Elvis Presley: January 8, 1935—August 16, 1977
“Should you go first and I remain for battles to be fought, each thing you’ve touched along the way will be a hallowed spot. I’ll hear your voice, I’ll see your smile, though blindly I may grope. The memory of your helping hand will buoy me on with hope.” –From “Should You Go First” by Albert Roswell, Poems That Touch The Heart, compiled by A. L. Alexander, Doubleday, New York, 1941.
Elvis Week officially kicks off today in Memphis. Of course, Elvis Week really occurs all over the world – wherever there is an Elvis fan. Most of us take a little extra time to remember and enjoy the music.
If you’re fortunate enough to be in Memphis, I envy you, but also hope you have a fantastic time. Elvis Presley Enterprises and others put on a variety of events, so it always looks like there is something for everybody.
Perusing the schedule, one thing that I’d definitely attend if I was there is Saturday’s screening of the 2000 documentary Sam Phillips: The Man Who Invented Rock ‘n’ Roll, which was written and produced by none other than Elvis biographer Peter Guralnick. Guralnick, along with Knox Phillips (Sam’s oldest son), will speak after the film.
In honor of Elvis Week, the O.co (Overstock.com) entertainment blog yesterday featured a fun Elvis infographic. Check it out.
Have a great week, everyone. Remember to crank up the Elvis!
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August 12, 2011, Update: Check out MJ’s fantastic post about visiting Graceland during Elvis Week 2007 on her blog.
Update #2: And here’s another one. This one is from the Elvis Today Blog with Thomas’ memories of Elvis Week 2005. The funny thing is, this was written shortly after Elvis Week 2007 – referenced in MJ’s post above.
August 18, 2011, Final Update: To bring things full circle, here are a couple of great blog posts from Memphis resident Deena Dietrich about Elvis Week 2011.
Found this video of Elvis live in 1974 on YouTube. I normally don’t link to this kind of thing, but this is the best footage of this nature I have ever seen. Unbelievable.
It doesn’t seem that impressive at first, but wait until 25 seconds in. It is totally captivating after that.
Looks like a fun time. Sure wish I could’ve been there. I had trouble getting tickets, you see, because I wasn’t born yet.
Inspired by a recent eBay auction of Elvis’ handwritten rehearsals set list from August 1974, Thomas has a posted another creative piece over on his Elvis Today Blog. This is a must-read:
“The Handwritten Las Vegas Rehearsal Set List” — Elvis Today Blog
Sony’s Follow That Dream collectors label for Elvis fans documented the rehearsals on the 2-CD set From Sunset to Vegas. The unique opening show of this engagement is one of two concerts that appear on FTD’s 2-CD Nevada Nights.
“The Twelfth Of Never” and “Softly, As I Leave You” from the August 16, 1974, rehearsal first appeared on 1995’s Walk A Mile In My Shoes.
I always find it a little eerie while listening to “Softly” in particular to think that Elvis would pass away exactly three years later.
He felt himself start to die, and he took his notepad from the side of the bed, and he wrote, ‘Softly, I will leave you, softly. For my heart would break, if you should wake, and see me go…'” –From “Softly As I Leave You,” Elvis Presley version, August 16, 1974
Thanks again to Thomas for taking over as guest conductor last week. I decided to just take the whole week off from keeping up with Elvis news and writing the blog. Honestly, what I learned during my week away from The Mystery Train is that I need time off from here more often, despite how much I love it. Taking a few steps back made me realize that sometimes this fun little hobby consumes too much of my life.
Last Train To Memphis: The Movie That Wouldn’t Die
With that being said, I did have a chance to go back and catch up on the news. One of the main stories to hit the Elvis sites last week was talk of a movie version of Last Train To Memphis: The Rise Of Elvis Presley, Peter Guralnick’s definitive early Elvis biography. The book was first released in 1994, seventeen years ago. I believe Hollywood has been trying to turn this into a movie for almost that long.
I can actually remember covering the Last Train To Memphis movie for the fan club newsletter I wrote back in the early to mid 1990s. My last story on the subject was something to the effect of “Unfortunately, plans for a movie version of Last Train To Memphis have been put on hold.”
Over the years, the project has continued to garner a mention out here in web land every now and then. IGN Movies even reviewed a rough draft script for Last Train To Memphis by Jim Uhls (Fight Club) back in 2000. None other than The New York Times listed a now-abandoned Last Train To Memphis incarnation with Mike Newell directing, Leonardo DiCaprio producing, and John Goodman appearing in an unidentified role (perhaps Colonel Tom Parker?). Long-time Elvis friend Jerry Schilling was also attached to the project as co-producer.
Here we are, well over a decade later, and plans for the movie have apparently been put back on the track, with John Fusco set to write a new adaptation for producer Steve Bing (“John Fusco Takes His Shot At Early Elvis” — Deadline Hollywood). Fusco‘s biggest credit to date is 1988’s Young Guns, while a few of Bing’s past productions have been documentaries. He also wrote the Chuck Norris Missing In Action series of movies.
