and see my show all the time. We had the only family show on the Strip, the Jackson 5. She used to come, as a little girl, and sit right up front, and she came quite often. She came with a lot of bodyguards. Then she’d come backstage, and I’d talk and say, ‘hi,’ and then she’d come again, and I thought she was sweet and loving. And I always hoped I’d see her again,” he said. [. . . .]

“We didn’t stay in touch after that,” said Lisa Marie.

Jackson continued the story: “When she was 18, I used to tell my lawyer . . . ‘Do you know Lisa Marie Presley?’ He’d go, ‘Well, I represent her mother.’ I’d go, ‘Can you get me in touch with her, because I think she’s really cute.’ And he’d laugh every time. He’d go, ‘I’ll do my best.’ . . . . Then, he’d come back, and I’d say, ‘Well, did you find out?’ He said, ‘No, there’s nothing.’ So I would worry him about this all the time. And the next thing I noticed there was a picture on a magazine cover where she’s married, which really tore me to pieces because I felt that was supposed to be me.”

This is the second marriage for Lisa Marie. She has two children from her marriage to musician Danny Keough, Danielle, who is now six, and Benjamin, who will be three in October.

Lisa Marie spoke about Jackson’s marriage proposal. “On the telephone, he first asked me. We were dating now for four months,” she said. “We were spending a lot of time together. I don’t know how it didn’t manage to get in the press, because we weren’t hiding it. I was separated for four months, and he said, ‘What would you do if I asked you to marry me?’ And I said, ‘I would.'”

Lisa Marie appeared hesitant to answer some of the questions, and when she did, she often immediately apologized, as if she was speaking out of turn. Although she was understandably nervous, she maintained her composure all evening. It was obvious that she was serious about setting the record straight, but at times she could not help but laugh at some of Sawyer’s oddly-styled questions. [. . . .]

Sawyer asked for information about any prenuptial arrangements involving the Presley and Jackson fortunes. Jackson replied, “We’ve worked out things, and we’ve signed certain things, but, of course, that’s very confidential.”

Lisa Marie added, “We made (prior) agreements.”

Lisa Marie is a member of the Church of Scientology, which follows ideals established in the book Dianetics by L. Ron Hubbard. Some members of the media speculated that the church ordered her to marry Jackson, in an attempt to lure him and his money into their organization.

“That’s ridiculous,” said Lisa Marie. “First of all, you can’t get influenced by anything like that. Under the terms of a marriage, I’m not going to marry somebody for any reason other than the fact that I fall in love with them, period. Period. And they can eat it if they want to think anything different.”

“I believe in spirituality, and I believe in a higher source, such as God,” said Jackson. “But I’m not a Scientologist. I read everything, and I like to read. I love to study.”

Lisa Marie also spoke about other controversial aspects of their marriage. “We don’t live in separate houses. That’s ridiculous. Where are the cameras?” she said, and later added, “No, we don’t sleep in separate bedrooms. Thank you very much.”

In 1993, there were reports that Lisa Marie was pursuing a singing career, with her then-husband Keough as her songwriting partner. People magazine even likened her voice to Bonnie Raitt.

There were plans for Lisa Marie and Jackson to sing a duet in the Elvis: The Tribute concert they attended in Memphis last year, but they eventually decided not to perform.

“I did sing,” said Lisa Marie, “but that’s not why I married Michael. I don’t need that. If I wanted it, I’m not going to marry someone for a recording career – just to clear that up as well.” [. . . .]

Recently, Jackson’s new album, HIStory, was released. The 2-CD set contains a disc of greatest hits and a disc of new songs.

Jackson said, “I don’t care to stay in America anymore. I will always have Neverland because I love (it). . . . (However,) I’d like to go abroad. As a matter of fact, I am. I haven’t decided the exact place yet. Probably South Africa, maybe Switzerland.” [. . . .]

Sawyer asked Lisa Marie her feelings about possibly moving overseas, and she replied, “I think it’s a nice place to visit. I would like to have a house over there. We would be completely and utterly harassed beyond belief, but–”

And then, as she did frequently during the hour, Sawyer interrupted Lisa Marie to ask another question. Many of Sawyer’s questions were halting, and she seemed to be self-consciously trying to project the image of a tough, investigative journalist. Oprah Winfrey, who interviewed Jackson two years ago, would have done a much better job.

