Last year (two days ago), Kees wrote a guest post here on The Mystery Train Blog covering what he considers some of 2012’s Elvis news highlights.
To return the favor, I wrote a guest blog today for his site covering my Top 10 Elvis News Stories of 2012. Check it out over at Elvis Day By Day.
Halfway through the year, as part of a “double post” with Ty, I compiled an article listing what I considered the Elvis news highlights of 2012 through that point. Now, on the verge of 2013, it is time for me to finish with what I consider the most important Elvis news stories from the last six months. Let’s pick it up where we left off.
July 28: The Holy Grail
One of the best news stories of 2012 was, of course, the announcement of the release of A Boy From Tupelo by Ernst Jorgensen. July gave us the tracklisting, confirmation of a previously unreleased song entitled “Little Mama,” and several live performances of songs we only knew from studio recordings. Three days later, the box was released. Funny to see how all details were kept secret, especially in this day and age when nothing appears to be safe.
July 13: A Miracle
Miracles do exist. On July 13, news broke that YouTube user “amberola1b” posted a previously unreleased recording of Elvis singing “I Forgot To Remember To Forget” live at the Louisiana Hayride on October 1, 1955. How ironic it is that after ten years of work, Jorgensen finally announces the release of Elvis’ body of work from that era and then this recording surfaces. News went through the Elvis world like a wildfire.
The song was recorded on an early Silvertone “wire” recording machine. We initially hear Buzz Busby and the Bayou Boys before Horace Logan introduces Elvis, Scotty, and Bill with their “modern-day type” new single, “I Forgot To Remember To Forget.” The reaction from Jorgensen was, “Wow – it’s unbelievably beautiful. I’m still trying to recover from the shock.”
The audio quality was very good, especially considering that it was a camcorder capturing the antique machine playing the wire. It almost sounded better than the new concert recordings on the A Boy From Tupelo set. This discovery showed that miracles can still happen. Who knows what is still out there ready to be discovered?
Especially because you could listen to the newly discovered song, this was one of the highlights of the year for me. I enjoyed being an Elvis fan again.
It was sad that Elvis Presley Enterprises did not appear interested in this news. I mailed them several times but got no other answer than, “Thank you for sending your email concerning a new live recording of Elvis. Unfortunately, I don’t know anything about the new recording besides the link that you shared with me in your prior email.” EPE never mentioned the newly discovered recording.
One day after the song hit the Elvis world, the owner discovered the potential value of what he had put online and threatened all those linking to his video with copyright violations. The song was bootlegged by various fan clubs and appeared on a handful of CDs, so fans could still enjoy this recording. An official release still has yet to see the light.
July 6: Graceland Through The Years 1957-1977
Boxcar Enterprises released a book, Graceland Through The Years 1957-1977, on July 6. The first edition of the book, limited to 2000 copies, sold out immediately. I enjoyed reading this book very much. It brought back a lot of memories of walking through the famous mansion in 2001. I still cannot believe that a former bootlegger can produce a book like this, rather than EPE, which is sitting on a wealth of original information and memorabilia. Graceland Through The Years contains 450 pages with over 1000 photos, many never before published.
July 3: A Bootleggers Treasure
Speaking of bootleggers, the book Bootleg Elvis was also released in July. With the Graceland and Tupelo books, this release marks another essential book release. It documents all known vinyl bootleg releases, with additional background information from the original bootleggers themselves. It is not the kind of book you sit down and read cover-to-cover, but it is an essential reference and fun book to browse through every now and then. It is always fun to look up the vinyl in your own collection (no I found no hidden treasure …). When will the follow-up on all bootleg CDs appear?
August 1: The Holy Grail From Another Planet
August 1, 2012 marked the release of A Boy From Tupelo book and CD set – an essential release for any fan who wants to know everything from the early years of Elvis Presley’s career in music. I’m still reading it and will be for some time. Thank you, thank you very much, Ernst!
Sony Legacy also spread the news on the Prince From Another Planet double CD/DVD set containing Elvis’ legendary concert performances from Madison Square Garden. Sony simultaneously released three Madison Square Garden products:
1.) A vinyl re-issue of the original 1972 album As Recorded At Madison Square Garden. [Music On Vinyl also re-issued this same title.]
2.) A double CD containing the original mixes of Elvis’ June 10 shows as originally released on As Recorded At Madison Square Garden and 1997’s An Afternoon In The Garden.
