Vinyl Elvis #3: HIS HAND IN MINE (1960)

Portions of this post originally appeared in a review I wrote of His Hand In Mine for the album’s 60th anniversary in Kees Mouwen’s Elvis Day By Day 2020: The Year In Review. The 2021 volume is available now.


HIS HAND IN MINE (RCA, 1960; from Tygrrius’ collection) | Click image for full-color version

His Hand In Mine
Label: RCA
Catalog Number: LPM-2328
Recorded: 1960 | Nashville
Released: 1960

1960 was Elvis Presley’s most productive year to that point in his career. He recorded 52 studio masters, released 3 albums, and filmed 3 movies; and all that with being out of commission for almost the entire first 3 months while completing his stint in the U.S. Army.

For the 25-year-old singer, the albums Elvis Is Back! and His Hand In Mine represented artistic achievements on par with his outstanding work in the previous decade. The latter title was his first Long Play (LP) sacred album, a follow-up of sorts to his 1957 Extended Play (EP) sacred album Peace In The Valley.

Elvis recorded the entire His Hand In Mine album the night of October 30, finishing in the early morning hours of October 31, 1960. Amazingly, the record was in stores within a month – presumably rushed to have it ready for the Christmas season. RCA released His Hand In Mine in both mono and stereo formats.

As a second generation Elvis fan, I first heard His Hand In Mine in the early 1990s on CD. As with so many Elvis albums, I have bought it a number of times in different CD configurations over the years since then. When Kees asked me to review the album for its 60th anniversary back in 2020, I sought out a vinyl version – a first pressing of the 1960 mono release.

One of the things I enjoy about collecting used records is pondering their history. I imagine a young Elvis fan in 1960 buying this album at her or his local record shop and taking it home to play it for the first time. What else is happening in November 1960?

Inner sleeve of HIS HAND IN MINE (RCA, 1960; from Tygrrius’ collection) | Click image for color version

How many others owned this particular copy of His Hand In Mine before it made its way into my hands 60 years later? Whose hands will hold it 60 years from now?

The album is in remarkable condition for its age. The outer sleeve, featuring a photo of Elvis at the piano, taken during a break while filming Flaming Star, is still vibrant. Only a small tear beneath the RCA logo on the front cover, where a fan was perhaps too aggressive in removing a price tag, and minor splitting in the bottom seam betray its age. The inner sleeve, promoting Elvis Is Back!, is in great shape. On the vinyl itself, there are but a few little crackles in quiet portions. Whether this is an indication that the original owner(s) did not play this album very often or simply treated it with reverence, there is no way to know.

When I first heard His Hand In Mine nearly 30 years ago, I believed in God but had little understanding of Christianity. While I thought Elvis’ voice sounded beautiful on many of the songs, I really did not connect with them beyond that. I did occasionally play this or one of his other sacred albums on a random Sunday, seeking something.

In 2018, I accepted Jesus into my heart, and I was literally reborn (2 Corinthians 5:17). While I still stumble every day, I now have a personal relationship with Jesus through daily reading of the Bible and prayer that helps me get back on track to becoming who He created me to be.

As for Elvis’ sacred recordings, they began to take on new meaning for me. It is within this context that I want to examine His Hand In Mine.

Side 1 of HIS HAND IN MINE (RCA, 1960; from Tygrrius’ collection) | Click image for full-color version

Side 1

  1. His Hand In Mine
    The album kicks off with the title track, “His Hand In Mine.” Elvis’ voice is full of new confidence and strength on this slow number – as compared to 1956’s more faltering “Love Me Tender,” for instance.
  2. I’m Gonna Walk Dem Golden Stairs
    Up next, the pace picks up with “I’m Gonna Walk Dem Golden Stairs.” This song sounds like Elvis fulfilling his dream of being in a gospel quartet. The line “When Jesus says to me, ‘Well done'” recalls the following verse from the Bible: “His lord said unto him, ‘Well done, thou good and faithful servant: thou hast been faithful over a few things, I will make thee ruler over many things: enter thou into the joy of thy lord'” (Matthew 25:21 KJV). As a Christian, I do not fear death, as I know it is when I will go to meet Jesus. I pray I will live the rest of my life such that He will say, “Well done.”
  3. In My Father’s House
    There is an even more direct Scriptural reference in the next song, “In My Father’s House.” Elvis sings, “In my Father’s house are many mansions; if it were not true He would have told me so.” In the Bible, Jesus states: “In My Father’s house are many mansions: if it were not so, I would have told you. I go to prepare a place for you” (John 14:2 KJV). Elvis’ vocals are exquisite on lines like, “Jesus died upon the cross to bear my sorrow. Freely died that souls like you might have new life.” A highlight of the album.
  4. Milky White Way
  5. Known Only To Him
    “Known Only To Him” is an interesting 1960 recording by Elvis because it is one of those where portions sound like his later voice from the 1970s. His inspirational and Christmas songs do tend to blend together better across the decades, though, compared to many of his other recordings. It would have been interesting to hear Elvis take another try at this song in 1970 or 1971, even if live. I don’t think he would have been able to better this version, though.
  6. I Believe In The Man In The Sky

