Elvis Live Wire: Ernst Jorgensen acquires “I Forgot To Remember To Forget”

Silvertone wire recording of Elvis Presley

Silvertone wire recording of Elvis singing “I Forgot To Remember To Forget”

One of the feel-good Elvis stories of 2012 will have an encore after all. Audio collector amberola1b, who discovered a 1955 live recording of Elvis singing “I Forgot To Remember To Forget” on the Louisiana Hayride radio program, recently remarked that he has sold the recording to Ernst Jorgensen. Jorgensen heads up Sony Music’s Elvis team and helms their Follow That Dream collectors label. This means, at some point, there will undoubtedly be an official release of this incredible find.

Last July, amberola1b caused a sensation among Elvis fans when he briefly posted the recording on YouTube, without being aware that it was so unique. Sourced from a Silvertone wire recording, the performance had never been heard by the public since the original broadcast.

Elvis appeared on the Hayride about fifty times from 1954 to 1956. Though similar to Nashville’s Grand Ole Opry, the show was more receptive to new talent – including Elvis’ groundbreaking style. Compared to most of the other Hayride recordings released in the past, the audio quality on “I Forgot To Remember To Forget” was stunning.

The discovery made headlines on the eve of the release of the Elvis masterpiece A Boy From Tupelo: The Complete 1953-1955 Recordings, Ernst Jorgensen’s book and music project covering the SUN years. A Boy From Tupelo included several other recordings from the Louisiana Hayride, but “I Forgot To Remember To Forget” was found too late for consideration. “Wow – it’s unbelievably beautiful. I’m still trying to recover from the shock,” Jorgensen said at the time.

Audio grabs of amberola1b’s YouTube video have appeared on a couple of “gray market” releases, but a professional transfer from the wire, properly mastered, should yield much more impressive sound quality.

On January 12, amberola1b posted the following comments on YouTube about his interaction with Jorgensen:

“I did sell the rights to him but the way it went was that I didn’t even know Ernst and was directed to him thru other utubers that were Elvis fans. I didn’t even know there was a big anniversary album or book being put together about The King, I just merely decided at that moment in time to do the utube video, and just happen to post it during the summer. If luck had been on my side and I had known about what was being planned […] I would have made the video months before, and it would have been included in the album that was included in the book ‘A Boy From Tupelo’. But as it turned out he sent me a copy of the book and it just blew my mind to see all the wonderful pictures that had been compiled of Elvis and the stories written about him.”

[Thank you to Greg1995 on the For Elvis CD Collectors Forum, who first posted about amberola1b’s recent confirmation of the sale.]


I only listened to the live “I Forgot To Remember To Forget” once. It was so incredible, I knew I wanted to wait for an official release. Out of respect for amberola1b, I also never posted links to the multiple copies of this video that showed up after his original post (I made an exception for the copied version in the story linked above, since that is where he chose to post his comments).

I’m thrilled that Jorgensen has acquired this fantastic discovery. So, to amberola1b: Thank you for making a deal that will allow Elvis fans to hear this recording in the best sound quality possible for generations to come.

So, the question is, what should Jorgensen do with this recording now that he has it?

Ideally, this would be a terrific opportunity for Sony to release a mainstream version of A Boy From Tupelo, which was a limited run on the FTD collectors label. Every Elvis and rock ‘n’ roll fan should have the opportunity to own A Boy From Tupelo – one of the most important Elvis releases since his death in 1977. Scooting the two interviews over to the end of Disc 2 would free up enough space for “I Forgot To Remember To Forget” to join the other Hayride performances on Disc 3.

If a full-blown re-release of A Boy From Tupelo is not possible for some reason, I think 2013 or 2014 would be the perfect time for a 2-CD set on the main Sony label covering 1953-1955. After all, 2013 marks the 60th anniversary of Elvis paying to record his first demo (“My Happiness” b/w “That’s When Your Heartaches Begin”), while 2014 marks the 60th anniversary of his first professional release (“That’s All Right” b/w “Blue Moon Of Kentucky”).

For fun, here’s how I would approach such a 2-CD set.