3.) The Prince From Another Planet double CD/DVD set containing new mixes of both June 10 shows, with the DVD including audience footage from the afternoon show.
One would expect that the two CD sets would be the same, but Sony instead decided that the sets would contain different mixes and masterings of these concerts. Also, the footage on the DVD does not cover the entire concert, so Sony chose to show a black screen while the audio continues. Why not create a mini concert with only the available footage?
Elvis with Sheila Ryan
September 18: Sheila Ryan Died
This year quite a few people from the Elvis world died. Bernard Lansky, who dressed him in the early days, friends like Patti Parry and Lance Legault, people he worked with professionally or admired, like Tony Curtis, musicians, directors, and concert promotors.
One stood out from the rest for me – his one-time girlfriend Sheila Ryan. She passed away at the age of 59 after a battle with cancer. After Elvis and Linda Thompson broke up, he dated Sheila for a while in 1974. They first met in Las Vegas. Elvis performed “And I Love You So” many times during his concerts and dedicated it to Sheila.
October 23: Hits From The Seventies
The Follow That Dream Collectors label released the Hits Of the 70’s compilation in October. Is it a very important release? I guess not, but it does mark a new direction for the collectors label. Could it be the bottom of the barrel is finally in sight after 100+ FTD releases?
The CD itself got mixed reactions and reviews, mainly because it did not contain any previously unreleased material. For me personally, that’s no problem, the music on this compilation is very good and I enjoy listening to it very much. Releases like this bring back memories of discovering Elvis when I was young.
November 28: Elvis Inducted into Memphis Music Hall of Fame
Elvis, among other Memphis music greats, was inducted into the Memphis Music Hall of Fame during a musical tribute held at the Cannon Center for the Performing Arts in downtown Memphis.
Memphis is often known as the cradle for legendary musicians in blues, soul, and rock ‘n’ roll. Until now, there was no Hall Of Fame – which was new to me. Walking around Memphis and enjoying all the different links to many kinds of music, this had escaped me.
The event was sponsored by the Memphis Rock ‘n’ Soul Museum. The ceremony consisted of 25 inductees who maintained strong ties to the Memphis community and were pioneers in the music industry. Other Memphians honoured were Sun Studio founder Sam Phillips, DJ Dewey Phillips, blues legends BB King, Howlin’ Wolf, and Isaac Hayes, among many others.
According to the Memphis Commercial Appeal, Priscilla Presley accepted on behalf of Elvis and noted that Elvis’ musical influences included several of his fellow inductees. “I know he would be humbled and pleased to be included in standing with them tonight at this inaugural event,” she said in a video message presented during the ceremony.
November 5: Back In Memphis
The Follow That Dream label announced the release of Back In Memphis in their Classic Album” series. This is one of my all-time favourite albums with great recordings like “Inherit the Wind”, “Stranger in My Own Hometown” and, of course, the fan-favorite “Suspicious Minds” – which FTD added as a bonus track. The additional alternate takes of these and other songs from the original album never sounded so good.
November 26: Elvis Files Vol. 1 ’53-’56
Erik Lorentzen shared a preview of the first volume of his Elvis Files anthology. This volume contains the years 1953 through 1956. These years turned the boy into a man and finally the King of Rock ‘n’ Roll. If I think of Elvis, images from this era come to mind. For me, this is what embodies Elvis. Two volumes are still shrink-wrapped and will probably be after I receive this volume. The first volume chronicles Elvis’ rise from his pre-SUN discovery to becoming the world’s biggest new sensation – over more than 500 pages and 1,200 photos. Featuring all Elvis events from 1953-1956, every working moment, the early tours, the first Las Vegas trip, recording sessions, the TV shows, and lots of unseen and unpublished images (according to the press-release). Originally announced for release in December 2012, it will be available early 2013.
December 21: Aloha From Hawaii – 40th Anniversary Edition
The year closes with a bang! Boxcar Enterprises announced that, in association JAT Publishing, it will release a 40th Year Anniversary special book in celebration of Elvis’ iconic Aloha from Hawaii, titled Elvis – Aloha via Satellite, in February 2013.
This massive, comprehensive 450-page volume is packaged and housed the same as Elvis Presley’s Graceland Through The Years. The book comprises hundreds upon hundreds of photographs, many of which have never before been seen. Also collected exclusively are scores of historical memorabilia and the Colonel’s original internal documents and scripts. According to the press release, this is intended to create a time-travel experience of sorts documenting the most ground breaking event in the annals of television history.