Side 2 of HIS HAND IN MINE (RCA, 1960; from Tygrrius’ collection) | Click image for full-color version

Side 2

  1. Joshua Fit The Battle
    My first complete read-through of the Bible in 2018 had a secondary and unexpected benefit of filling in details for me on a number of songs. For instance, in the upbeat “Joshua Fit The Battle,” I had always heard the lyrics as, “I know you’ve heard about Joshua, he was the son of none.” Yes, for 25 years I thought Joshua was an orphan until I finally learned that his father’s name was Nun. The song recounts the battle of Jericho, which is featured in chapter 6 of Joshua in the Old Testament. In his later years, Joshua was one of only two adults from Moses’ original followers to make it to the Promised Land.
  2. Jesus Knows What I Need
    “Jesus Knows What I Need” is one of those songs that speaks Truth whenever I need comfort. I can imagine Elvis singing this one around the piano with friends. A bit of trivia: In subsequent pressings of His Hand In Mine, this song’s title was corrected to “He Knows Just What I Need.”
  3. Swing Down Sweet Chariot
    The humorous “Swing Down Sweet Chariot” takes us back to the Old Testament. Called “Zeke” in the song, the prophet Ezekiel’s encounter with the chariot of God is described in chapter 1 of Ezekiel. Though I love this song, I much prefer the alternate version of Elvis’ 1968 re-recording that features the Blossoms as the backing vocalists.
  4. Mansion Over The Hilltop
    Like “In My Father’s House” on Side 1, “Mansion Over the Hilltop” and “If We Never Meet Again” on Side 2 provide beautiful illustrations of the Perfect Place, Heaven. In “Mansion,” a favorite line is, “Someday yonder we will never more wander, but walk on streets that are pure as gold.” I just love the sound of Elvis’ voice as he paints this picture.
  5. If We Never Meet Again
    Elvis’ mother, Gladys, passed away in August 1958 at the age of 46, and I’m sure Elvis had her in mind while recording “If We Never Meet Again,” which states: “If we never meet again this side of Heaven, as we struggle through this world and its strife, there’s another meeting place somewhere in Heaven, by the side of the River of Life – where the charming roses bloom forever and ever, and separations come no more.” The “River of Life” is from Revelation 22:1 in the Bible, which describes God’s throne in Heaven. Elvis was only 23 when he lost his mother. At a September 1958 press conference before leaving to be stationed in Germany until his return to the U.S. and civilian life in March 1960, he had this to say about her, captured on the Elvis Sails EP: “My mother, I suppose since I was an only child, that we might have been a little closer. Everyone loves their mother, but I was an only child, and Mother was always right with me, all my life. It wasn’t only like losing a mother, it was like losing a friend, a companion, someone to talk to. I could wake her up any hour of the night, and if I was worried or troubled about something, she’d get up and try to help me.”
  6. Working On The Building
    I first heard the energetic “Working On The Building” on the 1988 album Elvis In Nashville and loved it right away. Take 2, released on the 2006 FTD edition of His Hand In Mine, is also a favorite. In the gospel segment of the 1968 ELVIS television special, wheelbarrows can be seen as part of the set decoration – reminding me of this 1960 song, which was unfortunately not performed on the show. “I’m working on the building, it’s a true foundation,” sings Elvis. In Matthew 7:24-27, Jesus talks about the importance of building a strong spiritual foundation. “Working On The Building” serves as a perfect conclusion to His Hand In Mine.