Elvis Begins: The 1953-1955 Recordings

Disc 1

  1. That’s All Right (45 RPM SUN single version)
  2. Blue Moon Of Kentucky (45 RPM SUN single version)
  3. Good Rockin’ Tonight
  4. I Don’t Care If The Sun Don’t Shine
  5. Milkcow Blues Boogie (78 RPM SUN single version)
  6. You’re A Heartbreaker (78 RPM SUN single version)
  7. Baby, Let’s Play House
  8. I’m Left, You’re Right, She’s Gone
  9. I Forgot To Remember To Forget
  10. Mystery Train
  11. Harbor Lights
  12. I Love You Because
  13. Blue Moon
  14. I’ll Never Let You Go
  15. Just Because
  16. Tryin’ To Get To You
  17. My Happiness (Demo)
  18. That’s When Your Heartaches Begin (Demo)
  19. I’ll Never Stand In Your Way (Demo)
  20. It Wouldn’t Be The Same Without You (Demo)
  21. Harbor Lights (Take 7)
  22. I Love You Because (Take 3)
  23. I Love You Because (Take 5)
  24. That’s All Right (Takes 1, 2)
  25. That’s All Right (Take 3)
  26. Blue Moon Of Kentucky (Take 3)
  27. Blue Moon (Take 4)
  28. Blue Moon (Take 5)
  29. Blue Moon (Take 8)
  30. Tomorrow Night (Undubbed/unedited version)
  31. That’s All Right (Live-Shreveport, LA-October 16, 1954)
  32. Blue Moon Of Kentucky (Live-Shreveport, LA-October 16, 1954)

Disc 2

  1. I’m Left, You’re Right, She’s Gone (Slow version, Take 1)
  2. I’m Left, You’re Right, She’s Gone (Slow version, Take 2)
  3. I’m Left, You’re Right, She’s Gone (Slow version, Take 3)
  4. I’m Left, You’re Right, She’s Gone (Slow version, Take 5)
  5. I’m Left, You’re Right, She’s Gone (Slow version, Take 6)
  6. Shake, Rattle & Roll (Demo-Lubbock, TX-January 6, 1955)
  7. Fool, Fool, Fool (Demo-Lubbock, TX-January 6, 1955)
  8. Hearts Of Stone (Live-Shreveport, LA-January 15, 1955)
  9. That’s All Right (Live-Shreveport, LA-January 15, 1955)
  10. Tweedlee Dee (Live-Shreveport, LA-January 15, 1955)
  11. Money Honey (Live-Shreveport, LA-January 22, 1955)
  12. Blue Moon Of Kentucky (Live-Shreveport, LA-January 22, 1955)
  13. I Don’t Care If The Sun Don’t Shine (Live-Shreveport, LA-January 22, 1955)
  14. That’s All Right (Live-Shreveport, LA-January 22, 1955)
  15. Tweedlee Dee (Live-Shreveport, LA-March 5, 1955)
  16. Money Honey (Live-Shreveport, LA-March 5, 1955)
  17. Hearts Of Stone (Live-Shreveport, LA-March 5, 1955)
  18. Shake, Rattle & Roll (Live-Shreveport, LA-March 5, 1955)
  19. Little Mama (Live-Shreveport, LA-March 5, 1955)
  20. You’re A Heartbreaker (Live-Shreveport, LA-March 5, 1955)
  21. Good Rockin’ Tonight (Live-Houston, TX-March 19, 1955)
  22. Baby, Let’s Play House (Live-Houston, TX-March 19, 1955)
  23. Blue Moon Of Kentucky (Live-Houston, TX-March 19, 1955)
  24. I Got A Woman (Live-Houston, TX-March 19, 1955)
  25. That’s All Right (Live-Houston, TX-March 19, 1955)
  26. How Do You Think I Feel (1955 version, Take 1)
  27. Tweedlee Dee (Live-Gladewater, TX-April 30, 1955)
  28. That’s All Right (Live-Meridian, MS-May 26, 1955)
  29. I’m Left, You’re Right, She’s Gone (Live-Shreveport, LA-July 2, 1955)
  30. Baby, Let’s Play House (Live-Shreveport, LA-August 20, 1955)
  31. Maybellene (Live-Shreveport, LA-August 20, 1955)
  32. That’s All Right (Live-Shreveport, LA-August 20, 1955)
  33. I Forgot To Remember To Forget (Live-Shreveport, LA-October 1, 1955)
  34. When It Rains, It Really Pours (1955 version, Take 5)
  35. When It Rains, It Really Pours (1955 version, Take 8)

Live 1955: Hear a newly discovered Elvis recording on YouTube [UPDATE: Gone!]

