I included the standard CD in the picture to give you an idea of the scale. A Boy From Tupelo is a big monster, weighing every bit of the promised 11 pounds.
Needless to say, this is the last time I’ll be posting for awhile. I’ve got a lot of reading and listening to do!
What if the previously unreleased cassette recording of Elvis rehearsing the day before his opening show at the Las Vegas Hilton on January 26, 1973, had been a rehearsal for an upcoming world tour instead? In an alternate universe, a review of the recently released From Hawaii To Las Vegas album from FTD would have sounded a bit different…. You’ve just crossed over into… the edge of reality.
[Read the full post by Thomas Melin over on Elvis Today Blog.]
This has been another fantastic week of Elvis release news. Today, Follow That Dream Records revealed the track listing for the long-awaited A Boy From Tupelo: The Complete 1953-55 Recordings, FTD’s SUN boxed set that includes a 512-page book and three CDs. FTD, Sony’s collectors label for Elvis fans, will release the set next month.
It appears that Elvis Matters was the first site to break the track listing news, though I first read about it over on a For Elvis CD Collectors Forum thread started by Greg1995. On that thread, FECC member Good Time Charlie took the time to reformat the track listing to make it more palatable. I’ve used his version for the below, with a few very minor tweaks of my own. A big thank you to Charlie for allowing me to use his work.
Elvis Presley: A Boy From Tupelo – The Complete 1953-55 Recordings
Disc 1: MRS Acetates, The SUN Masters & The RCA Masters
01) My Happiness 2:33
02) That’s When Your Heartaches Begin 2:52
03) I’ll Never Stand In Your Way 2:04
04) It Wouldn’t Be The Same (Without You) 2:09
05) Harbor Lights 2:38
06) I Love You Because 2:43
07) That’s All Right [45 RPM SUN Master] 2:00
08) Blue Moon Of Kentucky [45 RPM SUN Master] 2:07
09) Blue Moon 2:44
10) Tomorrow Night 3:01
11) I’ll Never Let You Go (Little Darlin’) 2:27
12) I Don’t Care If The Sun Don’t Shine 2:32
13) Just Because 2:34
14) Good Rockin’ Tonight 2:15
15) Milkcow Blues Boogie [78 RPM SUN Master] 2:39
16) You’re A Heartbreaker [78 RPM SUN Master] 2:13
17) I’m Left, You’re Right, She’s Gone [Slow version] 2:43
18) Baby Let’s Play House 2:19
19) I’m Left, You’re Right, She’s Gone 2:38
20) I Forgot To Remember To Forget 2:31
21) Mystery Train 2:30
22) Tryin’ To Get To You 2:36
23) When It Rains It Pours 2:06
24) That’s All Right 1:59 [RCA single version]
25) Blue Moon Of Kentucky 2:05 [78 RPM SUN Master]
26) I Love You Because 2:45 [RCA LP version – spliced from takes 3 & 5]
27) Tomorrow Night 2:56 [RCA LP version – overdubbed and slowed down]
Tracks 1-2: Self-financed demo recorded July, 1953 at SUN Studio, Memphis.
Source for tracks 1-2: Digital transfer of acetate.
Tracks 3-4: Self-financed demo recorded January 4, 1954 at SUN Studio, Memphis.
Source for tracks 3-4: Digital transfer of acetate in very poor condition.
Track 5 possibly recorded July 5, 1954.
Tracks 6-7 recorded July 5, 1954 at SUN Studio, Memphis.
Sources for tracks 5-6: Original SUN tapes.
Source for track 7: 45 rpm SUN single (plastic).
Track 8: Recorded July 7, 1954 at SUN Studio, Memphis.
Source for track 8: 45 rpm SUN single (plastic).
Track 9: Likely recorded between August 15 and 19, 1954 at SUN Studio, Memphis.
Source for track 9: Original SUN tape.
Tracks 10-14 likely recorded between September 12-16, 1954 at SUN Studio, Memphis.
Sources for tracks 10, 11, 13 and 14: RCA reference tapes (30 ips).
