Random lyrics, random thoughts

Elvis rehearsing in 1970 (credit: MGM)

Elvis rehearsing in 1970 (credit: MGM)

So, it’s been awhile since I posted anything of substance here on The Mystery Train. I’ve started a number of posts but never finished them. Perhaps this will be one of those. Or maybe this one will actually make it to you, dear reader – whoever you are.

As I started this post, Elvis was singing, “Yes, Jesus knows just what I need.” I’m glad He does, because I sure don’t sometimes.

It’s a random playlist. Now Elvis is singing, “Do you know who I am, or have you forgot about me?” A good question, too!

I’ve not been writing about Elvis, but I still listen. I’ve also been trying to read more – in general, not about Elvis. I have been trying to write other things, more of a fictional nature, with varying degrees of success.

“This could be the kiss to unlock Heaven’s door,” Elvis is singing now. That one’s not a gospel — just one of those boring early 60s love songs from his repetitive movies.

The Elvis.com and Graceland.com shops have been reminding me over and over that Elvis Week is coming up. Elvis Week – where us fans will observe the 48th anniversary of the loss of our hero.

Elvis has been dead for 96% of my life. The longer I live, the larger that percentage will become. Yet, his music has been along with me for this ride the whole time. I’m grateful for that.

The playlist seems stuck on the movie tunes. Probably because I don’t play them very often on my own.

Oh wait, here’s something different – “I awaken this morning, I was filled with despair, all my dreams turned to ashes and gone.” Memphis. 1969. The sessions when he proved to the naysayers that he still had it.

Oh, they happily tore his artistry down again soon enough. I guess people just wanted him to stagnate in the 1950s style like so many others of his generation did.

While I love his 1950s music, I’m glad he didn’t stop there. His best work, the work that touched me the most, was still to come.

“Put on your red dress, baby, ’cause we’re goin’ out tonight,” Elvis is singing now. The near-cheesey background of this song take away from his raw vocals. Then again, the song is a little tongue-in-cheek anyway. This was before the comeback special. A lot of people missed it. That Elvis was back.

What am I trying to say in this post? I don’t know. Another movie tune is on now. Poor Elvis. I know how it is, though. You get caught up doing stuff you don’t want to do, and before you know it, you’ve been doing it for years.

I’ve been in jobs I’ve mostly disliked for 25 years now. It’s not that they were “bad” jobs – they just don’t inspire me. But they have paid the bills. But… it’s a lot of wasted time.

And though I’m surely no Elvis, maybe I, too, could have made a change and found something more fulfilling to do. In fact, I gotta give Elvis credit. He had his “comeback” only after about 8 or 9 years of those spirit-draining movies. At least he did something. Did he soon get into another rut? Maybe. But it happens. That’s life.

And yet another movie tune is on now. Poor Elvis. And yet, here I am listening to it 62 years after he recorded it and still getting some enjoyment out of it. Thank you, Elvis.

Okay, time to try a different random Elvis playlist.

1970. That’s more like it. “Change your ways today, or with us you will ride trying to catch the devil’s herd across these endless skies,” Elvis sings, nearly off-microphone. Too bad he never did a formal version of the song – it certainly would have been a change of pace from his normal image.

Ohhh, here’s one of my very favorites. A sad one. “If I could never see you, if I could never hold you, if I could never touch your face or feel your warm embrace, I’d still remember…” This is Take 1, released in 2005. I love it.

Hey, what’s this? It shows I have only rated the track 4 out of 5 stars. Well, I just fixed it. 5 out of 5 now.

So, that was 1975. Only 2 years before his death. He still had it. People miss out on so much when they dismiss his post-1969 music (or, for some people, post-1958 or even post-1955).

AND another movie tune. At least this one is upbeat and fun, though. Ohhh, and it’s a remix version, too. From that Viva Elvis album that everyone but me hated. People take this stuff way too seriously. (Of course I do, too, sometimes.)