2012 Wrap-up
So this wraps up 2012. Was it a good year? Browsing through the 290 posts I did on my Elvis Day By Day blog I can only say it was. On only 75 days, I did not find anything interesting to post. After years with only a few outstanding releases, 2012 raised the bar on CD and book releases, while vinyl made a comeback.
I did not get much of the 35th anniversary celebrations, but we got A Boy From Tupelo, for many fans a “holy grail”, we got a lot of vinyl, we got the Prince From Another Planet, a newly discovered recording of “I Forgot To Remember to Forget”, many import releases, and a series of great books. A few years ago, we thought the well had run dry, but I believe we may still get a few surprises in the years to come. See you around next year!
/Kees, Elvis Day By Day
Sony released three new Elvis titles to US stores on Tuesday, all of them related to his 1972 appearances at Madison Square Garden. While I commend Sony for bringing these releases to market, they have also brought along with them much confusion over the similar contents.
I’m no miracle worker, but I’ll try to clear this up for you as best I can.
Prince From Another Planet: As Recorded At Madison Square Garden is a 2-CD/1-DVD boxed set. CD 1 is a 2012 mix by Michael H. Brauer of Elvis’ June 10, 1972, afternoon show at the Garden, mastered by Vic Anesini. CD 2 is a 2012 mix by Brauer of Elvis’ June 10 evening show at the Garden, mastered by Anesini. The DVD contains a new documentary (Like A Prince From Another Planet), footage from Elvis’ June 9 press conference in New York, and fan-shot 8-millimeter footage of the June 10 afternoon show. Also included is a 50-page book, featuring liner notes by Lenny Kaye.
Elvis at his June 9, 1972, press conference
Elvis As Recorded At Madison Square Garden: Legacy Edition is a 2-CD set. CD 1 is a vintage 1972 mix of Elvis’ June 10 evening show at the Garden, mastered by Anesini in 2007. This represents the 1972 album Elvis As Recorded At Madison Square Garden, which hit store shelves only a week after the actual show. Due to Anesini’s mastering, which was first released on 2009’s Elvis: The Complete Masters Collection and 2010’s The Complete Elvis Presley Masters, the sound quality is improved over the 1992 CD release. CD 2 is a vintage 1997 mix of Elvis’ June 10 afternoon show at the Garden, mastered by Anesini for this 2012 edition. This represents the 1997 album An Afternoon In The Garden.
Sony has also released a new vinyl version of Elvis As Recorded At Madison Square Garden. This 2-LP release of the June 10 evening show is a newly mastered version of the vintage 1972 mix. Despite the fact that it is now two records, this does not contain the afternoon show. The original 1972 vinyl issue of this album was only one record, but the two record format is for better sound quality.
As you can see, fans of Elvis in 1972 have a nice selection from which to choose. As for me, I went with the deluxe Prince From Another Planet set because I wanted to hear the 2012 mixes. The Legacy Edition was not appealing to me because I already have the vintage As Recorded At Madison Square Garden mix as mastered by Anesini on The Complete Masters Collection, and I was not interested in a new mastering of the 1997 mix of An Afternoon In The Garden. I may eventually pick up the vinyl, though I tend to gravitate more towards records produced while Elvis was alive.
I’m not going to do a formal review, but I can’t close out without saying that Prince From Another Planet is incredible. Brauer has done a fantastic job mixing these shows. Crank up your sound system and maybe, just maybe, you can be transported back to June 10, 1972, and experience Elvis at the Garden.
As you might expect, the difference is most striking on the evening show. To say that the 1972 mix was rushed would be an understatement. This new 2012 mix finally illuminates this show in the fashion it deserves.
The Like A Prince From Another Planet documentary is worthwhile. I would like to see more documentaries of this nature, highlighting specific points in Elvis’ career. It does “spoil” a lot of the fan-shot footage, though, so you may want to watch that first.
The amateur video of the June 10 afternoon show looks about as good as 8 millimeter footage can possibly appear. Do not go in expecting professional Elvis On Tour or Aloha From Hawaii quality, though. This understandably looks grainy on large television sets. Though the original footage was silent, Sony has meticulously synched the 2012 mix of the show’s audio with the footage. To put it mildly, the footage is stunning and makes for a terrific experience . . . almost.