Source for track 12: Digital transfer of SUN tape, with repairs from a digital transfer of a tape copy.
Tracks 15-16 recorded either mid-November or mid-December 1954 at SUN Studio, Memphis.
Sources for tracks 15-16: 78 rpm SUN single (shellac).
Track 17 Recorded between mid-November 1954 and mid-April 1955 at SUN Studio, Memphis.
The reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day.
Source for track 17: Original SUN tape.
Track 18 likely recorded between January 30 and February 4, 1955 at SUN Studio, Memphis.
“I Got a Woman” and “Tryin’ to Get to You” were also recorded, but have been lost.
Source for track 18: RCA reference tape (30 ips).
Track 19 likely recorded mid-April 1955 at SUN Studio, Memphis.
Source for track 19: RCA reference tape (30 ips), with first part of ending from RCA tape copy (15 ips) and last part of ending from digital transfer of the RCA EPA-965 production master tape.
Tracks 20-22 recorded mid-July, 1955 at SUN Studio, Memphis.
Source for track 20: SUN tape copy.
Source for track 21: SUN tape copy, with ending from digital transfer of 78 rpm RCA single.
Source for track 22: RCA reference tape (30 ips).
Track 23 recorded November 1-4, 1955 at SUN Studio, Memphis.
Source for track 23: Original SUN (vocal channel) slapback tape.
Elvis’ 1957 re-recording of the song was released under the title “When It Rains, It Really Pours.”
Source for track 24: RCA reference tape (30 ips).
Source for track 25: Elvis at SUN master, derived from digital transfer of 78 RPM SUN single (shellac).
Track 26: Steve Sholes’ original notes have these takes as 2 & 4.
Source for track 26: RCA master tape.
Source for track 27: 1965 RCA work part tape for the Elvis for Everyone LPM-3450 production master tape.
Disc 2: The SUN Studio Sessions
01) Harbor Lights (takes 1-2, level adjustments) 0:33
02) Harbor Lights (take 3/M) 2:53
03) Harbor Lights (take 4) 2:38
04) Harbor Lights (takes 5-6) 1:23
05) Harbor Lights (take 7) 2:25
06) Harbor Lights (take 8) 0:26
07) I Love You Because (take 1) 0:23
08) I Love You Because (take 2) 3:28
09) I Love You Because (take 3) 3:36
10) I Love You Because (take 4) 0:40
11) I Love You Because (take 5) 3:28
12) That’s All Right (takes 1-2) 0:20
13) That’s All Right (take 3) 1:58
14) Dialogue 0:20
15) Blue Moon Of Kentucky [slow tempo outtake] 1:08
16) Blue Moon (takes 1-3) 0:38
17) Blue Moon (take 4) 2:59
18) Blue Moon (take 5) 3:25
19) Blue Moon (takes 6-7) 0:53
20) Blue Moon (take 8) 3:01
21) Blue Moon (take 9/M) 2:44
22) Dialogue fragment [before “Tomorrow Night”] 0:11
23) I’ll Never Let You Go (Little Darlin’) [incomplete take] 0:49
24) Good Rockin’ Tonight [fragment from vocal slapback tape] 0:10
25) I Don’t Care If The Sun Don’t Shine (takes 1-2) 1:13
26) I Don’t Care If The Sun Don’t Shine (take 3/M) 2:35
27) I’m Left, You’re Right, She’s Gone (slow version, take 1) 3:00
28) I’m Left, You’re Right, She’s Gone (slow version, take 2) 2:51
29) I’m Left, You’re Right, She’s Gone (slow version, take 3) 2:51
30) I’m Left, You’re Right, She’s Gone (slow version, take 4) 0:10
31) I’m Left, You’re Right, She’s Gone (slow version, take 5/M) 2:40
32) I’m Left, You’re Right, She’s Gone (slow version, take 6) 2:40
33) I’m Left, You’re Right, She’s Gone (slow version, take 7) 1:35
34) How Do You Think I Feel (guitar slapback tape, rehearsal + take 1) 3:17
35) How Do You Think I Feel (guitar slapback tape, rehearsals) 1:14
36) When It Rains It Pours (vocal slapback tape, take 1) 1:37
37) When It Rains It Pours (vocal slapback tape, take 2 – rehearsal) 2:12
38) When It Rains It Pours (vocal slapback tape, takes 3-4) 2:14
39) When It Rains It Pours (vocal slapback tape, take 5/M) 2:02
40) When It Rains It Pours (vocal slapback tape, take 6-7) 1:40
41) When It Rains It Pours (vocal slapback tape, take 8) 1:40
Tracks 1-6 possibly recorded July 5, 1954 at SUN Studio, Memphis.
