Elvis: That’s The Way It Is

News From The Frontier: John Berkey; Elvis; Twilight Zone [The Film Frontier blog]

/ TY

Artist John Berkey, 1932-2008
Berkey's Elvis Stamp BStarWars.com reported yesterday that artist John Berkey passed away on April 29. He was 75. Berkey painted the cover of the 1976 novelization of Star Wars, an image that continued to appear on early editions of the book. Berkey also painted a poster depicting a dogfight over the Death Star, used as an insert in the original Star Wars soundtrack LP.

The StarWars.com article includes a link to a gallery of ten Berkey Star Wars images. You can also find pictures of Berkey’s work in 2005’s The Star Wars Poster Book by Stephen J. Sansweet and Peter Vilmur. Though known for his science fiction and Star Wars art, Berkey was reportedly not a science fiction fan and never saw Star Wars.

Elvis Presley, 1973For a 1992 US Postal Servicing stamp voting campaign, Berkey also painted “Elvis Stamp B” (above), which depicted Elvis Presley as he appeared in his historic 1973 Aloha From Hawaii TV special (right). Berkey’s image lost to Mark Stutzman’s “Elvis Stamp A,” which depicted Elvis in 1956, his first year of national fame. Stutzman’s 1950s Elvis image became an official US stamp the following year, while Berkey’s 1970s Elvis image was never issued.

I voted for Berkey’s Elvis stamp back in 1992 and never knew about his Star Wars connection until reading The Star Wars Poster Book a couple of years ago. Though, again, I had no idea who the artist was back then, I actually had several posters of Berkey’s science fiction and fantasy imagery hanging in my bedroom when I was growing up. He was a real talent and will be missed.

Elvis: That’s The Way It Is (FTD Classic Album Series) available this week
Follow That Dream (FTD) records, BMG’s Elvis Presley collectors label, is scheduled to release a 2-CD set of Elvis: That’s The Way It Is this week to the US as part of its “Classic Album Series.”

This 2008 edition of the 1970 album includes all of the original tracks, plus numerous alternate takes, a 20-page booklet, and other extras. The new Elvis: That’s The Way It Is CD set was first released in Europe last month.

Check out Thomas’ review, over at his Elvis Today blog, and Lex’s review, over at ElvisNews.com. To obtain FTD CDs, visit ShopElvis.com. Most FTD CDs are much more interesting than the mainstream “greatest hits”-style Elvis CDs you’ll find at your local store.

Twilight Zone graphic novels on the way for 50th anniversary
It is hard to believe that 2009 will mark the 50th anniversary of the television debut of Rod Serling’s The Twilight Zone. Next to the original Star Trek, The Twilight Zone is my favorite TV series. I grew up watching both of them, and still watch them now (yet another indication that, in fact, I never did grow up).

Publishers Weekly announced earlier this month that Walker & Co. will release a series of graphic novels based on Twilight Zone‘s original scripts, in conjunction with Rod Serling’s estate. There will be at least eight graphic novels in all. Look for the first to hit US stores in October.

Elvis Notes [Elvis reflections]

/ TY

I was 23 when I wrote this item back in 1998. This is part of a series of archival Elvis writings — informal pieces originally written for family, friends, other purposes, or just me. They reflect how I was engaging with Elvis’ music in the years between The Elvis Beat and my blog writing.

Here are some notes on several of the songs:

Stranger In The Crowd / I’ve Lost You / How The Web Was Woven / Just Pretend
I don’t really have anything to say about these songs except that I LOVE them! All of them are from the 1970 album That’s The Way It Is – which is his best, in my opinion.

You’ve Lost That Lovin’ Feelin’
This has always been one of my favorite songs, and it took a while for Elvis’ version to grow on me. Now that it has, though, I think it’s the best version I’ve ever heard.

Always On My Mind
Probably my second-favorite Elvis song. This was a musical apology of sorts to Priscilla after their separation. Willie Nelson recorded a popular version in the 80s.

