Elvis: The Ultimate Live Top Ten Hits (Part 2)

This is Part 2 of a series of 4 posts covering Elvis Presley’s best live recording, of those officially released, for each of his US top ten hits.

[Read Part 1]

Today’s post features hits included on Side B of The Top Ten Hits (1987), all of which were studio recordings on the original album.

01. Don’t (hit version recorded 1957)
Ultimate Live Version: None available
Though a live version of “Don’t” has never been released, there is a rehearsal version from July 29, 1970, that can be used to imagine what it might have been like. The rehearsal was first released on 1992’s Elvis: The Lost Performances VHS and Laserdisc. It appeared in last year’s That’s The Way It Is: Collector’s Edition book & CD set. A truncated version of the “Don’t” rehearsal also appeared on the A Life In Music CD set (1997) and the That’s The Way It Is: Deluxe Edition CD & DVD set (2014).

02. I Beg Of You (hit version recorded 1957)
Ultimate Live Version: None available
This is shaping up to be a great post, isn’t it?

03. Wear My Ring Around Your Neck (hit version recorded 1958)
Ultimate Live Version: None available
Okay, maybe this wasn’t such a wonderful idea.

04. Hard Headed Woman (hit version recorded 1958)
Ultimate Live Version: None available
Come on, Elvis! Well, for “Hard Headed Woman,” we do at least have a rehearsal version from July 29, 1970. Sure, it is only about 10 seconds long and not very good, but at this point, I’ll take it. This was also on last year’s That’s The Way It Is: Collector’s Edition.

05. One Night (hit version recorded 1957)
Ultimate Live Version: June 27, 1968, 6 PM Show, Rendition #1, Burbank, CA, Memories: The ’68 Comeback Special
Finally! Now, this is more like it. Over a dozen official live versions of “One Night” have been released over the years. His 1968 live versions for the ELVIS special are nearly as good as his 1957 studio master. As with “Jailhouse Rock,” covered last week, Elvis’ raw 1968 voice serves “One Night” well. Though understandable, the smoother vocal approach he used in 1969 and beyond due to the demands of performing up to two shows a night did not serve songs like “Jailhouse Rock” and “One Night” well.

Elvis actually recorded two versions of “One Night” back in 1957. The first used the song’s original lyrics (e.g., “One night of sin is what I’m now paying for”) whereas the released version used modified lyrics to make them slightly less controversial (e.g., “One night with you is what I’m now praying for”). In his 1968 live versions, Elvis intermingles lyrics from both versions of the song.

06. I Got Stung (hit version recorded 1958)
Ultimate Live Version: None available
Sigh.

07. A Fool Such As I (hit version recorded 1958)
Ultimate Live Version: March 25, 1961, Pearl Harbor, HI, Elvis Aron Presley
Here we go! There is only one live version available of “A Fool Such As I,” so it wins by default. It is a strong version, though. Benefiting the USS Arizona Memorial, which was having funding problems despite the approaching 20th anniversary of the Pearl Harbor attack that drew the United States into World War II, this 1961 concert is a must-listen. Elvis’ show raised over $50,000 and turned a spotlight on the issue to encourage contributions from others, including the US Congress. The memorial was dedicated on Memorial Day 1962, 13 years after fundraising efforts began.

08. I Need Your Love Tonight (hit version recorded 1958)
Ultimate Live Version: March 25, 1961, Pearl Harbor, HI, Elvis Aron Presley
This is another winner by default due to being the only live version available. After this Hawaii concert, Elvis did not appear before an audience again until the first “sit-down” show on June 27, 1968, captured for the ELVIS special.

09. A Big Hunk O’ Love (hit version recorded 1958)
Ultimate Live Version: February 16, 1972, Midnight Show, Las Vegas, NV, Walk A Mile In My Shoes
“A Big Hunk O’ Love” is rare among 1950s hits in Elvis’ 1970s concert repertoire in that the arrangement is respectful of the original version and Elvis performs it with care.

Thanks for reading. Next time, we begin taking a look at Elvis’ best live recordings of hit songs first released in the 1960s.