Back cover of HIS HAND IN MINE (RCA, 1960; from Tygrrius’ collection) | Click image for color version

I enjoy looking at album covers while playing records. His Hand In Mine includes liner notes on the back by Robert Kotlowitz. He explores Elvis’ early faith through attending the First Assembly Church of God in Tupelo, Mississippi.

An interesting tidbit in the liner notes, which I do not recall reading elsewhere, is, “Gladys and Vernon Presley, with their small son [Elvis] standing between them, became a popular trio singing hymns at camp meetings, revivals and church conventions.” Truth or legend?

The liner notes also include a quote from Elvis’ mother: “When Elvis was just a little fellow, he would slide off my lap, run down the aisle, and scramble up to the platform of the church. He would stand looking up at the choir and try to sing with them. He was too little to know the words, of course, but he could carry the tune.”

Except for a quick session in June 1958, which was a couple of months before his mother’s death, Elvis made no formal recordings while serving in the Army. While Elvis Is Back! and the G.I. Blues soundtrack afforded no such opportunities, I firmly believe His Hand In Mine is a “labor of love” by Elvis in tribute not only to Jesus but, as Kotlowitz states, to Gladys Presley.

Back inner sleeve of HIS HAND IN MINE (RCA, 1960; from Tygrrius’ collection) | Click image for color version


“The eyes of the LORD are everywhere, keeping watch on the wicked and the good.”
Proverb 15:3

2021 Songs of the Year

Well, folks, congratulations for making it to 2022!

My traditional first post of each year is an analysis of my music listening trends for the previous year. I know you have been waiting anxiously to learn about these numbers, and there were a few surprises in the 2021 data.

Out of exactly 5,000 Elvis Presley tracks in my digital collection on iTunes, the one I played most often in 2021 across all devices was a shocker…

Credit: Vevo’s Elvis Presley channel (YouTube)

I did not backup the undubbed/unedited version of “Merry Christmas Baby,” as released on Back In Nashville, to iTunes until December 8, 2021, and I stopped playing Christmas music after December 25 – so it was at a huge disadvantage to Elvis tracks that I have been playing all year. However, it still took the prize for my most-played song of the year with 14 plays.

In a tie for second place with 13 plays each were the master versions of “Mystery Train” (1955), which of course inspired the name of my blog, and “Any Day Now” (1969).

The win for the alternate version of “Merry Christmas Baby” is even more remarkable considering the track clocks in at over 8 minutes, whereas “Mystery Train” is about 2 and a half minutes, and “Any Day Now” is about 3 minutes.

This means the alternate “Merry Christmas Baby” played for about 114 minutes total in 2021, while runners-up “Mystery Train” came in at about 33 minutes and “Any Day Now” at 39 minutes for the whole year.

I listened to 3,333 Elvis songs on my devices in 2021 (including duplicates). That is an average of 9 Elvis songs a day. I listened to 1,747 different Elvis tracks during the year.

Out of 6,663 non-Elvis tracks in my collection, my most played song overall in 2021 was Bethel Music’s “It Is Well,” with lead vocals by Kristene DiMarco. Featured on the 2014 album Live At The Civic: You Make Me Brave, this recording played 11 times on my various devices this year.

Credit: Bethel Music channel (YouTube)

My other top-played songs by artists not named Elvis Presley were:

  • Joy” by for KING & COUNTRY, Burn The Ships, 2018, 10 plays.
  • God Only Knows” by for KING & COUNTRY, Burn The Ships, 2018, 9 plays.
  • “Fine Fine Life” by for KING & COUNTRY, Crave, 2011, 9 plays.

Overall, I listened to 6,350 recordings using my digital devices last year (including duplicates). That works out to 17 songs a day. I listened to 3,751 different tracks during the year.

My music listening was way down in 2021 compared to previous years. These numbers are about half of what they were in 2020. I would chalk it up to the ongoing global pandemic (i.e., not having a commute to work greatly reduces my music listening time), but this was also true of 2020. So, I am not sure what is going on in my music listening habits. I know I still love music, though, especially by Elvis!

As we continue to face the surging virus, I pray that you and your family have a 2022 full of health and peace.

Blessings,
TY


“Therefore, since we are surrounded by such a huge crowd of witnesses to the life of faith, let us strip off every weight that slows us down, especially the sin that so easily trips us up. And let us run with endurance the race God has set before us. We do this by keeping our eyes on Jesus, the Champion who initiates and perfects our faith. Because of the joy awaiting Him, he endured the cross, disregarding its shame. Now He is seated in the place of honor beside God’s throne.”
Hebrews 12:1-2

2020 Songs of the Year

Thank you for riding The Mystery Train. Welcome to 2021!