You Don’t Know Me
I first heard this song in the Bill Murray movie Groundhog Day, performed by Ray Charles. At the time, I thought it sounded like something Elvis would have recorded and I wished that he had. Hah, well my wish came true! A couple years later, I discovered this song by Elvis on a boxed set. Ray Charles probably did a better job, because Elvis recorded this in an “off” year. However, I like Elvis’ better anyway, because…well, it’s Elvis! This is probably the saddest song I’ve ever heard.

Can’t Help Falling In Love
I consider this, and not “Love Me Tender,” to be Elvis’ greatest love song. This particular version is an alternate take, shorter than the original release. I like it better for some reason, though. Elvis closed most of his concerts from 1969-77 with this song, as a message to his fans.

Promised Land
Elvis’ version of this Chuck Berry song was recently featured in the movie Men In Black.

Are You Laughing Tonight?
In this live version of “Are You Lonesome Tonight?,” Elvis ad-libs a new line, which supposedly inspires an audience member on the first row to remove his toupee and spin it on his finger – causing Elvis’ initial laughter. Whatever the initial cause, his contagious laughter likely continues because the background singers and band keep performing the song as if nothing is happening. Someone once said the world would be a much happier place if everyone listened to this song each morning. I agree with that.

Separate Ways
This is a companion piece to “Always On My Mind.” Note the verse which refers to Lisa Marie.

You’ll Never Walk Alone
This is an alternate take of this classic song. Elvis is on the piano, which was apparently his favorite instrument – not the guitar.

If I Can Dream
This is a tribute to Martin Luther King, Jr., who was assassinated in Elvis’ hometown of Memphis on April 4, 1968, and Robert F. Kennedy, who was assassinated in Los Angeles a couple months later. It closed Elvis’ ‘68 television special. My favorite song.

MGM videos re-released [The Elvis Beat newsletter]

/ TY

I was 22 when I wrote this article back in 1997 for The Elvis Beat #16, which turned out to be the final issue of my official Elvis Presley Fan Club newsletter.

MGM is re-releasing 18 Elvis videos on July 8 in “The Elvis Commemorative Collection.” All of the videos are digitally remastered and include their original theatrical preview trailers. Jailhouse Rock, Viva Las Vegas, Elvis: That’s The Way It Is, Elvis On Tour, and Elvis: The Lost Performances are among the titles.

Unfortunately, despite the effort to digitally remaster the films, the videos will only be available in the standard “pan & scan” format rather than widescreen/letterbox. Over one-third of the theatrical picture is lost when movies are adapted for viewing on television sets unless the widescreen format is used.

Elvis releases show no signs of slowing [The Elvis Beat newsletter]

/ TY

I was 22 when I wrote this article back in 1997 for The Elvis Beat #16, which turned out to be the final issue of my official Elvis Presley Fan Club newsletter.

This year, which marks the 20th anniversary of Elvis’ death, may prove to be one of RCA’s busiest yet, with several new Elvis releases and re-issues planned.

Scheduled for release in June is the new 4-CD boxed set Platinum: A Life In Music, which will include over 70 previously unreleased tracks. Elvis recorded six of the new tracks on a home tape recorder in the 1960s at Graceland. Also included will be some rehearsals for his 1968 television special ELVIS and for his August 1970 Las Vegas shows, captured for the Elvis: That’s The Way It Is documentary. Newly released alternate takes and live performances will also be featured.

A new live concert album from 1972, An Afternoon In The Garden, was released on CD in March and is reviewed on page 3.

In April, the movie soundtracks not covered in the Elvis Double Features series were issued on CD, along with bonus tracks. These albums are:

  • Loving You
  • Jailhouse Rock/Love Me Tender
  • King Creole
  • GI Blues
  • Blue Hawaii

The five-volume Elvis’ Golden Records series will be re-issued on CD in July.