My hope is that Last Train To Memphis: The Rise Of Elvis Presley will not be yet another conventional dramatization of Elvis’ life, but instead a definitive documentary using archival music, footage, and photographs to tell the story. After all, the only person who can really do Elvis justice is Elvis himself. Johnny Depp need not apply.
An ultimate Elvis documentary would fill the void left by the now-dated This Is Elvis and Elvis: The Great Performances. If they do this movie right, there’s a sequel already waiting in the wings in the form of Careless Love: The Unmaking of Elvis Presley, Guralnick’s somewhat disappointing 1999 follow-up that covered the remainder of Elvis’ life.
Sometimes, initiatives take flight right out of the Projects That Will Never Happen Department, and maybe that will be the case with Last Train To Memphis.
Live like Elvis – at any budget
ElvisBlog was one of several sites to cover one of Elvis’ former homes going on the rental market. The southern California residence that then-newlyweds Elvis and Priscilla used in 1967 can be yours for just $25,000 a month and includes, amazingly enough, “floor-to-ceiling walls throughout.”
If $25,000 a month is too much for you, then perhaps you might want to furnish your own version of Graceland instead by perusing eBay’s local classified advertisements (“Recreate Graceland Forever!” — The eBay Classifieds Blog). The Jungle Room is pretty cool, especially since two of my favorite albums were recorded there, but I think Elvis’ TV Room is more my style.
Judging a blog by its book cover
Finally, be sure to check out the ultra-slick cover to Thomas’ forthcoming book, which compiles his first 271 posts on the Elvis Today blog. It also features one never-before-published article. Hey Thomas, I’m just wondering, who is going to star in the inevitable movie version of the Elvis Today blog?
One of the stories I’ve enjoyed covering most here on The Mystery Train is Elvis Presley Enterprise’s Super Bowl watch party, held February 6 on the front lawn of Graceland. At $500 a ticket, the catered event benefited St. Jude Children’s Research Hospital. The day also featured Elvis-style football games on the lawn and a silent auction of sports and Elvis items. According to St. Jude, this ultimate Super Bowl party raised nearly $85,000.
As I mentioned Monday, Elvis’ rendition of “That’s All Right” could briefly be heard in the background during the Super Bowl TV broadcast while it played over stadium loudspeakers. I wondered at the time if those partying at Graceland picked up on this.
I decided to contact Elvis Presley Enterprises and find out. It turns out that the attendees did indeed hear Elvis during the game. “We also got emails from fans around the world who also heard the music clip being played,” said Alicia Dean, Media Assistant for EPE.
Dean also cleared up another one of my questions about the event. EPE’s original announcement stated that it was “only the second time an event has been held on the lawn, or anywhere on the property, since Elvis’ passing” (“Super Bowl Watch Party at Graceland to Benefit St. Jude” — Elvis.com). According to Dean, the first event was a party benefiting the TJ Martell Foundation on Ocotober 7, 1994, which was the day before the Elvis Aaron Presley: The Tribute concert at the Pyramid.
Elvis Aaron Presley: The Tribute was a live, pay-per-view television event featuring various music stars performing Elvis songs, including Faith Hill, Chris Isaak, Michael Hutchence, and Cher. It also resulted in the album It’s Now Or Never: The Tribute To Elvis, which contained a few of the songs from the show. Some footage of the concert also appeared in the December 1994 ABC TV special Elvis: The Tribute, hosted by John Stamos.
In life, Elvis always gave time and money to good causes, and EPE has done a terrific job of continuing that tradition over the years since his death. Many of Elvis’ fans have also continued in that spirit as well. As I’ve mentioned before, one organization worth checking out is the Elvis Presley Charitable Foundation, which is run by Lisa Marie Presley and the rest of the EPE management team and includes projects such as Presley Place.
Related Links
I remember being slightly surprised last year that Elvis Presley Enterprises had authorized Christmas Remixes, containing dance remixes by DJ Spankox of 1957’s entire Elvis’ Christmas Album. Sure, I could point to the rubber duckies or the potato heads as other examples of severe lapses in judgment when it comes to protecting Elvis’ legacy, but a dance remix version of Elvis’ Christmas Album? Really?
Turns out that EPE may have been just as surprised as I was to hear about the release of the album. In a lawsuit for which they recently won a summary judgment, EPE alleges they gave no such authorization to Spankox (Spankox Sued By EPE – ElvisNews.com).
EPE previously worked with Spankox in an authorized fashion on Re:Versions (2008) and Re:Mixes (2010). Re:Versions had uneven results, though I did enjoy the new take on “Too Much.” The Re:Mixes follow-up was rather poor, with few real highlights – perhaps, only “Hound Dog” (but it is, after all, the power of Elvis’ performance shining through and not the remix itself that makes that one compelling).
Compared to the stellar remix efforts by others on 2010’s Viva Elvis: The Album, 2002’s “A Little Less Conversation,” and 2003’s “Rubberneckin,'” Spankox’s attempts seemed insignificant and worn out. I never bothered to seek out his Christmas Remixes album, and it turns out that I made the right choice. Allegedly attempting to pass off something like that as being an authorized product just isn’t cool.
February 7 Update: The official Elvis.com site has posted an item about winning the Spankox lawsuit.
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