Every year at about this time, I like to unleash my analytical side on my digital music data.

According to iTunes, out of 4,797 Elvis Presley tracks in my digital collection, the one I played most often in 2020 across all devices was a live recording of “Mystery Train/Tiger Man” from the August 22, 1969, Midnight Show in Las Vegas, Nevada, as released on Disc 3 of Elvis Live 1969. I played this rockin’ track 17 times, making it my fifth-most played song of the year overall. Here it is on YouTube:

Credit: Elvis Presley channel (YouTube)

I listened to 7,059 Elvis songs on my devices in 2020 (including duplicates). That is an average of 19 Elvis songs a day. I listened to 2,221 different Elvis tracks during the year.

One of 6,454 non-Elvis tracks in my collection, my most played song overall in 2020 was Jesus Culture‘s “Break Every Chain,” with lead vocals by Kristene DiMarco. Featured on the 2011 album Awakening – Live From Chicago, this live recording played 27 times on my various devices this year. Again from YouTube, here it is:

Credit: Jesus Culture channel (YouTube)

The other three songs that beat out Elvis in number of plays in 2020 for me were:

  • It Is Well With My Soul” by Bethel Music, also featuring lead vocals by DiMarco, Live At The Civic: You Make Me Brave, 2014, 21 plays.
  • Oh Happy Day” by The Edwin Hawkins Singers, Let Us Go Into The House Of The Lord, 1968, 18 plays.
  • Burn The Ships” by for KING & COUNTRY, Burn The Ships, 2018, 18 plays.

Overall, I listened to 11,650 recordings using my digital devices this year. That works out to 32 songs a day. I listened to 4,621 different tracks during the year.

2020 was a challenging year for everyone, full of surprises. As a new year dawns, I pray that all of you have health, peace, and strength.

Blessings,
TY


“I am about to do something new. See, I have already begun! Do you not see it? I will make a pathway through the wilderness. I will create rivers in the dry wasteland.”
Isaiah 43:19

Gospel Elvis: “I Believe”

Today, I am beginning Gospel Elvis, a new, occasional series on The Mystery Train Blog. Gospel Elvis will examine songs of faith and inspiration that Elvis released during his lifetime. To be clear, each song won’t necessarily be “strictly” Gospel, but “Gospel Elvis” has a better ring to it than “Songs of Faith and Inspiration Elvis.” While I decided to start in 1957 for this first post, we won’t necessarily go in chronological order, either.


Elvis Presley in LOVING YOU (1957, Paramount)

Kicking off his first session of the new year, Elvis Presley recorded “I Believe” on January 12, 1957, at Radio Recorders in Hollywood. It was his first formal recording of a song of faith. The same session also produced the smash hit “All Shook Up,” which ruled atop the Billboard Top 100 chart for eight weeks to become the number one single of 1957.

RCA first released “I Believe” on the Peace In The Valley Extended Play (EP) album in April 1957. The song made its Long Play (LP) album debut on Elvis’ Christmas Album six months later. In October 1970, RCA released a reconfigured version of Elvis’ Christmas Album on its budget Camden label, leaving out “I Believe.” Instead, a reissue of “I Believe” appeared on the March 1971 Camden LP You’ll Never Walk Alone – one of the best of the Elvis budget releases.

Take a listen to Elvis’ recording of “I Believe” below or over on Youtube.

Credit: Vevo’s Elvis Presley channel (YouTube)

Ervin Drake, Irvin Graham, Jimmy Shirl, and Al Stillman wrote “I Believe” in 1952 for singer/actress Jane Froman. The most popular version, however, belongs to Frankie Laine‘s 1953 recording.

Elvis’ interpretation of the song did not seem to draw from Laine, however. Elvis named Roy Hamilton among his influences, and he no doubt had Hamilton’s 1955 version of “I Believe” in mind when he recorded it. Check it out on Youtube or below.

Credit: Roy Hamilton – Topic channel (YouTube)

What strikes me when listening to Hamilton’s sublime recording is that I can hear not only the influence on Elvis’ “I Believe” in particular, but also on Elvis’ vocals in general. Elvis had many influences, but most of them I do not hear as directly as that of Hamilton.

Now that we have heard two versions of “I Believe,” I want to attempt personally to interpret a couple lines of the lyrics within a Biblical context.