Source for tracks 1-6: Original SUN tape.
Tracks 7-13 recorded July 5, 1954 at SUN Studio, Memphis.
Source for tracks 7-13: Original SUN tape.
Tracks 14-15 likely recorded July 7, 1954 at SUN Studio, Memphis.
Source for tracks 14-15: Digital transfer of SUN tape.
Tracks 16-21 likely recorded between August 15 and 19, 1954 at SUN Studio, Memphis.
Source for tracks 16-21: Original SUN tape.
Tracks 22-26 likely recorded between September 12 and 16, 1954 at SUN Studio, Memphis.
Source for track 22: RCA reference tape (30 ips) for “Tomorrow Night”.
Sources for tracks 23-26: Digital transfers of SUN tapes (also see source note for Disc 1, track 12).
Tracks 27-33 recorded between mid-November 1954 and mid-April 1955 at SUN Studio, Memphis.
The reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day.
Source for tracks 27-33: Original SUN tape.
Tracks 34-35 recorded between mid-November 1954 and mid-April 1955 at SUN Studio, Memphis.
Source for tracks 34-35: Digital transfer of SUN (guitar channel) slapback tape.
Tracks 36-41 recorded between November 1-4, 1955 at SUN Studio, Memphis.
Source for tracks 36-41: Original SUN (vocal channel) slapback tape.
Disc 3: Live & Radio Performances
01) That’s All Right 2:52
02) Blue Moon Of Kentucky 2:23
03) Shake, Rattle And Roll 2:24
04) Fool, Fool, Fool 1:59
05) Hearts Of Stone 2:02
06) That’s All Right 1:52
07) Tweedlee Dee 2:51
08) Shake, Rattle And Roll 2:23
09) KSIJ Radio commercial with DJ Tom Perryman 0:16
10) Money Honey 2:43
11) Blue Moon Of Kentucky 2:04
12) I Don’t Care If The Sun Don’t Shine 2:33
13) That’s All Right 1:54
14) Tweedlee Dee 2:15
15) Money Honey 2:17
16) Hearts Of Stone 1:37
17) Shake, Rattle And Roll 1:39
18) Little Mama 2:03
19) You’re A Heartbreaker 2:06
20) Good Rockin’ Tonight 2:36
21) Baby Let’s Play House 2:22
22) Blue Moon Of Kentucky 1:47
23) I Got A Woman 3:03
24) That’s All Right 2:17
25) Tweedlee Dee 2:47
26) Interview with Mae Boren Axton 3:19
27) That’s All Right 2:37
28) I’m Left, You’re Right, She’s Gone 3:16
29) Baby Let’s Play House 3:19
30) Maybellene 3:09
31) That’s All Right 2:49
32) Interview with Bob Neal 5:31
Tracks 1-2 recorded at Louisiana Hayride debut, Shreveport, Louisiana, October 16, 1954.
Source for tracks 1-2: RCA reference tape copy.
Tracks 3-4 recorded at KDAV Radio, Lubbock, Texas, January 6, 1955.
Source for tracks 3-4: Digital transfer of acetate.
Tracks 5-7 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 15, 1955.
Source for tracks 5-7: Digital transfer of acetate in very poor condition.
Some parts duplicated and edited to create near-complete performances.
Track 8 recorded at WJOI Radio, Florence, Alabama January 19, 1955.
Source for track 8: Digital transfer of acetate in poor condition.