I’m still working on a gigantic post for next week, so I wasn’t planning on posting this morning. However, huge news rocked the Elvis world yesterday.

Just last week, I asked riders to describe the moment in Elvis’ life they would capture if they had a time-traveling audio recorder. There were some terrific responses but, in some ways, this fantasy is no longer just on the edge of reality.

Jorgensen: “I’m still trying to recover from the shock”

On Tuesday, audio collector amberola1b quietly posted on YouTube a clip of Elvis Presley singing “I Forgot To Remember To Forget” live on the Louisiana Hayride radio show in 1955. Sourced from a Silvertone wire recording, the performance has never been heard by the public since the original broadcast. Compared to most of the other Hayride recordings released in the past, the audio quality is stunning. The Elvis portion begins at 3:45.

“I Forgot To Remember To Forget” (Live-1955) — Elvis Presley
[Source: amberola1b — YouTube]

By Friday, Elvis fans began taking notice. On the excellent For Elvis CD Collectors forum, member AVSP posted a link to the clip and the thread ignited in positive reactions. Within only twelve hours, six pages of comments had come in. As of now, it is up to seven and counting.

Research by Mike C and drjohncarpenter has tentatively dated this fantastic recording as occurring on Saturday, October 1, 1955.

Of course, the first question on everyone’s mind is will this appear on A Boy From Tupelo: The Complete 1953-55 Recordings, FTD’s SUN boxed set that includes a 512-page book and 3 CDs.

With the 11-pound set only weeks from release, the answer appears unfortunately to be no. It turns out that Sony’s Elvis chief Ernst Jorgensen was just as surprised as anyone else by the recording. “Wow – it’s unbelievably beautiful. I’m still trying to recover from the shock,” he said in an email to willem k.

Around the Elvis web, the story has inspired headlines:

Here’s hoping that Jorgensen can work out an arrangement with the recording’s owner. Even if it cannot make the SUN set, it deserves an official release on a Sony or FTD product.

* * *

UPDATE: I hope you had a chance to play it, folks, because amberola1b has now removed the song from YouTube. Only about three hours before this, willemk posted on FECC that Ernst Jorgensen was “now in contact with the owner.” With that in mind, the removal from YouTube may in fact be a really good sign. Let’s keep our fingers crossed, everyone, that we will get to hear the live version of “I Forgot To Remember To Forget” on a Sony or FTD release soon.

Double Post: A Trip Down 2012/Top Ten Elvis News Stories of 2012 (So Far…)

Welcome to a special, super-sized edition of The Mystery Train Blog. This double post features a guest piece by Kees of the Elvis Day By Day blog, as well as an entry by me. This is also going out simultaneously on the Elvis Day By Day blog, marking the first formal collaboration between our two sites. Kees, take it away. –Ty

A Trip Down 2012

by Kees, Elvis Day By Day blog

One of the big pros of the world wide web is that it brings people together. Through our blogs, Ty and I met and decided to look back at some of the highlights of the 35th anniversary year. This year, I blogged over 150 posts, often with multiple news items in each one. That means the Elvis world is very much alive. Picking a top 10 wasn’t easy, so I picked ten items that stuck with me as a fan and listed them chronologically.

January 08 – Cool

Elvis Chante CDSome highlights are very simple, on this day the French Elvis My Happiness fan club announced the release of the book Le Jour Ou Elvis Chante A Paris. Although my French isn’t good enough to read the book, I was stunned by the cool image on the promotional CD that came with it. That’s one cool dude.

