Download the End of Lonely Street: Top 5 Elvis Starter Albums on iTunes [Pastimescapes blog]

While I buy much of my music online these days, the overwhelming majority of my Elvis Presley purchases continue to be in the form of CDs.

The times I tend to download Elvis are when I only need a few tracks from a new album or set. For instance, I purchased a December 15, 1956, concert and various non-music tracks as online downloads from the Young Man with the Big Beat: The Complete ’56 Elvis Presley Masters set a few years back, as I already owned all of the other content.

However, iTunes and other online music stores certainly present great oppotunities to find jumping-on places for many artists, including Elvis. With that in mind, I thought I would take a look at the current iTunes offerings and suggest various starting points for exploring the music of Elvis Presley.

There are many possible paths when first listening to Elvis. The below starter albums represent only a few of those possibilities, focusing on different aspects of his career, avoiding duplication, and keeping a maximum $10 US budget in mind.

Cover of ELVIS-TV SPECIAL (1968 album)

1968’s ELVIS-TV SPECIAL is a strong starter album for those new to Elvis Presley.

#1 ELVIS-TV Special

This is the soundtrack of the 1968 television special that marked a turning point for Elvis. As he finally began to break away from repetitive movies that dominated so much of his 1960s career, he adopted a new, mature sound on songs like “If I Can Dream” and reinterpreted many of his older hits, such as a pounding version of “Heartbreak Hotel.”

The ELVIS-TV Special album thus serves both as an overview of his career to that point as well as a navigation beacon for the direction of his future, reinvigorated work.

#2 Promised Land (Expanded)

The first ten tracks of this release represent the original Promised Land album proper. Recorded in 1973 at Stax Studios in Memphis, Promised Land features a perfect blend of rock ‘n’ roll (the title track), country (“It’s Midnight”), and inspirational (“Help Me”).

This 2000 expanded edition includes several tracks from the inferior Good Times album, recorded at the same sessions. While this has the benefit of adding choice cuts “Good Time Charlie’s Got The Blues,” “Lovin’ Arms,” and “My Boy,” it also detracts by including clunkers “She Wears My Ring,” “If That Isn’t Love,” and “I Got A Feelin’ In My Body.”

#3 Elvis At Sun

Whoever decided to lead off this collection of Elvis’s earliest professional recordings with the lightweight “Harbor Lights” and nearly unlistenable “I Love You Because” allowed recording order to dictate over common sense and entertainment value. Producer and SUN founder Sam Phillips wisely rejected both of these cuts. Had they become Elvis’s first record, there might not have been a second.

Elvis then “stumbled upon” what became his first single, “That’s All Right” b/w “Blue Moon of Kentucky,” which should have started this collection of 1954-1955 recordings. Despite the sequencing issues, Elvis At Sun is a stellar release, with career highlights including “Mystery Train,” “Baby, Let’s Play House,” “Good Rockin’ Tonight,” “That’s All Right,” “Blue Moon,” and “Tryin’ To Get To You.”

There is a certain appeal to starting an Elvis musical journey at the literal beginning, and this 2004 release does a fine job without delving too far into outtakes and alternates best left for more seasoned fans.

#4 Elvis’ Golden Records

Essentially picking up where Elvis At Sun left off, Elvis’ Golden Records captures the singer in his early years at RCA Records. These 1956-1957 recordings include many of his best known hits.

Along with his SUN records, these cuts represent some of his most influential work. Every song here is a classic, but “Jailhouse Rock” and “Love Me” manage to shine even among the top-notch competition.

#5 From Elvis In Memphis

After the success of the ELVIS television special in 1968, Elvis recorded for the first time in Memphis since his SUN days. His 1969 recordings at American studios eventually produced two albums and several singles.

From Elvis In Memphis was easily the strongest of the two albums and certainly one of the best of his career. Stand-outs include “Power Of My Love,” “Wearin’ That Loved-On Look,” “After Loving You,” “Any Day Now,” and “Long Black Limousine.”

Guest Post: FTD takes Elvis fans beyond the Promised Land

I have been an Elvis Presley fan since the age of 5, and many times I have told friends my story of how I one day discovered my Mom’s record collection at the bottom of the staircase in our home. As I rifled through her collection, I came across the album Elvis Today and was instantly intrigued.