Elvis on stage at the Garden
Only about twenty minutes of footage from this sixty minute show actually exists. During parts of the show for which there is no footage, the screen goes black while the audio continues. There are several long stretches of songs with no footage at all. To be honest, I cannot imagine a member of the “general public” (i.e., someone who is not an obsessed Elvis fan) sitting through this. Even I became restless at times, afraid to take my eyes off the big blank screen for fear I would miss the video. Sony should have provided an option to “View All Footage” and skip over the blank portions. This is but a minor quibble, though. Keep in mind while watching this that Warner Home Video is sitting on hours of professionally-filmed 1972 tour footage of Elvis. Unfortunately, Sony has no control of that footage, so kudos to them for at least bringing us this grainy alternative.
My larger complaint with the set has to do with the packaging. It is beautiful, but fails miserably at its primary job – protecting the CDs and DVD. Good luck getting them out without scratching the discs and/or creasing the packaging. As it is, my DVD has a fault during the press conference, and I have no doubt that the packaging and my admittedly anxious hands are to blame.
Elvis and the music more than make up for these shortcomings, though. If you are a fan of Elvis in 1972, Prince From Another Planet is a must-have. If you are not a fan of Elvis in 1972, I do not think this release will change your opinion. That’s okay, though. Everyone is entitled to be wrong!
* * *
Coming so soon on the heels of the recent storm, this New York themed release also reminded me to think of those in New York and neighboring areas that are affected. I think it would be a great gesture, and certainly within the spirit of Elvis’ generosity, if Sony were to release a single from this set with proceeds to benefit disaster relief efforts. In any event, we fans can also help on our own by donating funds to the American Red Cross.
This has been another fantastic week of Elvis release news. Today, Follow That Dream Records revealed the track listing for the long-awaited A Boy From Tupelo: The Complete 1953-55 Recordings, FTD’s SUN boxed set that includes a 512-page book and three CDs. FTD, Sony’s collectors label for Elvis fans, will release the set next month.
It appears that Elvis Matters was the first site to break the track listing news, though I first read about it over on a For Elvis CD Collectors Forum thread started by Greg1995. On that thread, FECC member Good Time Charlie took the time to reformat the track listing to make it more palatable. I’ve used his version for the below, with a few very minor tweaks of my own. A big thank you to Charlie for allowing me to use his work.
Elvis Presley: A Boy From Tupelo – The Complete 1953-55 Recordings
Disc 1: MRS Acetates, The SUN Masters & The RCA Masters
01) My Happiness 2:33
02) That’s When Your Heartaches Begin 2:52
03) I’ll Never Stand In Your Way 2:04
04) It Wouldn’t Be The Same (Without You) 2:09
05) Harbor Lights 2:38
06) I Love You Because 2:43
07) That’s All Right [45 RPM SUN Master] 2:00
08) Blue Moon Of Kentucky [45 RPM SUN Master] 2:07
09) Blue Moon 2:44
10) Tomorrow Night 3:01
11) I’ll Never Let You Go (Little Darlin’) 2:27
12) I Don’t Care If The Sun Don’t Shine 2:32
13) Just Because 2:34
14) Good Rockin’ Tonight 2:15
15) Milkcow Blues Boogie [78 RPM SUN Master] 2:39
16) You’re A Heartbreaker [78 RPM SUN Master] 2:13
17) I’m Left, You’re Right, She’s Gone [Slow version] 2:43
18) Baby Let’s Play House 2:19
19) I’m Left, You’re Right, She’s Gone 2:38
20) I Forgot To Remember To Forget 2:31
21) Mystery Train 2:30
22) Tryin’ To Get To You 2:36
23) When It Rains It Pours 2:06
24) That’s All Right 1:59 [RCA single version]
25) Blue Moon Of Kentucky 2:05 [78 RPM SUN Master]
26) I Love You Because 2:45 [RCA LP version – spliced from takes 3 & 5]
27) Tomorrow Night 2:56 [RCA LP version – overdubbed and slowed down]
Tracks 1-2: Self-financed demo recorded July, 1953 at SUN Studio, Memphis.
Source for tracks 1-2: Digital transfer of acetate.
Tracks 3-4: Self-financed demo recorded January 4, 1954 at SUN Studio, Memphis.
Source for tracks 3-4: Digital transfer of acetate in very poor condition.
Track 5 possibly recorded July 5, 1954.
Tracks 6-7 recorded July 5, 1954 at SUN Studio, Memphis.
Sources for tracks 5-6: Original SUN tapes.