January 26 – For God And Country

For God And Country set3764 Blvd. Publishing announced the release of the deluxe book, CD, and later vinyl set For God And Country. I really like this ‘last’ concert Elvis Presley performed as a ‘rocker’ and blame the Colonel for not professionally recording it.

The label met stiff competition when the UK-based Memphis Recording Service released the same 1961 Hawaiian concert a few months later. Fan reactions were both positive and negative (beautiful book, mixed on the remastering of the sound). The 3764 Blvd. edition is still set for release this summer, this time facing competition from plans of the official Follow That Dream collectors label.

February 06 – #1

Elvis Presley albumSpeaking of cool covers, the cover of Elvis Presley’s debut album topped Shortlist.com‘s 50 Coolest Albums of All Time list. Besides calling the cover ‘iconic’ and taking note of classic hits such as “Blue Suede Shoes,” the Shortlist refers to John Lennon’s quote, “Before Elvis there was nothing,” and describes “the boy from Tupelo, MS” as a catalyst for rock ‘n’ roll. I can’t agree more with the website. I have this album hanging on my wall, and it never bores me. It is very energetic.

March 27 – Welcome Home Elvis

Welcome Home Elvis bookThe Follow That Dream collectors label has recently branched out with other parties for their releases. The first one with the Behind The Image team didn’t work out, and neither did the Fashion For A King book with the Norwegian Flaming Star fan club, as it was filled with grammatical errors. However, with the Welcome Home Elvis book, the Danish / Norwegian team came back with a bang presenting a really cool King in a very cool book. With these books, I always have to think back on Ger Riff’s book. Wouldn’t it be great if the Follow that Dream label teamed with the master himself?

April 02 – Almost April Fool

Blue Suede FakesI kind of felt like a fool for not noticing that the previous announcement of the auction of a pair of blue suede shoes, said to be signed by Elvis Presley in 1956, were not the right ones. The two pairs of shoes on the images that I posted with the article were not the same type of shoes. It would have been a great April Fools’ Day joke if it had been planned just one day earlier.

April 16 – Bootleg Elvis

Bootleg Elvis bookThe book Bootleg Elvis was first mentioned on the For Elvis CD Collectors forum in 2011. In April of this year, the five collectors behind the book sent out the first official press release. Besides Ernst Jorgensen’s SUN book, this is the #2 book on my really-need-to-buy-this-year list. I know there are a lot of Elvis Presley bootlegs around, for I’ve collected quite a few of them. Being from the younger generation, though, my collection consists mainly of CDs. This book will hopefully give me a look into Elvis bootlegging history on vinyl. I’ll probably find some nice items to look for.

April 23 – Finally FTD Information

FTD World bookOne of the things the Follow That Dream label lacked from day one is information: on releases, planning, ship dates, and, most important of all, background in accompanying booklets. The label bought the official Follow That Dream URL and has the foremost Elvis Presley expert, Ernst Jorgensen, as the producer heading the team, so what is holding them up?

A lot of fans volunteered to step in, and the Japanese Elvis For Sound Fans Only fan club actually did. I don’t have their book on the first 111 FTD releases, but it deserves a spot on this list for their initiative! I’ll have to find a copy to see what the book covers. For now, I can do with the review from The Elvis Information Network.

May 06 – A Trip Down Memory Lane

Graceland bookThe Boxcar release Graceland Through The Years: 1957–1977 was first announced four years ago in an interview on the Elvis Information Network website. On this day, the label showed the result of four years of work.

I must say, I’m really looking forward to this one. I have the official EPE book, and I walked the grounds of Graceland in person over ten years ago. I expect this book to be a well-documented trip down memory lane.

May 16 – The Work Of A Man From Denmark

May 15, 2012 marks the day of the first real glimpse into the actual FTD SUN release. The Official UK Elvis Presley fan club beat the official announcement of the release of A Boy From Tupelo by one day. Speaking of days, I’m counting the days until I hold this five-kilo Holy Grail of the Elvis world in my hands. I’ve always had a real soft spot for the birth of rock ‘n’ roll, and now I can experience it as complete as it will probably ever get.