Currently expected for re-release by the end of 1997 are CD re-issues of the boxed sets Elvis Aron Presley (1981) and A Golden Celebration (1985). However, sources indicate they may be delayed until 1998.

Review: A HUNDRED YEARS FROM NOW CD [The Elvis Beat newsletter]

/ TY

I was 21 when I wrote this review back in 1996 for The Elvis Beat #15, my official Elvis Presley Fan Club newsletter.

A Hundred Years From Now (RCA), recorded by Elvis Presley, 1970 and 1971, RCA Studios (Nashville). Released: July 1996 (CD).

A Hundred Years From Now is volume 4 of the Essential Elvis series. It contains 22 tracks recorded in 1970 and 1971, including 17 previously unreleased performances.

1970 is one of my favorite Elvis years, but A Hundred Years From Now is rather disappointing. Quite often alternate takes of Elvis songs are as good or better than the master releases. Or at least they are notable for the variations from the released versions. Unfortunately, most of the alternates on this album either are not significantly different from the originals or are surpassed by the originals.

“I Didn’t Make It On Playing Guitar” is an informal instrumental jam and a song never released before in any form. Although Elvis and the band sound great, unfortunately the track itself is boring and hard to listen to more than once or twice.

The other song never released before by Elvis on A Hundred Years From Now is “The Lord’s Prayer,” which is also disappointing and an informal recording.

The title song, “A Hundred Years From Now,” is great and was first released last year in the ELVIS: Walk A Mile In My Shoes – The Essential 70s Masters boxed set, though it sounds a bit different here.

The alternates of “I’ve Lost You” and “Just Pretend,” two of my favorite songs, are disappointing. The original master releases of these two incredible songs are far superior. The same could be said for nearly all the other songs presented here.

Two highlights are a beautiful performance of “Bridge Over Troubled Water” and an extended version of “The Fool.” It should also be noted that this album, like most RCA releases in the last six or seven years, is beautifully packaged despite the poor quality cover art.

For collectors of Elvis’ 1970s songs, this album is a requirement in order to be complete. Others would be better advised to purchase the original source material, such as the album That’s The Way It Is.

Songs:

  1. I Didn’t Make It On Playing Guitar
  2. I Washed My Hands In Muddy Water
  3. Little Cabin On The Hill
  4. A Hundred Years From Now
  5. I’ve Lost You
  6. Got My Mojo Working/Keep Your Hands Off Of It
  7. You Don’t Have To Say You Love Me
  8. It Ain’t No Big Thing
  9. Cindy, Cindy
  10. Faded Love
  11. The Fool
  12. Rags To Riches
  13. Just Pretend
  14. If I Were You
  15. Faded Love
  16. Where Did They Go, Lord
  17. It’s Only Love
  18. Until It’s Time For You To Go
  19. Patch It Up
  20. Whole Lotta Shakin’ Goin’ On
  21. Bridge Over Troubled Water
  22. The Lord’s Prayer

Rating: 7 out of 10

Review: THAT’S THE WAY IT IS CD [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this review back in 1993 for The Elvis Beat #5, my official Elvis Presley Fan Club newsletter.

That’s The Way It Is (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded June 1970, RCA Studios (Nashville) and August 1970, International Hotel (Las Vegas). Released: December 1970. Re-released: 1993 (CD).

That’s The Way It Is continued Elvis’ string of awesome studio work which had started at the Memphis sessions in January 1969. It is definitely one of the most outstanding albums of his career.

Over half of the twelve songs on the album were recorded in June 1970 at RCA’s Nashville studios, a recording session which eventually yielded the bulk of the songs on three albums.

The rest of the songs were taken from his Summer 1970 Las Vegas engagement, which was filmed for the documentary Elvis: That’s The Way It Is.

All twelve songs on the album are so great that favorites cannot even be chosen. Elvis does his own distinct versions of several previously recorded songs of other artists which far exceed the originals – “You’ve Lost That Lovin’ Feelin'” and “Bridge Over Troubled Water,” for example.