Track 9 recorded at KSIJ Radio, Gladewater, Texas, 1955.
Source for track 9: Digital transfer.
Tracks 10-13 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 22, 1955.
Source for tracks 10-13: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performances.
Tracks 14-19 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, March 5, 1955.
Source for tracks 14-19: Digital transfer of fragments of acetate in very poor condition (which was destroyed in the process). Some parts duplicated and edited to create near-complete performances.
Tracks 20-24 likely recorded at the Eagles’ Hall, Houston, Texas, March 19, 1955. Track 21 could be from a different performance the same week.
Source for tracks 20-24: RCA reference tape copy.
Track 25 recorded at Gladewater High School, Gladewater, Texas, April 30, 1955.
Source for tracks 25: RCA reference tape copy.
Track 26 recorded at motel in Jacksonville, Florida on either May 12 or July 28, 1955.
Source for track 26: Digital transfer of 1981 BBC broadcast tape copy.
Track 27 recorded at the Jimmie Rodgers Memorial Festival, Meridian, Mississippi, May 26, 1955.
Source for track 27: Broadcast tape.
Track 28 recorded at the Louisiana Hayride, Shreveport, Louisiana, July 2, 1955.
Source for track 28: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performance.
Tracks 29-31 recorded at the Louisiana Hayride, Shreveport, Louisiana, August 20, 1955.
Source for tracks 29-31: RCA reference tape copies.
Track 32 recorded at WMPS Radio, Memphis Tennessee, between August 29-31, 1955.
Source for track 32: Digital transfer.
* * *
A Boy From Tupelo looks like it will indeed be the definitive SUN set. I’m most looking forward to hearing the original SUN 45 RPM version of “That’s All Right.” I’ve only heard the RCA version, which has added echo.
One of the many reasons I finally pounced on Elvis: The Complete Masters Collection was to obtain the Vic Anesini mastering of Elvis As Recorded At Madison Square Garden, which has been in dire need of an audio upgrade since its original CD release in the early 1990s. As soon as I placed the order, I thought, “Now everyone will have to thank me for finally buying it, as this will guarantee a Sony Legacy Edition release of Madison Square Garden in the near future.” This kind of thing happens to me all the time, you see.
Sure enough, Sony recently announced a Legacy Edition release of As Recorded At Madison Square Garden. So, you’re welcome!
The Legacy Edition, due in October for the US, will contain a remastered version (presumably, Anesini’s) of the original album using the vintage mix of the June 10, 1972, Evening Show. Sony will couple it with the June 10, 1972, Afternoon Show, previously released as An Afternoon In The Garden, to make a nice two-disc set. Since I already have the upgraded As Recorded At Madison Square Garden on The Complete Masters Collection, I’ll be skipping this Legacy Edition.
However, Sony is releasing another Madison Square Garden set at the same time. Prince From Another Planet: As Recorded At Madison Square Garden is a three-disc set consisting of two CDs and one DVD. The CDs will contain new mixes of both of the June 10 shows by Michael Brauer (i.e., this is not the vintage As Recorded At Madison Square Garden mix that will be on the Legacy Edition).
Since the historic mix has been properly preserved, this is a chance to do something different. I’m excited to hear what Brauer has come up with for these shows.
The 40-minute DVD will contain portions of Elvis’ Madison Square Garden press conference (a favorite of mine) and live performance material from the show. To date, no video footage of the Madison Square Garden shows has been officially released, so that alone makes Prince From Another Planet a must-have for fellow fans of this Elvis era.
So, something funny happened when I was Googling for more information on Prince From Another Planet. I found out that I named it!
Well, not really. However, I came across my own comment from July 3, 2011, on this very blog in the search results:
“[C]an you imagine… a 5 CD set, the 1972 equivalent of ‘Young Man With The Big Beat,’ containing the 3 CDs I mentioned above [the remaining April 1972 ‘Elvis On Tour’ shows], plus the two Garden shows to round out the other 2 CDs? Call it ‘A Prince From Another Planet.’ Then, the Garden shows could be a Legacy Edition as a separate release as well (much like the ‘Elvis Presley’ Legacy Edition is to the 1956 boxed set).”