May 26 – Volume Five

The fifth volume in The Elvis Files book series from the Norwegian Flaming Star fan club was released. The series documents Elvis Presley’s life and achievements in a very informative and well illustrated manner. It is a bit overhyped, has some flaws, and seems to simply collect some of the material from the internet. Still, there is nothing Elvis that compares to this body of work, so it stands out as the “Illustrated Biography” of Elvis Presley. The fifth volume documents the years 1969 and 1970, when Elvis became king of the whole wide world again. Besides the first six years of his public life, these years are the most iconic.

Back to you Ty!

Top Ten Elvis News Stories of 2012 (So Far…)

by Ty, The Mystery Train Blog

This year marks the 35th anniversary of the death of Elvis Presley. With almost half of 2012 already in the record books, this seems like a good time to look back at the ten best stories so far this year.

#10 A revitalized dream
In 2012, noted Elvis soundboard expert Ciscoking began consulting with Sony’s Follow That Dream collectors label for Elvis fans. The first result of that collaboration was April’s Another Saturday Night, capturing a previously unreleased 1975 concert in Shreveport, Louisiana. Involving an extremely knowledgeable fan is a huge step forward for FTD’s sometimes dubious soundboard series. Earlier this month, Elvis Presley Enterprises’ official Elvis.com site showed some love for the label by rolling out a rejuvenated FTD section – complete with audio clips, posters, and movie trailers. Ciscoking has hinted that a dedicated FTD site may finally be on the way, but the Elvis.com section at least provides a temporary destination for those wanting to learn more about the various releases.

#09 Celebrating Elvis, the father
Lisa Marie Presley in February launched a new exhibit at Graceland, “Elvis… Through His Daughter’s Eyes.” Nine-years-old when her father passed away, Lisa Marie presents memories of her time with him. The exhibit includes home movies, toys, and even Lisa Marie’s crib. All too often, Elvis today is seen only as an image or trademark – like Mickey Mouse. Lisa Marie’s very personal exhibit instead places a much-needed focus on the real man behind that image.

#08 Tour Graceland without leaving home
In March, Elvis.com rolled out 360-degree, panoramic tours of Graceland’s exterior, foyer, den, and racquetball building/trophy room. What better way to entice fans to visit in person than to allow a virtual preview? The real question is, will the forthcoming virtual Elvis live in virtual Graceland? While I love the virtual Graceland concept, I have to admit, the thought of a virtual Elvis (in 2D “hologram” form) creeps me out. Virtual Graceland Trophy Room

#07 I Am An Elvis By Request Fan
In May, Sony Music solicited online votes from fans on which Elvis songs should appear on a new CD, I Am An Elvis Fan. Unfortunately, Sony restricted the voting choices to less than a hundred of the 700-plus Elvis masters – not to mention thousands of alternate and live cuts released since his death. Sony Music Australia took this concept one step further in June. For Sony Music Australia’s Elvis By Request 2-CD set, fans can vote for any Elvis master, as well as many tracks released since 1977. I’ve pre-ordered both CDs, but I’m most looking forward to the Australian edition.

#06 Sweetening through the ages
The most interesting Elvis releases these days tend to be not from the main Sony label, but from the FTD label. In March, FTD released Our Memories Of Elvis Volumes 1, 2, & 3. The 2-CD set contains the original 1979 and 1980 albums, as well as a third volume and additional tracks prepared but never released. The concept is simple, the recordings have been remixed to remove certain instruments and background vocalists to strip them down to a “pure” sound. While the results may still be artificial compared to truly undubbed versions, it is still an intriguing concept and a welcome release.

#05 Grace through the storm
Lisa Marie Presley released her third album in May, Storm & Grace. Her best release yet, the album is consistent, well-written, well-performed, and well-produced. My favorite songs on the album are “Over Me,” “You Ain’t Seen Nothin’ Yet,” “So Long” and “Un-break.” The other tracks are solid as well.