Source for track 7: 45 rpm SUN single (plastic).
Track 8: Recorded July 7, 1954 at SUN Studio, Memphis.
Source for track 8: 45 rpm SUN single (plastic).
Track 9: Likely recorded between August 15 and 19, 1954 at SUN Studio, Memphis.
Source for track 9: Original SUN tape.
Tracks 10-14 likely recorded between September 12-16, 1954 at SUN Studio, Memphis.
Sources for tracks 10, 11, 13 and 14: RCA reference tapes (30 ips).
Source for track 12: Digital transfer of SUN tape, with repairs from a digital transfer of a tape copy.
Tracks 15-16 recorded either mid-November or mid-December 1954 at SUN Studio, Memphis.
Sources for tracks 15-16: 78 rpm SUN single (shellac).
Track 17 Recorded between mid-November 1954 and mid-April 1955 at SUN Studio, Memphis.
The reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day.
Source for track 17: Original SUN tape.
Track 18 likely recorded between January 30 and February 4, 1955 at SUN Studio, Memphis.
“I Got a Woman” and “Tryin’ to Get to You” were also recorded, but have been lost.
Source for track 18: RCA reference tape (30 ips).
Track 19 likely recorded mid-April 1955 at SUN Studio, Memphis.
Source for track 19: RCA reference tape (30 ips), with first part of ending from RCA tape copy (15 ips) and last part of ending from digital transfer of the RCA EPA-965 production master tape.
Tracks 20-22 recorded mid-July, 1955 at SUN Studio, Memphis.
Source for track 20: SUN tape copy.
Source for track 21: SUN tape copy, with ending from digital transfer of 78 rpm RCA single.
Source for track 22: RCA reference tape (30 ips).
Track 23 recorded November 1-4, 1955 at SUN Studio, Memphis.
Source for track 23: Original SUN (vocal channel) slapback tape.
Elvis’ 1957 re-recording of the song was released under the title “When It Rains, It Really Pours.”
Source for track 24: RCA reference tape (30 ips).
Source for track 25: Elvis at SUN master, derived from digital transfer of 78 RPM SUN single (shellac).
Track 26: Steve Sholes’ original notes have these takes as 2 & 4.
Source for track 26: RCA master tape.
Source for track 27: 1965 RCA work part tape for the Elvis for Everyone LPM-3450 production master tape.
Disc 2: The SUN Studio Sessions
01) Harbor Lights (takes 1-2, level adjustments) 0:33
02) Harbor Lights (take 3/M) 2:53
03) Harbor Lights (take 4) 2:38
04) Harbor Lights (takes 5-6) 1:23
05) Harbor Lights (take 7) 2:25
06) Harbor Lights (take 8) 0:26
07) I Love You Because (take 1) 0:23
08) I Love You Because (take 2) 3:28
09) I Love You Because (take 3) 3:36
10) I Love You Because (take 4) 0:40
11) I Love You Because (take 5) 3:28
12) That’s All Right (takes 1-2) 0:20
13) That’s All Right (take 3) 1:58
14) Dialogue 0:20
15) Blue Moon Of Kentucky [slow tempo outtake] 1:08
16) Blue Moon (takes 1-3) 0:38
17) Blue Moon (take 4) 2:59
18) Blue Moon (take 5) 3:25
19) Blue Moon (takes 6-7) 0:53
20) Blue Moon (take 8) 3:01
21) Blue Moon (take 9/M) 2:44
22) Dialogue fragment [before “Tomorrow Night”] 0:11
23) I’ll Never Let You Go (Little Darlin’) [incomplete take] 0:49
24) Good Rockin’ Tonight [fragment from vocal slapback tape] 0:10
25) I Don’t Care If The Sun Don’t Shine (takes 1-2) 1:13
26) I Don’t Care If The Sun Don’t Shine (take 3/M) 2:35
27) I’m Left, You’re Right, She’s Gone (slow version, take 1) 3:00
28) I’m Left, You’re Right, She’s Gone (slow version, take 2) 2:51
29) I’m Left, You’re Right, She’s Gone (slow version, take 3) 2:51
30) I’m Left, You’re Right, She’s Gone (slow version, take 4) 0:10
31) I’m Left, You’re Right, She’s Gone (slow version, take 5/M) 2:40
32) I’m Left, You’re Right, She’s Gone (slow version, take 6) 2:40
33) I’m Left, You’re Right, She’s Gone (slow version, take 7) 1:35
34) How Do You Think I Feel (guitar slapback tape, rehearsal + take 1) 3:17
35) How Do You Think I Feel (guitar slapback tape, rehearsals) 1:14
36) When It Rains It Pours (vocal slapback tape, take 1) 1:37
37) When It Rains It Pours (vocal slapback tape, take 2 – rehearsal) 2:12
38) When It Rains It Pours (vocal slapback tape, takes 3-4) 2:14
39) When It Rains It Pours (vocal slapback tape, take 5/M) 2:02
40) When It Rains It Pours (vocal slapback tape, take 6-7) 1:40
41) When It Rains It Pours (vocal slapback tape, take 8) 1:40
Tracks 1-6 possibly recorded July 5, 1954 at SUN Studio, Memphis.