Fans of this album should also obtain the videos Elvis: That’s The Way It Is, which contains all of the songs in one form or another, and Elvis: The Lost Performances, which features excellent live versions of “Twenty Days And Twenty Nights” and “Just Pretend.”

Songs:

  1. “I Just Can’t Help Believin'”
  2. “Twenty Days And Twenty Nights”
  3. “How The Web Was Woven”
  4. “Patch It Up”
  5. “Mary In The Morning”
  6. “You Don’t Have To Say You Love Me”
  7. “You’ve Lost That Lovin’ Feelin'”
  8. “I’ve Lost You”
  9. “Just Pretend”
  10. “Stranger In The Crowd”
  11. “The Next Step Is Love”
  12. “Bridge Over Troubled Water”

Rating: 10 out of 10

Elvis and the Colonel: The Way It Was [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this article back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

One mistake after another occurred in the NBC television movie Elvis and the Colonel: The Untold Story, which aired in January. On the rare occasions when the movie’s makers did decide to check their sources, it appears the only reference they bothered to use was the 1979 TV movie Elvis starring Kurt Russell and directed by John Carpenter.

Below is a listing of some of the many factual errors which appeared in Elvis and the Colonel:

  • “Elvis” is shown giving his mother a pink cadillac after they were already living at Graceland. In reality, Elvis gave her the car in 1956, while they did not move into Graceland until May 1957.
  • “Elvis” is shown in Elvis and the Colonel filming the movie Change of Habit in the 1950s. In actuality, Change of Habit was filmed in 1969 and was his last acting role.
  • “Colonel Parker” mentions that “Elvis”‘ gold cadillac could be toured while he was in the Army. The real Elvis did not even purchase the gold car until after his service in the Army.
  • Preparations for the taping of the 1968 ELVIS television special (now known as ELVIS: ’68 Comeback Special) are shown occurring in November of 1968. In reality, the special was taped in June of 1968.
  • The ELVIS special is a live broadcast in the movie. In actuality, ELVIS, as mentioned above, was taped in June 1968 and did not air until December of that year. It was the 1973 television special Elvis: Aloha From Hawaii that was broadcast live to some locations around the world.
  • “Elvis” is shown singing “Are You Lonesome Tonight” in a white, double-breasted suit during the ELVIS television special. In reality, “If I Can Dream” was the only song Elvis performed in the special wearing that suit.
  • “Heartbreak Hotel” in the movie concludes the ELVIS special. In actuality, “If I Can Dream” was the final song sung by Elvis in the special.
  • “Also Sprach Zarathustra” (theme from 2001: A Space Odyssey) opens “Elvis”‘ opening night performance in July 1969 at the Las Vegas International Hotel in the movie. The fact is, the real Elvis did not begin using “Also Sprach Zarathustra” until 1971.
  • “Elvis” wears a white jumpsuit for the July 1969 opening performance in the movie. In reality, Elvis wore a simple black outfit for his first concert in years. The jumpsuit worn by the actor is a distorted version of one worn by Elvis in the film Elvis: That’s The Way It Is, which was from an August 1970 performance.
  • “Elvis” sings “The Wonder Of You” at the 1969 concert in the movie, while the song was not really performed by Elvis until 1970.
  • “Elvis” is shown extremely overweight by September of 1971 in the movie, which escalates until a 1973 performance in which he appears obese. In reality, Elvis was at or near his ideal weight during these years, as proven by video and photographs.
  • “Elvis” is shown in the movie complaining to “Colonel Parker” about turning down A Star Is Born in August 1973. In actuality, Elvis had not yet been offered a role in this 1976 movie.
  • “Elvis” and “Priscilla” never divorce in the film! Despite the fact that the real couple divorced in October 1973, the movie “Elvis” tells of a nightmare in July 1976 in which he dreamed that “Priscilla” had left him. In a 1981 courtroom scene, the judge refers to “Elvis” as “Priscilla”‘s late “husband,” instead of “ex-husband.”