I had forgotten all about this and was literally shocked to read my own words. I’m sure it’s a total coincidence, of course.
(In case it’s not a coincidence, though, and Sony is really reading this little blog – just give me a call, because I have plenty more Elvis ideas. I’ll be waiting by the phone.)
I’m still working on a gigantic post for next week, so I wasn’t planning on posting this morning. However, huge news rocked the Elvis world yesterday.
Just last week, I asked riders to describe the moment in Elvis’ life they would capture if they had a time-traveling audio recorder. There were some terrific responses but, in some ways, this fantasy is no longer just on the edge of reality.
On Tuesday, audio collector amberola1b quietly posted on YouTube a clip of Elvis Presley singing “I Forgot To Remember To Forget” live on the Louisiana Hayride radio show in 1955. Sourced from a Silvertone wire recording, the performance has never been heard by the public since the original broadcast. Compared to most of the other Hayride recordings released in the past, the audio quality is stunning. The Elvis portion begins at 3:45.
“I Forgot To Remember To Forget” (Live-1955) — Elvis Presley
By Friday, Elvis fans began taking notice. On the excellent For Elvis CD Collectors forum, member AVSP posted a link to the clip and the thread ignited in positive reactions. Within only twelve hours, six pages of comments had come in. As of now, it is up to seven and counting.
Research by Mike C and drjohncarpenter has tentatively dated this fantastic recording as occurring on Saturday, October 1, 1955.
Of course, the first question on everyone’s mind is will this appear on A Boy From Tupelo: The Complete 1953-55 Recordings, FTD’s SUN boxed set that includes a 512-page book and 3 CDs.
With the 11-pound set only weeks from release, the answer appears unfortunately to be no. It turns out that Sony’s Elvis chief Ernst Jorgensen was just as surprised as anyone else by the recording. “Wow – it’s unbelievably beautiful. I’m still trying to recover from the shock,” he said in an email to willem k.
Around the Elvis web, the story has inspired headlines:
Here’s hoping that Jorgensen can work out an arrangement with the recording’s owner. Even if it cannot make the SUN set, it deserves an official release on a Sony or FTD product.
* * *
UPDATE: I hope you had a chance to play it, folks, because amberola1b has now removed the song from YouTube. Only about three hours before this, willemk posted on FECC that Ernst Jorgensen was “now in contact with the owner.” With that in mind, the removal from YouTube may in fact be a really good sign. Let’s keep our fingers crossed, everyone, that we will get to hear the live version of “I Forgot To Remember To Forget” on a Sony or FTD release soon.
“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed.” –From The Declaration of Independence, Thomas Jefferson, July 4, 1776
[Information source: Elvis In Norway Session Notes]
Oh beautiful,
For spacious skies,
For amber waves of grain,
For purple mountains, majesty,
Above the fruited plains,
America, America,
God shed His grace on thee,
And He crowns thy good,
With brotherhood,
From sea to shining sea
–From “America The Beautiful,” Elvis Presley song, 1975 (written by Katharine Lee Bates & Samuel Ward)
Welcome to a special, super-sized edition of The Mystery Train Blog. This double post features a guest piece by Kees of the Elvis Day By Day blog, as well as an entry by me. This is also going out simultaneously on the Elvis Day By Day blog, marking the first formal collaboration between our two sites. Kees, take it away. –Ty
by Kees, Elvis Day By Day blog
One of the big pros of the world wide web is that it brings people together. Through our blogs, Ty and I met and decided to look back at some of the highlights of the 35th anniversary year. This year, I blogged over 150 posts, often with multiple news items in each one. That means the Elvis world is very much alive. Picking a top 10 wasn’t easy, so I picked ten items that stuck with me as a fan and listed them chronologically.
Some highlights are very simple, on this day the French Elvis My Happiness fan club announced the release of the book Le Jour Ou Elvis Chante A Paris. Although my French isn’t good enough to read the book, I was stunned by the cool image on the promotional CD that came with it. That’s one cool dude.