Lisa Marie’s closing remarks were, “I just want people to know what they’re dealing with before, and understand that . . . the jokes, the degrading comments, and that kind of stuff, it’s really irritating.”

Elvis’ new CDs highlight gospel, Christmas, and love songs [The Elvis Beat newsletter]

I was 20 when I wrote this piece back in 1995 for The Elvis Beat #11, my official Elvis Presley Fan Club newsletter.


RCA has issued three new Elvis albums since the last Elvis Beat newsletter.

Elvis Presley: Amazing Grace – His Greatest Sacred Performances is a two-CD set containing over 50 songs from his gospel releases. It also contains a previously unreleased jam session captured in 1972 for Elvis On Tour, including the songs “You Better Run,” “Turn Your Eyes Upon Jesus,” and “Nearer My God To Thee.”

If Every Day Was Like Christmas contains 24 recordings and, and for the first time, gathers all of his Christmas songs on one CD. It also contains four previously unreleased versions. Some editions of this album include a 3-D Graceland pop-up, featuring the mansion as it is decorated for Christmas.

Elvis’ latest album, Heart & Soul, made its debut in February. It contains previously released love songs from the 1950s, 1960s, and 1970s. There are only two or three songs of real interest to long-time fans. “Love Me Tender” and “I’ve Lost You” are in stereo for the first time. The studio version of “Bridge Over Troubled Water” is without the artificially-dubbed applause used on its original That’s The Way It Is release.

The long anticipated boxed set for The 70s Masters is due to be released by the end of this year.

‘Elvis Country’ lives on in the 1990s [The Elvis Beat newsletter]

I was 20 when I wrote this piece back in 1995 for The Elvis Beat #11, my official Elvis Presley Fan Club newsletter. You can save your Elvis stamps, as there is no need to send any letters. Spoiler alert: Elvis would be inducted into the Country Music Hall of Fame in 1998.


When Elvis Presley first started in the music business, he owed country music a small debt of gratitude, for his rockabilly style had been derived from a combination of country, rhythm & blues, and gospel music. Forty-one years later, it is country music that owes Elvis Presley a debt of gratitude.

At the Country Music Hall of Fame & Museum in Nashville, there are many Elvis items on display. However, despite these exhibits, Elvis has not been inducted into the Country Music Hall of Fame.

There was never any doubt that Elvis would become a part of the Rock ‘n’ Roll Hall of Fame, and indeed he was among the first so honored. But has Elvis contributed enough to country music to become a part of that hall of fame as well?

From the very beginning, Elvis’ music was recognized on the Billboard country charts. In fact, Elvis achieved his first top ten hit on any chart when “Baby, Let’s Play House” hit #10 on the Country Best-Seller chart and #5 on the Country Disc Jockey chart in July 1955. Elvis was four months away from signing with RCA and was still recording on Memphis’ Sun record label.

Many have been led to believe that “Heartbreak Hotel” was Elvis’ first number one hit, however his first number one was actually an RCA re-issue of “I Forgot To Remember To Forget,” which topped both the Country Best-Seller and Country Disc Jockey charts in February 1956.

Over the years, Elvis has scored 29 top ten hits on the country charts, including 11 number ones. Appropriately, Elvis’ last number one hit on any chart occurred in 1981 when a re-mix of his “Guitar Man” attained the position on the Country chart.

Although influenced by country music, most of Elvis’ 1954-1960 recordings were either rockabilly or rock ‘n’ roll songs. For most of the 1960s, Elvis’ music suffered since many of his releases were from the frequently poor soundtracks of his movies. His non-soundtrack material, which included gospel and slow-tempo songs, was notable but often lost among the enormous number of movie tunes. With the advent of the Beatles and others, rock music drastically changed, and it seems Elvis never truly identified with it again.

In September 1967, Elvis began to rebuild his music career and the logical place to start was by returning to his country roots. At the Nashville recording session, with country legend Jerry Reed on lead guitar, Elvis sounded better than ever. His selection of songs included “Guitar Man” and “Just Call Me Lonesome” and indicated a new direction for him.

From this point on, Elvis began leaning more towards recording country-type songs in his own unique style, rather than catering to the rock or even country music of the day. Elvis pointed out in 1970 that he did not consider himself strictly a country music singer, and he certainly was not. He continued to record pop, gospel, rhythm & blues, as well as the occasional rock ‘n’ roll song.