“I believe for everyone who goes astray, Someone will come to show the way.”

The truth is, as humans, all of us go astray. Jesus died so that our sins would be forgiven, however, and Heaven would still be available to us. He already paid for all of our sins, but our contribution to the admission ticket to Paradise is belief in Him (see John 3:16), for Jesus is literally the “way” to Heaven.

“Jesus told him, ‘I am the way, the truth, and the life. No one can come to the Father except through me.'”
John 14:6 NLT

Early Christians were even called “followers of the Way,” including in Acts of the Apostles in the New Testament.

“I believe above the storm the smallest prayer can still be heard.”

I was surprised to discover in the course of research for this post that there is actually some debate among Biblical scholars about whether God truly hears every prayer. To be clear, I do not claim to be a Bible expert. Though I have read it cover-to-cover four times, and currently working on two more read-throughs, the Bible is a dense work. However, in my humble opinion, there is no debate here. Of course God hears every prayer. He’s God! He’s omniscient. Does he grant every request? Of course not, but that’s a whole other discussion.

[Side Note: An interesting oddity about the Elvis version of “I Believe” is that he sings “the smallest prayer can still be heard” whereas the other half dozen or so versions I listened to by various singers for this post, including Hamilton, sing, “the smallest prayer will still be heard.” As this is The Mystery Train, I naturally used the Elvis version of the lyrics.]

One of the wonderful aspects of prayer is that you need not shout for God to hear you. He does, indeed, hear the quietest voice. In fact, you need not speak your prayer at all. You can think to God at any time, and He hears you. For believers, this is taken even a step further. If we can’t pray or don’t know what to pray, the Holy Spirit even steps in and prays for us (Romans 8:26-27).

In life, all of us encounter many storms. As a follower of Jesus, I now find comfort in Him through any such disturbances. I went through multiple life-changing events last year, for instance, many of which could have turned into tumultuous storms, but I approached each of them with much prayer, and Jesus brought me peace (John 14:27) and calm.

“The ropes of death entangled me; floods of destruction swept over me. The grave wrapped its ropes around me; death laid a trap in my path. But in my distress I cried out to the LORD; yes, I prayed to my God for help. He heard me from his sanctuary; my cry to him reached his ears.”
Psalm 18:4-6 NLT

My first exposure to “I Believe” was probably Elvis’ You’ll Never Walk Alone album. When I was a teenager in the 1980s, my family and I were on vacation somewhere or other. Anytime we went to a different place, I would always scour any store we happened to visit for Elvis items not available at home. At a Kmart or similar store, I found a cassette tape version of You’ll Never Walk Alone.

By this time, I had my first Walkman. This was about the third pre-recorded Elvis tape I ever owned. I would go on to acquire less than a dozen total, as my focus was on records and, later, CDs. Tapes were usually either releases I couldn’t find on record or gifts from others. Of course, I probably made well over a hundred Elvis mix tapes for my own use, which was the real appeal of cassette decks.

Anyway, I knew nothing about You’ll Never Walk Alone when I bought it. I just saw it had a lot of song titles I didn’t recognize. It was actually the first Elvis gospel album I ever owned. I can remember playing it on my Walkman in the car ride home from that vacation. Headphones allow for such an intimate listening experience, and they were perfect for You’ll Never Walk Alone.

I didn’t have any Elvis reference books at the time, so I thought the songs were all recorded around the same time. It sounded like a coherent album. In reality, the compilation included songs from throughout the range of 1957-1969. Elvis’ gospel and Christmas songs from various decades mix together better than his other music.

“I Believe” kicked off Side 2 of the cassette. As with many other songs on that release, it became a favorite. What I love about Elvis’ version of the song is how his voice eases back and forth effortlessly between gentle innocence and assertive conviction. I should note that I believed in God for as long as I could remember, but I was more skeptical about the Jesus aspect. However, I would explore and encounter Him in different ways over the years, including through Elvis’ many gospel recordings. It wasn’t until 2018 that all the puzzle pieces came together for me, and I was led to Jesus.

At that point, as a new creation (2 Corinthians 5:17), I began to experience the world in fresh ways. For instance, I was never an “outdoors” person. Now, I am often drawn to it. Walking in parks has become a favorite activity.

Music I had heard for decades began to take on new meanings. Suddenly, Elvis’ catalog of gospel was not just a collection of beautifully performed songs, but the most compelling and personal statements of his entire career.