January 26 – For God And Country
3764 Blvd. Publishing announced the release of the deluxe book, CD, and later vinyl set For God And Country. I really like this ‘last’ concert Elvis Presley performed as a ‘rocker’ and blame the Colonel for not professionally recording it.
The label met stiff competition when the UK-based Memphis Recording Service released the same 1961 Hawaiian concert a few months later. Fan reactions were both positive and negative (beautiful book, mixed on the remastering of the sound). The 3764 Blvd. edition is still set for release this summer, this time facing competition from plans of the official Follow That Dream collectors label.
Speaking of cool covers, the cover of Elvis Presley’s debut album topped Shortlist.com‘s 50 Coolest Albums of All Time list. Besides calling the cover ‘iconic’ and taking note of classic hits such as “Blue Suede Shoes,” the Shortlist refers to John Lennon’s quote, “Before Elvis there was nothing,” and describes “the boy from Tupelo, MS” as a catalyst for rock ‘n’ roll. I can’t agree more with the website. I have this album hanging on my wall, and it never bores me. It is very energetic.
The Follow That Dream collectors label has recently branched out with other parties for their releases. The first one with the Behind The Image team didn’t work out, and neither did the Fashion For A King book with the Norwegian Flaming Star fan club, as it was filled with grammatical errors. However, with the Welcome Home Elvis book, the Danish / Norwegian team came back with a bang presenting a really cool King in a very cool book. With these books, I always have to think back on Ger Riff’s book. Wouldn’t it be great if the Follow that Dream label teamed with the master himself?
I kind of felt like a fool for not noticing that the previous announcement of the auction of a pair of blue suede shoes, said to be signed by Elvis Presley in 1956, were not the right ones. The two pairs of shoes on the images that I posted with the article were not the same type of shoes. It would have been a great April Fools’ Day joke if it had been planned just one day earlier.
The book Bootleg Elvis was first mentioned on the For Elvis CD Collectors forum in 2011. In April of this year, the five collectors behind the book sent out the first official press release. Besides Ernst Jorgensen’s SUN book, this is the #2 book on my really-need-to-buy-this-year list. I know there are a lot of Elvis Presley bootlegs around, for I’ve collected quite a few of them. Being from the younger generation, though, my collection consists mainly of CDs. This book will hopefully give me a look into Elvis bootlegging history on vinyl. I’ll probably find some nice items to look for.
April 23 – Finally FTD Information
One of the things the Follow That Dream label lacked from day one is information: on releases, planning, ship dates, and, most important of all, background in accompanying booklets. The label bought the official Follow That Dream URL and has the foremost Elvis Presley expert, Ernst Jorgensen, as the producer heading the team, so what is holding them up?
A lot of fans volunteered to step in, and the Japanese Elvis For Sound Fans Only fan club actually did. I don’t have their book on the first 111 FTD releases, but it deserves a spot on this list for their initiative! I’ll have to find a copy to see what the book covers. For now, I can do with the review from The Elvis Information Network.
May 06 – A Trip Down Memory Lane
The Boxcar release Graceland Through The Years: 1957–1977 was first announced four years ago in an interview on the Elvis Information Network website. On this day, the label showed the result of four years of work.
I must say, I’m really looking forward to this one. I have the official EPE book, and I walked the grounds of Graceland in person over ten years ago. I expect this book to be a well-documented trip down memory lane.
May 16 – The Work Of A Man From Denmark
May 15, 2012 marks the day of the first real glimpse into the actual FTD SUN release. The Official UK Elvis Presley fan club beat the official announcement of the release of A Boy From Tupelo by one day. Speaking of days, I’m counting the days until I hold this five-kilo Holy Grail of the Elvis world in my hands. I’ve always had a real soft spot for the birth of rock ‘n’ roll, and now I can experience it as complete as it will probably ever get.