Blessings,
TY

[Read Part 3]

Elvis Presley performs a solid version of “A Big Hunk O’ Love” on January 14, 1973, captured for the ELVIS: ALOHA FROM HAWAII VIA SATELLITE special (NBC)


“We can make our plans, but the Lord determines our steps.”
Proverb 16:9

The Pacific War Memorial Commission Proudly Presents In Person: Elvis Presley

Today marks the 50th anniversary of Elvis’ benefit concert in Hawaii for the Pearl Harbor USS Arizona Memorial. Below is a repost of a feature I wrote last year about this event.


Elvis was nervous at the start of the show, but the screaming audience has since calmed his fears. Truth is, he learned to use his nervous energy to his advantage on stage years ago. Despite all that has changed in his life, the fuel that powers him continues to be his fans.

This concert is a little different from most of the others, though. This time, he is in Hawaii to raise money for a cause that is very important to him. Colonel has worked out most of the details, of course, including talks with NBC to have the concert aired on TV.

A few songs in now, Elvis glances at his hastily scribbled list to see what is up next. It turns out to be one of his favorites, one sure to get a reaction from the crowd. “Treat me like a fool,” he begins and is met with more yells of approval. He still knows his audience, no matter what anybody says.

After introducing the band and backup singers, it is time for another song. He first heard this Drifters number back in 1954, but didn’t get to record it until he was out of the Army. “It was a night, ooh what a night it was, it really was such a night,” he sings into the microphone.

This time, the audience is a little quiet at first. They don’t know this one as well. No problem, Elvis throws a little leg into it and is instantly rewarded with more cheers. Secretly, he is glad Colonel’s deal fell through and those NBC cameras aren’t here after all. No need to tone this show down.

The year is 1961, and Elvis is in Hawaii to help raise money for the USS Arizona memorial. Just over seven months from now will mark the twentieth anniversary of the December 7, 1941, Japanese sneak attack on Pearl Harbor that plunged the United States into the middle of World War II.

That attack sunk the mighty Arizona, forever entombing over 1,000 officers and crew below the water in the battleship. Yet, a memorial commission established in 1949 is still having trouble finding the money to start construction on a proper tribute to the fallen.

* * *

Though NBC ended up not filming the show, fortunately at least the audio was captured and preserved for us to still hear today. It appears on the 1980 “Silver” boxed set Elvis Aron Presley, which received a CD release in 1998. The sound quality is not great, but it is certainly listenable.

I pulled this set out for the first time in years yesterday and loved hearing this top-notch and exciting concert. It also reminded me that quite some time ago I had set aside a related book for later reading. As is often the case, by the time “later” came, I had forgotten about it.

Elvis In Hawaii by Jerry Hopkins (author of Elvis: A Biography and Elvis: The Final Years) is an oversized book filled with text and photos about Elvis’ various excursions to Hawaii, including this 1961 concert. One of the cool pieces of memorabilia in the book is Elvis’ handwritten set list for the show, which helped inspire today’s post. Interestingly, he originally planned to sing “Doin’ The Best I Can,” a 1960 album cut from G.I. Blues, before scratching it out and replacing it with his 1956 hit “Don’t Be Cruel.”

Of course, Elvis would return to Hawaii a number of times after this show, including the 1973 cancer fund benefit for which the television cameras of NBC and the world were present, Aloha From Hawaii.

USS Arizona Memorial in 2006

USS Arizona Memorial in 2006

The 1961 USS Arizona benefit raised over $50,000 for the memorial as well as turned a spotlight on the issue to encourage contributions from others, including the US Congress. On Memorial Day 1962, the memorial was finally dedicated.

Though no one knew it at the time, the show also marked Elvis’ last live appearance for over seven years until the studio audience tapings of the 1968 ELVIS television special and his full-fledged 1969 Las Vegas shows. Instead, for better or worse, most of the rest of his 1960s career would focus on making movies.

* * *

Elvis knows he could stay on all night and they would stay, but the show is winding down now. He won’t be leaving Hawaii yet, though.

In just a couple of days, he has to start filming a new movie, Blue Hawaii. Though Mr. Wallis once told him it was to be a “drama,” Elvis is no longer so sure of that after reading the script and recording over a dozen songs for the soundtrack back in Hollywood just a few days ago.

Being on stage in Hawaii is a lot better than that stuffy recording studio. “We’d like to do a spiritual song for you, ladies and gentlemen, from our religious album called His Hand In Mine,” he says. “It goes something like this.”