Elvis Presley in 1968. Although he has 29 top ten hits on BILLBOARD's country charts, he is not a member of the Country Music Hall of Fame (Original Photo Credit: Greg Howell/GRACELAND EXPRESS)

Elvis Presley in 1968. Although he has 29 top ten hits on BILLBOARD’s country charts, he is not a member of the Country Music Hall of Fame (Original Photo Credit: Greg Howell/GRACELAND EXPRESS)

However, the majority of Elvis’ 1967-1976 studio recordings could be considered country songs, or at least derived from the style. These recordings really did not quite fit the label of “country” in the 1970s, for once again Elvis had redefined music and was ahead of the times.

Although he was among its early pioneers, Elvis’ influence on modern rock music is not often easily detected. Rock has gone off on its own and often takes paths that Elvis probably would have avoided.

It is modern country music in which Elvis’ influence can still loudly be heard. His music from the last ten years of his life has grown into today’s country music. Indeed, many of its greatest stars often acknowledge Elvis as an influence, including Garth Brooks, Vince Gill, Travis Tritt, Trisha Yearwood, Ricky Van Shelton, Ronnie McDowell, Aaron Tippin, Patty Loveless, Dwight Yoakam, Tanya Tucker, Billy Ray Cyrus, Mark Chesnutt, Pam Tillis, Marty Stuart, Faith Hill, Doug Supernaw, Wynonna Judd, and the Mavericks. Although Elvis has been gone for almost 18 years, these stars and others continue to incorporate parts of Elvis’ style into their own.

Elvis has found a home in modern country music. He has been accepted by both its performers and its fans at a time when he is often shunned by others. It is time to make this home a permanent one.

In 1954, Elvis was rejected by the Grand Ole Opry. Will the Country Music Hall of Fame make the same mistake?


Join the campaign

Don’t let the Country Music Foundation continue to gloss over Elvis and his achievements. The Foundation will ultimately decide if Elvis will be inducted into the Country Music Hall of Fame. Write them a letter today expressing your opinion. The address is: [. . .].

Is Greed Alive? [The Elvis Beat newsletter]

I was 19 when I wrote this piece back in 1994 for The Elvis Beat #10, my official Elvis Presley Fan Club newsletter.


The headline “Elvis is alive” on the front page of The Richmond Times-Dispatch, a legitimate and respectable newspaper, was a bit surprising. Unfortunately, the theories presented in the article were old news, worthy only of The National Enquirer.

Phil Aitcheson called a press conference on September 16 in Moneta, Virginia, to announce the findings of his two-year investigation into Elvis’ death. He alleges that the singer faked his death.

Aitcheson explained that Elvis had been made a federal agent at large in 1971 after meeting with President Richard Nixon, and then became involved in a major FBI investigation of organized crime. Aitcheson says that Elvis faked his death on August 16, 1977, to enter the federal witness protection program. “Elvis wanted to help his country out any way he could,” he said.

Aitcheson’s “Presley Commission,” which consisted of 14 other members who apparently wish to remain anonymous, assembled The Presley Report, a 300-page document that supposedly proves their findings.

A 1981 recording, made four years after Elvis died, was played for reporters at the press conference. The recording was analyzed by an “expert” who found that the voice on the recording was Elvis Presley.

Similar claims were made by author Gail Brewer-Giorgio in her 1990 book The Elvis Files. Her book and a 1991 television special of the same name, hosted by Bill Bixby, used similar documents and the same recording as “evidence.”

Brewer-Giorgio previously wrote The Most Incredible Elvis Presley Story Ever Told (1987) and Is Elvis Alive? (1988) about Elvis faking his death. She also wrote a 1979 novel, Orion, about a singer loosely based on Elvis who faked his death.

Brewer-Giorgio’s evidence was shot down in a 1992 follow-up television special, The Elvis Conspiracy. Also hosted by Bixby, the second special had the tape analyzed by a new expert who found that the voice was not that of Elvis. The program also found all of the other major evidence false as well and concluded that Elvis is dead.

One can only speculate if Brewer-Giorgio is somehow connected with Aitcheson’s project as well, attempting to cash in on Elvis’ loyal fans once again. The Presley Report sells for $29.95, and Aitcheson claims that profits will go to the National Multiple Sclerosis Society in Elvis’ name.

The Elvis Beat recommends that fans contribute to their favorite charities in a more direct fashion.