The fifth volume in The Elvis Files book series from the Norwegian Flaming Star fan club was released. The series documents Elvis Presley’s life and achievements in a very informative and well illustrated manner. It is a bit overhyped, has some flaws, and seems to simply collect some of the material from the internet. Still, there is nothing Elvis that compares to this body of work, so it stands out as the “Illustrated Biography” of Elvis Presley. The fifth volume documents the years 1969 and 1970, when Elvis became king of the whole wide world again. Besides the first six years of his public life, these years are the most iconic.
by Ty, The Mystery Train Blog
This year marks the 35th anniversary of the death of Elvis Presley. With almost half of 2012 already in the record books, this seems like a good time to look back at the ten best stories so far this year.
#10 A revitalized dream
In 2012, noted Elvis soundboard expert Ciscoking began consulting with Sony’s Follow That Dream collectors label for Elvis fans. The first result of that collaboration was April’s Another Saturday Night, capturing a previously unreleased 1975 concert in Shreveport, Louisiana. Involving an extremely knowledgeable fan is a huge step forward for FTD’s sometimes dubious soundboard series. Earlier this month, Elvis Presley Enterprises’ official Elvis.com site showed some love for the label by rolling out a rejuvenated FTD section – complete with audio clips, posters, and movie trailers. Ciscoking has hinted that a dedicated FTD site may finally be on the way, but the Elvis.com section at least provides a temporary destination for those wanting to learn more about the various releases.
#09 Celebrating Elvis, the father
Lisa Marie Presley in February launched a new exhibit at Graceland, “Elvis… Through His Daughter’s Eyes.” Nine-years-old when her father passed away, Lisa Marie presents memories of her time with him. The exhibit includes home movies, toys, and even Lisa Marie’s crib. All too often, Elvis today is seen only as an image or trademark – like Mickey Mouse. Lisa Marie’s very personal exhibit instead places a much-needed focus on the real man behind that image.
#08 Tour Graceland without leaving home
In March, Elvis.com rolled out 360-degree, panoramic tours of Graceland’s exterior, foyer, den, and racquetball building/trophy room. What better way to entice fans to visit in person than to allow a virtual preview? The real question is, will the forthcoming virtual Elvis live in virtual Graceland? While I love the virtual Graceland concept, I have to admit, the thought of a virtual Elvis (in 2D “hologram” form) creeps me out. 
#07 I Am An Elvis By Request Fan
In May, Sony Music solicited online votes from fans on which Elvis songs should appear on a new CD, I Am An Elvis Fan. Unfortunately, Sony restricted the voting choices to less than a hundred of the 700-plus Elvis masters – not to mention thousands of alternate and live cuts released since his death. Sony Music Australia took this concept one step further in June. For Sony Music Australia’s Elvis By Request 2-CD set, fans can vote for any Elvis master, as well as many tracks released since 1977. I’ve pre-ordered both CDs, but I’m most looking forward to the Australian edition.
#06 Sweetening through the ages
The most interesting Elvis releases these days tend to be not from the main Sony label, but from the FTD label. In March, FTD released Our Memories Of Elvis Volumes 1, 2, & 3. The 2-CD set contains the original 1979 and 1980 albums, as well as a third volume and additional tracks prepared but never released. The concept is simple, the recordings have been remixed to remove certain instruments and background vocalists to strip them down to a “pure” sound. While the results may still be artificial compared to truly undubbed versions, it is still an intriguing concept and a welcome release.
#05 Grace through the storm
Lisa Marie Presley released her third album in May, Storm & Grace. Her best release yet, the album is consistent, well-written, well-performed, and well-produced. My favorite songs on the album are “Over Me,” “You Ain’t Seen Nothin’ Yet,” “So Long” and “Un-break.” The other tracks are solid as well.
#04 “Some of y’all never been down South too much”
In its top-notch Classic Album series, FTD released its version of On Stage in March. I consider On Stage second only to That’s The Way It Is as the best album of Elvis’ career. By my count, this marks the fourth different configuration of this album (the original 1970 version, the 1999 special edition, the 2010 Legacy edition, and now the 2012 FTD edition). Why, then, is this latest reissue even worth mentioning? In addition to the original album, this 2-CD set contains additional tracks from his February 1970 Las Vegas engagement, many of them previously unreleased.