Long story short, not only did that discovery create a new Elvis fan, but for the last 35 years I have always claimed Today as my favorite Elvis album. However, after listening to the recently released Follow That Dream treatment of the Promised Land album, I am now proud to proclaim Promised Land as my all-time favorite Elvis album.

Promised Land album cover

Promised Land album cover

Since the inception of the Classic Albums concept by the FTD Collectors Label, fans have been clamoring for Ernst Jorgensen & company to deliver the Promised Land album to them in this expanded format. I am happy to say that the wait, while long and seemingly endless at times, was well worth it. What FTD has done with not only the original album, but the session outtakes is simply amazing.

Once I received my copy of Promised Land, I immediately noticed that the format presented to us for this album was a little different. As usual the original album kicks off disc one, but then comes the twist. We fans are treated to “Promised Land – The Alternate Album.” This section contains the original album song lineup using outtakes from the recording sessions.

Referred to as “Session Highlights,” these 10 outtakes presumably are what the FTD team felt were the best alternate versions of each song from the album. Personally, I truly enjoyed this change to the Classic Albums format, and I hope that FTD considers continuing this trend on future Classic Albums releases.

Upon concluding the “Alternate Album,” the rest of disc one contains “More Session Highlights.” The entire contents of disc two are referred to as “Sessions – The Making Of.” Basically these are the remaining session outtakes from that historic recording session at the Stax Studios in Memphis during the final month of 1973.

Herein lie the true gems of this 2-disc package. Hearing Elvis rehearse, record and re-record these songs is a true listening experience. When I first listened to these outtakes, I was captivated by Elvis’ true commitment to the material he was recording – something that, to me, had seemingly been missing since his marathon recording sessions of June 1970.

Listening to the outtakes from the Promised Land sessions, you can hear Elvis really trying to create something special. Just hear the passion in his voice during the recording of “It’s Midnight” or the ache in his voice in “There’s A Honky Tonk Angel (Who’ll Take Me Back In).”

These outtakes, at times, can be viewed by fans as windows into the soul of Elvis Presley, perhaps moreso than any other recordings of his career. Even songs like “Mr. Songman,” which may not be at the top of the list as far as being one of his best, take on a whole new freshness and life as they are presented here by the great folks at FTD.

Another guilty pleasure has to be listening to Elvis getting lost in the lyrics of “Your Love’s Been A Long Time Coming.” When we finally arrive at take 9 (the master take), Elvis can’t bring himself to finish the song and, fortunately for us listeners, we are there as FTD brings us the unedited version of this song.

Then, of course, comes the title track. This song, in my opinion, provides indisputable proof that Elvis could still rock with the best of them when given the right material. We are treated to almost every outtake (take 1 is not present) of “Promised Land,” and we can hear Elvis truly having fun as he molds this Chuck Berry composition into an Elvis Presley song!

There are so many highlights to this new version of the Promised Land album, but undoubtedly the star of the album has to be the sound quality of each song. With crystal clear remastering work by Jean-Marc Juilland and Vic Anesini, each of the 48 tracks presented in this collection sound as though Elvis recorded them in 2012, not 1973. As I listened to this album, it was hard for me to believe that these recordings were almost 40 years old.

Of course, accompanying the Promised Land FTD release is the customary 12-page booklet, giving fans the details behind the recording and release of the album, along with some fantastic artifacts from RCA of notes, reviews, memorandums, and other album-related items.

As always, fans are also treated to some great concert shots spread throughout the booklet. Finally, we are treated to an essay from noted Elvis author Sandi Pichon who recalls her experience when attending one of Elvis’ historic Stax recording sessions.

For all of these reasons, and many more which I could spend all day talking about, it is official: Promised Land is now my all-time favorite Elvis album. It has taken almost 35 years to get here, but it was well worth the wait!

I’d like to take a moment to thank TY for allowing me the opportunity to guest post for him. May The Mystery Train continue to roll on down the line…

TCB!

/Mike Hermenet, Co-Moderator – TCB-World

FTD journeys to the Promised Land with Elvis in December

[Revised October 28, 2011]

No sooner had The Mystery Train named the Promised Land album as the number one reason to love Elvis after 1972 than Elvis.com announced that a deluxe version is coming in December. Sony’s Follow That Dream collectors label for Elvis fans will soon feature Promised Land as part of its Classic Albums series.

The 2-CD release will contain the original album as well as outtakes, alternates, and studio banter. This must-have release is one many fans have anticipated over the last few years.

Promised Land album cover

Promised Land album cover