Another remix is up… this one from the soundtrack of the 2022 ELVIS movie. Wow, has it really been 3 years since that movie came out? I’ve still only seen it the one time. It was pretty good – certainly the best dramatic movie ever made about Elvis.

“So if an old friend I know drops by to say ‘hello,’ would I still see suspicion in your eyes?” Elvis is saying as the bass THUMPS my sub. Awesome. And now here comes parts of “Any Day Now.” Really cool concept. What did I rate this one? 3 stars! Whoah, I must have been cranky that day. It could be the little bells or whatever they are in the background that annoyed me. But I will bump it up to a 4 today. At least it is giving the sub a workout.

“But why do they have to change the music?” people whine. The originals are still there. It’s interesting to hear something different or to hear how Elvis might have sounded with modern production techniques.

Now it’s a 1975 informal runthrough, probably a warmup. Elvis is singing, “Yeah, I get up on a mountain and I call my bear cat back.” This one… I actually don’t like it that much. I realize it was never intended for release. The live versions are much better. Sorry, Elvis. Let’s see, I’ve got it at 2 stars. That’s about right.

He’s on to the next one because I take too long to type. “You’re asking me will our love grow? I don’t know. I don’t know,” he sings. This is a 1970 rehearsal at RCA’s Hollywood studio. I got it from a massively overpriced FTD release a few years ago, but it’s out again this month on only a slightly overpriced Sony release. Coming soon to a record store near you. Well… more like, coming soon to an Amazon near you.

Elvis is now singing in Charlotte, North Carolina. He has less than 6 months to live. “We’ve been together so long, to have to separate this way,” he sings in this blues number. I have this rated at 5 stars. Sure, I grade with my heart. But he does sound good.

So, is this what this post is? Just me typing out random Elvis lyrics as I hear them? With all that is going on this world, is there anything else to say?

Here’s another live song. This one rewinds about 20 years. 20 years in Elvis time is a LOT. It’s practically his entire career. “I’ll be yours through all the years, ’til the end of time,” he sings. Prophetic words?

Here we are, still talking about him. At least some of us are. I won’t forget you, Elvis. “I’ll be with you even then, deep within your heart” – Elvis throwing in some lyrics that weren’t on the single. I wonder if even one person in the audience noticed?

“When your heart gets weary, time to sing a song,” he sings now. A movie tune, but one of the better ones. I first heard this song on the first Elvis album I ever owned. I actually won it off the radio, back in 1987. This is Take 3, though; a stereo version.

We are living in horrible times. Horrible things that I never thought would occur in my lifetime are happening. The country I once loved is being destroyed from within by power- and money-hungry racists. The so-called “checks and balances of power” that I was taught about endlessly during my school years has absolutely failed.

“Zekiel went down in the middle of the field, he saw an angel working on the chariot wheel…” sings Elvis. Perfect timing, Elvis. I need some spiritual music. Now more than ever.

Up now is another favorite. From the August 12, 1970, Midnight Show – possibly the greatest concert he ever gave. Though that’s a tough call. It’s certainly my personal favorite.

“If I only had the wings of a little angel, don’t you know I’d fly to the top of the mountain, and I’d cry…” Okay, it’s one of his best concerts, but I do wish he hadn’t shortened this song. But, he had to fit a lot in.

It’s been quoted many times, in and out of context, but I am led to end this post with Elvis quoting “Luke the Drifter” (Hank Williams, Sr.).

“There was a guy who said one time, he said, ‘You never stood in that man’s shoes or saw things through his eyes. Or stood and watched with helpless hands while the heart inside you dies. So, help your brother along the way, no matter where he starts. For the same God that made you made him, too – these men with broken hearts.'”
Elvis Presley, August 11, 1970

Ramblings

One of our annual traditions this time of year on The Mystery Train Blog is that I make note of the fact that I haven’t posted in many months.