He launches into “Swing Down, Sweet Chariot.” For that moment on stage, all is right in his world.

Looking Back at Elvis’ Benefit Concert in Hawaii

Elvis was nervous at the start of the show, but the screaming audience has since calmed his fears. Truth is, he learned to use his nervous energy to his advantage on stage years ago. Despite all that has changed in his life, the fuel that powers him continues to be his fans.

This concert is a little different from most of the others, though. This time, he is in Hawaii to raise money for a cause that is very important to him. Colonel has worked out most of the details, of course, including talks with NBC to have the concert aired on TV.

A few songs in now, Elvis glances at his hastily scribbled list to see what is up next. It turns out to be one of his favorites, one sure to get a reaction from the crowd. “Treat me like a fool,” he begins and is met with more yells of approval. He still knows his audience, no matter what anybody says.

After introducing the band and backup singers, it is time for another song. He first heard this Drifters number back in 1954, but didn’t get to record it until he was out of the Army. “It was a night, ooh what a night it was, it really was such a night,” he sings into the microphone.

This time, the audience is a little quiet at first. They don’t know this one as well. No problem, Elvis throws a little leg into it and is instantly rewarded with more cheers. Secretly, he is glad Colonel’s deal fell through and those NBC cameras aren’t here after all. No need to tone this show down.

The year is 1961, and Elvis is in Hawaii to help raise money for the USS Arizona memorial. Just over seven months from now will mark the twentieth anniversary of the December 7, 1941, Japanese sneak attack on Pearl Harbor that plunged the United States into the middle of World War II.

That attack sunk the mighty Arizona, forever entombing over 1,000 officers and crew below the water in the battleship. Yet, a memorial commission established in 1949 is still having trouble finding the money to start construction on a proper tribute to the fallen.

* * *

Though NBC ended up not filming the show, fortunately at least the audio was captured and preserved for us to still hear today. It appears on the 1980 “Silver” boxed set Elvis Aron Presley, which received a CD release in 1998. The sound quality is not great, but it is certainly listenable.

I pulled this set out for the first time in years yesterday and loved hearing this top-notch and exciting concert. It also reminded me that quite some time ago I had set aside a related book for later reading. As is often the case, by the time “later” came, I had forgotten about it.

Elvis In Hawaii by Jerry Hopkins (author of Elvis: A Biography and Elvis: The Final Years) is an oversized book filled with text and photos about Elvis’ various excursions to Hawaii, including this 1961 concert. One of the cool pieces of memorabilia in the book is Elvis’ handwritten set list for the show, which helped inspire today’s post. Interestingly, he originally planned to sing “Doin’ The Best I Can,” a 1960 album cut from G.I. Blues, before scratching it out and replacing it with his 1956 hit “Don’t Be Cruel.”

Of course, Elvis would return to Hawaii a number of times after this show, including the 1973 cancer fund benefit for which the television cameras of NBC and the world were present, Aloha From Hawaii. Only two songs appear in both his 1961 and 1973 benefit concerts in Hawaii. Can you name them?

USS Arizona Memorial in 2006

USS Arizona Memorial in 2006

The 1961 USS Arizona benefit raised over $50,000 for the memorial as well as turned a spotlight on the issue to encourage contributions from others, including the US Congress. On Memorial Day 1962, the memorial was finally dedicated.

Though no one knew it at the time, the show also marked Elvis’ last live appearance for over seven years until the studio audience tapings of the 1968 ELVIS television special and his full-fledged 1969 Las Vegas shows. Instead, for better or worse, most of the rest of his 1960s career would focus on making movies.

* * *

Elvis knows he could stay on all night and they would stay, but the show is winding down now. He won’t be leaving Hawaii yet, though.

In just a couple of days, he has to start filming a new movie, Blue Hawaii. Though Mr. Wallis once told him it was to be a “drama,” Elvis is no longer so sure of that after reading the script and recording over a dozen songs for the soundtrack back in Hollywood just a few days ago.

Being on stage in Hawaii is a lot better than that stuffy recording studio. “We’d like to do a spiritual song for you, ladies and gentlemen, from our religious album called His Hand In Mine,” he says. “It goes something like this.”

He launches into “Swing Down, Sweet Chariot.” For that moment on stage, all is right in his world.