My best friend taught me something she calls, “finding signs of Him.” What she means by that is taking a few minutes to stop, breathe, listen, look, and find God. There are signs of Him everywhere. “I Believe” understands this as well with the lyrics, “Every time I hear a newborn baby cry or touch a leaf or see the sky, then I know why I believe.” Evidence of God literally surrounds us.

To conclude our look at “I Believe” today, I want to sign off with my favorite version. This is Mahalia Jackson, 1953. Listen to her voice, surely evidence of God.

Credit: Mahalia Jackson – Topic channel (YouTube)


“And it is impossible to please God without faith. Anyone who wants to come to him must believe that God exists and that he rewards those who sincerely seek him.”
Hebrews 11:6

“That’s why I’m saved…”

Let Yourself Go (2006)

Let Yourself Go (2006)

I gave the 2006 FTD release Let Yourself Go! a spin for the first time in quite awhile last weekend.

Due to its primary focus on segments for the production number medleys, it’s probably the ’68 special album I play the least – other than two or three of the rehearsal tracks.

On this listen, however, two of the non-rehearsal tracks demanded my attention.

Recorded for use in the gospel medley, “Saved” features as an alternate take here.

Unlike many of the other medley segments on this release, “Saved” works as a stand-alone track. In fact, it’s really cool finally to have “Saved” by itself!

Elvis’ exuberance on this version is so contagious that I prefer it far and above the comparatively subdued master take used in the medley. On the alternate, he even throws in a “whooh!” at one point, unable to contain himself. That’s what makes the comeback era so special, hearing such pure joy return to Elvis’ music.

Incidentally, if you have never heard LaVern Baker’s original 1959 version of “Saved,” do yourself a favor and find it somewhere. She does an incredible job on the song.

Anyway, I don’t remember the alternate vocal track of “Memories” jumping out at me when I first played Let Yourself Go! way back when. For some reason, this time, it really stood out. The difference between it and the master was not nearly as striking as it was for “Saved,” but the song is just beautiful.

Hearing a slightly different inflection on a few lines of a song I’ve played so often makes it feel new again. The sound quality on both of these tracks is superb.

I love re-discovering songs that have been in my collection for awhile. I wonder what will turn up next?

Elvis 1967: Album Release #1 (How Great Thou Art)

How Great Thou Art became Elvis’ first album release of 1967 when it hit record stores that February. The LP, recorded May 1966 in Nashville, featured the following songs:

SIDE 1

  • How Great Thou Art
  • In The Garden
  • Somebody Bigger Than You And I
  • Farther Along
  • Stand By Me
  • Without Him

SIDE 2

  • So High
  • Where Could I Go But To The Lord
  • By And By
  • If The Lord Wasn’t Walking By My Side
  • Run On
  • Where No One Stands Alone
  • Crying In The Chapel (October 1960)

Though he had been nominated ten times in the past, Elvis went on to earn his first Grammy award for the How Great Thou Art album, which won for Best Sacred Performance of 1967. By March 1968, How Great Thou Art had also sold enough copies to earn a gold record.

Billboard article, March 30, 1968

Billboard article, March 30, 1968

After the lean years of 1964 and 1965, arguably the low points of his entire recording career, Elvis fired the opening salvos of what eventually became his comeback during that May 1966 session. How Great Thou Art features many moving performances, perhaps none more so than the title song. It also showcases the raucous energy of “Run On,” a song that rocked more than any of his recent secular efforts.

* * *
Research Sources

  • Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen, St. Martin’s Press, New York, 1998.
  • Billboard, Vol. 80, No. 13, Billboard Publications, Inc., March 30, 1968.
  • ELVIS: His Life From A To Z by Fred Worth and Steve Tamerius, Wings Books, New York, 1992.

Throughout 2011, The Mystery Train is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.

How Great Thou Art up next for FTD Classic Album Series

Hey folks,

I’m more than a little under the weather, so I won’t be able to do a real post this week. I did want to mention FTD’s next Classic Album release, the Grammy-winning How Great Thou Art.

As well as the May 1966 sessions that made up the original album, there will also be bonus tracks drawn from June 1966 and September 1967. Definitely will make for an interesting release.

It will be available internationally later this month, usually about a month later for the US.

I hope to be back next week. I have lots of post ideas, just no energy to do them up right.