Indeed, it has been many months since I posted. Outside of a quick tribute to Elvis Presley in August, my last real post here was in April! I did have a seemingly strong start to 2023 as I began (but never finished) a multi-part review series of Sony’s then-new Elvis On Tour set. I also examined two more Elvis movies.

In the Elvis world, 2023 will be remembered with sadness due to the loss of Lisa Marie Presley on January 12. Nearly a year later, I still find it hard to believe. On a brighter note, Lisa’s daughter, Riley Keough, seems to have risen to the occasion as far as taking up the Presley mantle. Her mom would be proud.


A few tidbits when it comes to Elvis news since I last posted. While reviewing the top-notch Elvis On Tour set back in the first few months of 2023, I kept thinking, “If only Madison Square Garden would get a similar treatment.” I thought it would never happen, since that event had already been revisited as recently as 2012 with Sony’s excellent Prince From Another Planet set. Wow, did I underestimate the Elvis re-release machine. Indeed, the FTD collectors label for Elvis fans released new mixes of the Madison Square Garden concerts not long after I had that very thought.

On the main Sony label, a set containing new mixes of the 1973 Aloha From Hawaii concerts and related material on 3 CDs as well as a Blu-ray version of that event were also released. Sony’s 2023 Aloha From Hawaii release was slightly controversial, though, and rightly so.

FTD only a year before had already released 2 of the 3 CDs of new mixes at a premium price. The remaining CD of the 2022 FTD set used a vintage 2013 Sony mix – meaning that, Blu-ray aside, fans that already bought the 2022 FTD set but wanted all of the new mixes would still have to buy the 2023 Sony set for the 1 CD. Why Elvis’ music catalog continues to be treated in this haphazard manner is beyond me. Incompetence? Contempt? Greed? A little of all of these? Your guess is as good as mine.

While I originally intended not to touch Sony’s 2023 Aloha set until after I had listened to the “new” As Recorded At Madison Square Garden, I couldn’t help but watch the Aloha From Hawaii Blu-ray the night of August 16. I wanted to experience it as a fan rather than as a writer, so I did not take any notes or watch it from a critical or analytical perspective. I just sat back and immersed myself in the shows again. As I’ve mentioned many times on here, my mom was a first-generation Elvis fan who first started listening to him in 1956 when she was 12. For her, 1973’s Aloha From The Hawaii was the absolute pinnacle of Elvis. I miss seeing her watch it.

Elvis Presley conquers the world during the 1973 ELVIS: ALOHA FROM HAWAII VIA SATELLITE television special (NBC)

Elvis Presley conquers the world during the 1973 ELVIS: ALOHA FROM HAWAII VIA SATELLITE television special (NBC)

As for that FTD Madison Square Garden set, I still haven’t even opened it. So, I’m looking forward to listening to it in 2024.

There is also word that Baz Luhrmann, director of 2022’s very successful ELVIS movie, might be assembling a re-edit of “lost” footage from documentaries Elvis: That’s The Way It Is (1970) and Elvis On Tour (1972) – possibly as a streaming series à la Peter Jackson’s The Beatles: Get Back (2021). While intriguing, when it comes to any Warner Brothers project involving Elvis, I will believe it when I see it. I am very cautiously optimistic.


I still have a couple of posts to go in that review of Elvis On Tour. Will I ever finish them? I am not sure. Maybe. I will surely continue my re-watch of Elvis’ movies, Lord willing. My goal is to cover at least three Elvis movies in 2024. There is also at least one new-to-me book I would like to feature in a future post.

2023 has been a year full of blessings for me – more than I could ever begin to list here. Know that I count those of you who take the time to read my infrequent ramblings here to be among those blessings.

Thank you for reading. May your 2024 be full of joy.