Source for tracks 1-6: Original SUN tape.
Tracks 7-13 recorded July 5, 1954 at SUN Studio, Memphis.
Source for tracks 7-13: Original SUN tape.
Tracks 14-15 likely recorded July 7, 1954 at SUN Studio, Memphis.
Source for tracks 14-15: Digital transfer of SUN tape.
Tracks 16-21 likely recorded between August 15 and 19, 1954 at SUN Studio, Memphis.
Source for tracks 16-21: Original SUN tape.
Tracks 22-26 likely recorded between September 12 and 16, 1954 at SUN Studio, Memphis.
Source for track 22: RCA reference tape (30 ips) for “Tomorrow Night”.
Sources for tracks 23-26: Digital transfers of SUN tapes (also see source note for Disc 1, track 12).
Tracks 27-33 recorded between mid-November 1954 and mid-April 1955 at SUN Studio, Memphis.
The reel has March 5 written on it, but Elvis was at the Louisiana Hayride that day.
Source for tracks 27-33: Original SUN tape.
Tracks 34-35 recorded between mid-November 1954 and mid-April 1955 at SUN Studio, Memphis.
Source for tracks 34-35: Digital transfer of SUN (guitar channel) slapback tape.
Tracks 36-41 recorded between November 1-4, 1955 at SUN Studio, Memphis.
Source for tracks 36-41: Original SUN (vocal channel) slapback tape.
Disc 3: Live & Radio Performances
01) That’s All Right 2:52
02) Blue Moon Of Kentucky 2:23
03) Shake, Rattle And Roll 2:24
04) Fool, Fool, Fool 1:59
05) Hearts Of Stone 2:02
06) That’s All Right 1:52
07) Tweedlee Dee 2:51
08) Shake, Rattle And Roll 2:23
09) KSIJ Radio commercial with DJ Tom Perryman 0:16
10) Money Honey 2:43
11) Blue Moon Of Kentucky 2:04
12) I Don’t Care If The Sun Don’t Shine 2:33
13) That’s All Right 1:54
14) Tweedlee Dee 2:15
15) Money Honey 2:17
16) Hearts Of Stone 1:37
17) Shake, Rattle And Roll 1:39
18) Little Mama 2:03
19) You’re A Heartbreaker 2:06
20) Good Rockin’ Tonight 2:36
21) Baby Let’s Play House 2:22
22) Blue Moon Of Kentucky 1:47
23) I Got A Woman 3:03
24) That’s All Right 2:17
25) Tweedlee Dee 2:47
26) Interview with Mae Boren Axton 3:19
27) That’s All Right 2:37
28) I’m Left, You’re Right, She’s Gone 3:16
29) Baby Let’s Play House 3:19
30) Maybellene 3:09
31) That’s All Right 2:49
32) Interview with Bob Neal 5:31
Tracks 1-2 recorded at Louisiana Hayride debut, Shreveport, Louisiana, October 16, 1954.
Source for tracks 1-2: RCA reference tape copy.
Tracks 3-4 recorded at KDAV Radio, Lubbock, Texas, January 6, 1955.
Source for tracks 3-4: Digital transfer of acetate.
Tracks 5-7 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 15, 1955.
Source for tracks 5-7: Digital transfer of acetate in very poor condition.
Some parts duplicated and edited to create near-complete performances.
Track 8 recorded at WJOI Radio, Florence, Alabama January 19, 1955.
Source for track 8: Digital transfer of acetate in poor condition.
Track 9 recorded at KSIJ Radio, Gladewater, Texas, 1955.
Source for track 9: Digital transfer.
Tracks 10-13 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, January 22, 1955.
Source for tracks 10-13: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performances.