#03 Practice, practice, practice
Scheduled for release this month from FTD is From Hawaii To Las Vegas, which presents a January 25, 1973, rehearsal at the Las Vegas Hilton. One song from this rehearsal, “I’m Leavin’ It All Up To You,” was first issued as a bonus track last year on FTD’s uneven Stage Rehearsal CD. Originally recorded on cassette tape, From Hawaii To Las Vegas probably will not be the kind of CD you would want to throw on at a party – but it should provide valuable insight to fellow Elvis historians. Included are two runthroughs of “Separate Ways” – a song that, as far as anyone knows, Elvis never actually performed in concert.
#02 Not a typical compilation
With I Am An Elvis Fan and Elvis By Request on the way, 2012 may be seen as the year of the fan compilation. However, many fans have been making Elvis compilations for their own personal use for years – whether on cassette tape, CD-R, or iPod playlists. In May, one particular Elvis playlist made the news. Lisa Marie’s Favourite Elvis Songs features his daughter’s selections. Her 12 picks range from 1960-1972, with a full two-thirds coming from the 1970s. With selections like “Just Pretend” and “I’m Leavin’,” Lisa Marie’s list proved to be both unique and terrific. Sony should hire her to advise on future Elvis compilations.
#01 From Alabama Street to Union Avenue
After years of rumors and speculation, the announcement of a release date and early details for FTD’s seemingly mythical “SUN project” has to take the number one spot. No contest. One of the most anticipated Elvis Presley releases ever, A Boy From Tupelo: The Complete 1953-1955 Recordings will include a 512-page book detailing the activities of Elvis in that time period as well as three CDs worth of material. The set gathers every known Elvis SUN master and outtake, plus demos and live performances. It includes ten previously unreleased tracks. The SUN project has been FTD chief Ernst Jorgensen’s baby for the past several years. A Boy From Tupelo reportedly tips the scales at 5 kilograms (11 pounds), meaning it weighs more than most newborns! Delivery is currently expected for August 16.
What will the rest of 2012 bring to the Elvis world? Will A Boy From Tupelo live up to expectations? What other surprises are in store? Find out by keeping it tuned to the Elvis Day By Day blog.
A Boy From Tupelo (concept cover art)
Follow That Dream, Sony’s collectors label for Elvis fans, recently announced a slate of new releases for this summer:
There’s certainly much to be excited about in these releases, particularly the SUN project. In fact, to save for this expensive book and CD set, I’ve been holding off on Elvis purchases so far in 2012 in hopes that this might finally be the year.
We’ll have plenty of time in coming weeks to examine some of these releases in detail, but today, I want to have fun with titles and location, location, location. Dating back to 1961’s Blue Hawaii, dozens of Elvis albums have mentioned a place in the title.
The “From Here To There” style, though, began with 1969’s 2-LP set From Memphis To Vegas/From Vegas To Memphis (later released separately as Elvis In Person and Back In Memphis). Since then, several subsequent releases on both the main label and FTD have followed this trend.
Put them all together and you get a virtual Elvis travelogue:
So, I wonder if it is possible to put the titles in an order where you can go from location to location without getting stranded?
1.) From Nashville To Memphis
2.) From Memphis To Hollywood
3.) From Sunset To Vegas
4.) From Vegas To Memphis
5.) From Memphis To Vegas
STRANDED in Vegas! Need a ticket to Hawaii.
Trying again…
1.) From Hawaii To Las Vegas
2.) From Vegas To Memphis
3.) From Memphis To Hollywood
4.) From Sunset To Vegas
STRANDED in Vegas again! Need a ticket to Nashville.
It appears there is no solution to this Rubik’s cube of Elvis titles. I might be stranded, but at least there’s good music on the radio.
FTD releases are available from various online stores. They originate in Denmark and then ship to retailers, so there is sometimes a two or three week delay after the release date before the items arrive for those of us in the US.
The Mystery Train Blog 