“I pray that God, the Source of hope, will fill you completely with joy and peace because you trust in Him. Then you will overflow with confident hope through the power of the Holy Spirit.”
Romans 15:13

Tragedy

I don’t know what to write. Friends, as you’ve probably heard by now, Lisa Marie Presley died unexpectedly yesterday. I still can’t believe it. Her father in 1977 died too young (42). Her only son, Benjamin Keough, died far too young in 2020 (27) – before his life even really got started. And now Lisa is gone too soon, too, less than 3 weeks shy of her 55th birthday.

Lisa Marie Presley: February 1, 1968—January 12, 2023 (Photo Credit: Harpo, 2005)

I started writing about Elvis Presley back in 1992, and I was writing about his beloved daughter Lisa Marie way back then, too. I wrote in 1992 about the birth of Benjamin for The Elvis Beat, a fan newsletter with a minuscule circulation that I published in paper format. I wrote about the first time she addressed her father’s fans in 1993. I wrote that year also about how she was pursuing a music career (it would be another decade before her debut album, To Whom It May Concern). I wrote about her marriage to Michael Jackson in 1994. I wrote about her divorce from Jackson in 1996.

Years later, here on The Mystery Train, I wrote in 2010 about Lisa Marie leading the Elvis Presley Charitable Foundation, which she had helped reinvigorate in 2001.

In 2013, over on Kees Mouwen’s Elvis Day By Day site, I wrote about Lisa Marie’s third (and now final) album, Storm & Grace. I also wrote in that same piece about her favorite Elvis songs. Her favorite was 1970’s “Just Pretend,” an album track that, at least outside of the Elvis world, is a deep cut. I consider it one of his masterpieces as well.

For Lisa, here it is.

“Just Pretend,” studio version, That’s The Way It Is | Credit: Elvis Presley – Topic channel (YouTube)

“Yes, I’ll come flying to you again. All the crying is through. I will hold you and love you again, but, until then, we’ll just pretend.”
–From “Just Pretend” by Guy Fletcher & Doug Flett; Elvis Presley song, 1970

She no longer has to pretend.

I’m praying for Lisa’s daughters, her mom, and everyone else who loved her.

I still don’t know what to write.


“He will wipe every tear from their eyes, and there will be no more death or sorrow or crying or pain. All these things are gone forever.”
Revelation 21:4


“Where No One Stands Alone,” Elvis Presley & Lisa Marie Presley, 2018 | Credit: Elvis Presley channel (YouTube)

ELVIS RECORDED LIVE ON STAGE IN MEMPHIS Legacy Edition to include Richmond, Virginia concert (Conductor’s Reflections #15)

ELVIS RECORDED LIVE ON STAGE IN MEMPHIS (2014 Legacy Edition)

ELVIS RECORDED LIVE ON STAGE IN MEMPHIS (2014 Legacy Edition)

One of my favorite CD releases on the Follow That Dream collectors label for Elvis Presley fans is 2011’s Forty-Eight Hours To Memphis, which captures a March 18, 1974, concert that Elvis performed at the Richmond Coliseum in Virginia.

The confusing album title reflects that Elvis closed out his tour two days after the Richmond concert with a show in Memphis at the Mid-South Coliseum, portions of which became the 1974 album Elvis Recorded Live On Stage In Memphis. Elvis earned his third and final Grammy Award for his stellar performance of “How Great Thou Art” in Memphis on the original 1974 album.

The link between the two shows continues, for Sony announced last week that it will reissue the Richmond concert on the second disc of a Legacy Edition of Elvis Recorded Live On Stage In Memphis. While the FTD collectors label has very limited distribution, this new 2-CD release on the main Sony label hits mainstream retail stores on March 18, the 40th anniversary of the Richmond concert. Amazon and other outlets are accepting pre-orders now.

The Elvis Presley Show crisscrossed back and forth from Virginia to Tennessee on that leg of his tour. Tickets for his March 12 appearance at the Richmond Coliseum sold out so quickly that the tour was re-routed to accommodate a second show there on March 18. Elvis performed four shows in Memphis on March 16 and 17, hit Richmond, Virginia, again on March 18, and then returned to Tennessee for concerts in Murfreesboro and Memphis on March 19 and 20, respectively.