Tracks 14-19 likely recorded at the Louisiana Hayride, Shreveport, Louisiana, March 5, 1955.
Source for tracks 14-19: Digital transfer of fragments of acetate in very poor condition (which was destroyed in the process). Some parts duplicated and edited to create near-complete performances.
Tracks 20-24 likely recorded at the Eagles’ Hall, Houston, Texas, March 19, 1955. Track 21 could be from a different performance the same week.
Source for tracks 20-24: RCA reference tape copy.
Track 25 recorded at Gladewater High School, Gladewater, Texas, April 30, 1955.
Source for tracks 25: RCA reference tape copy.
Track 26 recorded at motel in Jacksonville, Florida on either May 12 or July 28, 1955.
Source for track 26: Digital transfer of 1981 BBC broadcast tape copy.
Track 27 recorded at the Jimmie Rodgers Memorial Festival, Meridian, Mississippi, May 26, 1955.
Source for track 27: Broadcast tape.
Track 28 recorded at the Louisiana Hayride, Shreveport, Louisiana, July 2, 1955.
Source for track 28: Digital transfer of acetate in very poor condition. Some parts duplicated and edited to create near-complete performance.
Tracks 29-31 recorded at the Louisiana Hayride, Shreveport, Louisiana, August 20, 1955.
Source for tracks 29-31: RCA reference tape copies.
Track 32 recorded at WMPS Radio, Memphis Tennessee, between August 29-31, 1955.
Source for track 32: Digital transfer.
* * *
A Boy From Tupelo looks like it will indeed be the definitive SUN set. I’m most looking forward to hearing the original SUN 45 RPM version of “That’s All Right.” I’ve only heard the RCA version, which has added echo.
One of the many reasons I finally pounced on Elvis: The Complete Masters Collection was to obtain the Vic Anesini mastering of Elvis As Recorded At Madison Square Garden, which has been in dire need of an audio upgrade since its original CD release in the early 1990s. As soon as I placed the order, I thought, “Now everyone will have to thank me for finally buying it, as this will guarantee a Sony Legacy Edition release of Madison Square Garden in the near future.” This kind of thing happens to me all the time, you see.
Sure enough, Sony recently announced a Legacy Edition release of As Recorded At Madison Square Garden. So, you’re welcome!
The Legacy Edition, due in October for the US, will contain a remastered version (presumably, Anesini’s) of the original album using the vintage mix of the June 10, 1972, Evening Show. Sony will couple it with the June 10, 1972, Afternoon Show, previously released as An Afternoon In The Garden, to make a nice two-disc set. Since I already have the upgraded As Recorded At Madison Square Garden on The Complete Masters Collection, I’ll be skipping this Legacy Edition.
However, Sony is releasing another Madison Square Garden set at the same time. Prince From Another Planet: As Recorded At Madison Square Garden is a three-disc set consisting of two CDs and one DVD. The CDs will contain new mixes of both of the June 10 shows by Michael Brauer (i.e., this is not the vintage As Recorded At Madison Square Garden mix that will be on the Legacy Edition).
Since the historic mix has been properly preserved, this is a chance to do something different. I’m excited to hear what Brauer has come up with for these shows.
The 40-minute DVD will contain portions of Elvis’ Madison Square Garden press conference (a favorite of mine) and live performance material from the show. To date, no video footage of the Madison Square Garden shows has been officially released, so that alone makes Prince From Another Planet a must-have for fellow fans of this Elvis era.
So, something funny happened when I was Googling for more information on Prince From Another Planet. I found out that I named it!
Well, not really. However, I came across my own comment from July 3, 2011, on this very blog in the search results:
“[C]an you imagine… a 5 CD set, the 1972 equivalent of ‘Young Man With The Big Beat,’ containing the 3 CDs I mentioned above [the remaining April 1972 ‘Elvis On Tour’ shows], plus the two Garden shows to round out the other 2 CDs? Call it ‘A Prince From Another Planet.’ Then, the Garden shows could be a Legacy Edition as a separate release as well (much like the ‘Elvis Presley’ Legacy Edition is to the 1956 boxed set).”
I had forgotten all about this and was literally shocked to read my own words. I’m sure it’s a total coincidence, of course.
(In case it’s not a coincidence, though, and Sony is really reading this little blog – just give me a call, because I have plenty more Elvis ideas. I’ll be waiting by the phone.)
The Mystery Train Elvis Blog 