#04 “Some of y’all never been down South too much”
In its top-notch Classic Album series, FTD released its version of On Stage in March. I consider On Stage second only to That’s The Way It Is as the best album of Elvis’ career. By my count, this marks the fourth different configuration of this album (the original 1970 version, the 1999 special edition, the 2010 Legacy edition, and now the 2012 FTD edition). Why, then, is this latest reissue even worth mentioning? In addition to the original album, this 2-CD set contains additional tracks from his February 1970 Las Vegas engagement, many of them previously unreleased.

#03 Practice, practice, practice
Scheduled for release this month from FTD is From Hawaii To Las Vegas, which presents a January 25, 1973, rehearsal at the Las Vegas Hilton. One song from this rehearsal, “I’m Leavin’ It All Up To You,” was first issued as a bonus track last year on FTD’s uneven Stage Rehearsal CD. Originally recorded on cassette tape, From Hawaii To Las Vegas probably will not be the kind of CD you would want to throw on at a party – but it should provide valuable insight to fellow Elvis historians. Included are two runthroughs of “Separate Ways” – a song that, as far as anyone knows, Elvis never actually performed in concert.

#02 Not a typical compilation
With I Am An Elvis Fan and Elvis By Request on the way, 2012 may be seen as the year of the fan compilation. However, many fans have been making Elvis compilations for their own personal use for years – whether on cassette tape, CD-R, or iPod playlists. In May, one particular Elvis playlist made the news. Lisa Marie’s Favourite Elvis Songs features his daughter’s selections. Her 12 picks range from 1960-1972, with a full two-thirds coming from the 1970s. With selections like “Just Pretend” and “I’m Leavin’,” Lisa Marie’s list proved to be both unique and terrific. Sony should hire her to advise on future Elvis compilations.

#01 From Alabama Street to Union Avenue
After years of rumors and speculation, the announcement of a release date and early details for FTD’s seemingly mythical “SUN project” has to take the number one spot. No contest. One of the most anticipated Elvis Presley releases ever, A Boy From Tupelo: The Complete 1953-1955 Recordings will include a 512-page book detailing the activities of Elvis in that time period as well as three CDs worth of material. The set gathers every known Elvis SUN master and outtake, plus demos and live performances. It includes ten previously unreleased tracks. The SUN project has been FTD chief Ernst Jorgensen’s baby for the past several years. A Boy From Tupelo reportedly tips the scales at 5 kilograms (11 pounds), meaning it weighs more than most newborns! Delivery is currently expected for August 16. A Boy From Tupelo (concept cover art)

What will the rest of 2012 bring to the Elvis world? Will A Boy From Tupelo live up to expectations? What other surprises are in store? Find out by keeping it tuned to the Elvis Day By Day blog.

Memories of yesterday, dreams of today

The Huffington Post today published in-depth interviews with Ernst Jorgensen on The Complete Elvis Presley Masters and Erich van Tourneau on Viva Elvis: The Album. The first run of the 30-disc Complete Elvis Presley Masters is sold out, with more to be available next year. The single disc Viva Elvis: The Album hits stores tomorrow. While both projects feature Elvis, one release focuses on preserving the past in a historically accurate fashion, while the other uses modern techniques to speculate on what might have been if Elvis recorded in 2010.

Van Tourneau oversaw Viva Elvis: The Album and mixed five of the release’s twelve main tracks. “[M]y mandate was to first, really contemporize the Elvis catalog and bring him into ’10. The idea was to recreate the music as if Elvis were recording the song in ’10, so I’ve created new beats, new chord changes, or new instrumental changes for each and every song,” he says. The interview also reveals that a second volume of Viva Elvis recordings may be in the works.

Ernst Jorgensen has been the man behind Elvis Presley music releases for the last two decades. Somewhere between working on a dozen FTD Elvis collectors label releases a year, not to mention Elvis projects for the main Sony label, he managed to find time to oversee the restoration work that went into The Complete Elvis Presley Masters. “It’s like everything you hope would one day happen when you do what I do–when you compile records and you write books–to be able to put all your favorite artist’s master recordings in one box set, and be given the privilege to do a two-hundred forty page book with text and illustrations describing the entire career. It doesn’t get better than that,” says Jorgensen. It does not get much better than the work Jorgensen has done for Elvis’ musical legacy, either.

Read the full interviews at the Huffington Post.