Elvis Presley's March 1974 tour schedule (partial)

Elvis Presley’s March 1974 tour schedule (partial)

For space considerations on the original LP, RCA edited several songs out of the March 20 Memphis concert for the 1-record release in July 1974. The album also featured overdubbed audience reactions that detracted from the sound quality. FTD restored the missing tracks and removed the unnecessary overdubs in a 2004 Classic Albums CD release of the concert, including a new mix. The same label also issued the expanded show in vinyl format as a 2-record set last year.

It turned out that RCA chose well in 1974 which performances to use on the original record, though. The performance quality of many of the excised songs was underwhelming, with the exception of a fine rendition of “Steamroller Blues,” first released on Platinum: A Life In Music over two decades later. The energetic Memphis version was superior to his live recording of the song in Hawaii that served as a single in 1973.

This new Elvis Recorded Live On Stage In Memphis Legacy Edition will also include the previously omitted songs, but whether a new or an existing mix will be featured is unclear.

In fact, Sony’s press release for this album is riddled with errors, an issue far too common these days in the marketing of Elvis music releases, so it is difficult to trust any of its statements. For that reason, I am not even including Sony’s alleged track listing at this point. Suffice it for now to say that Disc 1 will contain the Memphis show, while Disc 2 will contain the Richmond show and some low-fidelity bonus tracks recorded on a personal cassette player of Elvis rehearsing a few months later for yet another Las Vegas stint.

RCA professionally recorded the March 20 Memphis concert for the album project. It is a 16-track recording (audio elements recorded on separate channels) that can be tweaked for optimum sound quality. Though I enjoyed the 2004 FTD mix over the original 1974 version, another new mix could be revealing. The Memphis show is presented in stereo.

Though the background story remains mysterious, the March 18 Richmond concert was supposedly captured as a 16-track recording, too. If so, it remains missing from the Sony vaults – lost, stolen, or erased.

The Richmond concert audio source on both the 2011 and 2014 releases is a tape copy of a mono mix-down of the 16-track recording, with artificial reverb applied. In other words, no further changes can be made to the Richmond mix or reverb since the 16-track original is unavailable. The Richmond concert is not likely to sound very different from Forty-Eight Hours To Memphis on this reissue, if at all.

While Elvis’s sound engineers often made informal reference tapes of his shows from the soundboard mixing console, the Forty-Eight Hours To Memphis liner notes in 2011 only speculated about why RCA apparently recorded the Richmond concert in multitrack.

However, the 2014 Sony press release refers to the Richmond show as a “test run concert” for the subsequent Memphis recording. Some have theorized that the test copy is in mono due to Elvis’s preference for that format over stereo, though his previous live albums had been stereo releases. Perhaps the accompanying Legacy Edition booklet will reveal new information.

Elvis at the Richmond Coliseum, March 18, 1974 (FTD)

Elvis at the Richmond Coliseum, March 18, 1974 (FTD)

In the years leading up to 1974, many of Elvis’s concerts were superior to this particular show in Richmond. However, as with the Memphis show, the fun concert features Elvis in a fantastic mood interacting with fans. Music highlights in Richmond include “Steamroller Blues,” “Polk Salad Annie,” and “Suspicious Minds.”

Over the course of 21 years, Elvis performed 15 concerts in Richmond. The 14th of these shows was captured on Forty-Eight Hours To Memphis and, from what I have read, this was Elvis’s last great concert in Richmond. He performed in Richmond one final time in 1976, but, by that point, his rising prescription drug addiction and abuse had diminished the power of his shows. Therefore, I consider the March 18, 1974, appearance to be Elvis’s true “last hurrah” in Richmond.

Legacy Questions

I am looking forward to the reissues of both the Richmond and Memphis concerts. Despite my personal enthusiasm as an Elvis fan, I find myself wondering whether these two concerts are appropriate choices for mainstream release in 2014.

I fear that the repetitive nature of these shows compared to other recent Sony releases will use up some of the goodwill shown by music critics in reviews of Elvis At Stax, Prince From Another Planet, and certain other titles released in the last few years.

Will mainstream critics and listeners understand Elvis’s sense of humor? For instance, will some misinterpret his joke in Richmond about it being a pleasure to be back in Hampton Roads as an out-of-it singer not knowing which town he was playing?

By following up 2012’s As Recorded At Madison Square Garden reissue with 2013’s Aloha From Hawaii via Satellite reissue and now 2014’s Elvis Recorded Live On Stage In Memphis reissue, is Sony simply committing the same release blunders in the 2010s that RCA made in the 1970s? Has locking into an “anniversary” theme for release choices doomed them to repeat history’s mistakes going forward?

Keep in mind that the 40th anniversary of Having Fun With Elvis On Stage is later this year as well.

I Am An Elvis Fan (So Why Can’t I Choose My Own Songs?) [Conductor’s Reflections #12/Playlist Recipes #5]

In case you haven’t noticed, I am an Elvis fan. Maybe you are, too.

Of late, marketing campaigns by Elvis Presley Enterprises and Sony Music Entertainment have centered around the phrase “I Am An Elvis Fan.” You can buy an “I Am An Elvis Fan” t-shirt or even an “I Am An Elvis Fan” poster – an image of Elvis formed by a mosaic of fan photos.

The centerpiece of this campaign, though, is a new CD that Sony will release on July 31. As you have probably guessed, the title of the album is I Am An Elvis Fan.I Am An Elvis Fan

This one is different than most albums because an online vote last month determined the contents. Next week, Sony unveils the winning tracks.

Elvis released over 700 different recordings in his lifetime. Since then, thousands more have escaped the vaults. Rather than being able to vote for any Elvis song, fans were unfortunately constrained to choosing from pre-determined lists of songs in seven different categories. For each category, a fan had to choose three out of thirteen songs. Some of the songs even showed up in multiple categories.

While a few rarities made the process, most songs were of the typical “Heartbreak Hotel,” “Hound Dog,” and “All Shook Up” variety. I’m sure those will be the types of songs to make the CD as well. In any event, it was still fun to choose songs. For the record, here is how I voted (bold), given the available choices:

’50s
1. That’s All Right
2. Good Rockin’ Tonight
3. Baby Let’s Play House
4. I Got A Woman
5. Hound Dog
6. Don’t Be Cruel
7. Mystery Train [naturally!]
8. Blue Suede Shoes
9. Money Honey
10. Heartbreak Hotel
11. Shake, Rattle & Roll
12. All Shook Up
13. Lawdy, Miss Clawdy

’60s
1. In The Ghetto
2. Suspicious Minds
3. Gentle On My Mind
4. Don’t Cry Daddy
5. Surrender
6. Good Luck Charm
7. Devil In Disguise
8. She’s Not You
9. Suspicion
10. The Girl Of My Best Friend
11. His Latest Flame
12. Love Letters
13. Memories

GOSPEL
1. Peace in the Valley
2. Crying in the Chapel
3. How Great Thou Art
4. If I Can Dream [gospel?]
5. Amazing Grace
6. Swing Down Sweet Chariot
7. Joshua Fit The Battle
8. Take My Hand Precious Lord
9. Lead Me, Guide Me
10. He Touched Me
11. Milky White Way
12. You’ll Never Walk Alone
13. Where Could I Go But To The Lord

LOVE SONGS
1. I Want You, I Need You, I Love You
2. Any Way You Want Me
3. You Don’t Have To Say You Love Me
4. One Night
5. Can’t Help Falling In Love
6. Love Me Tender
7. Always On My Mind [actually, a love lost song]
8. Are You Lonesome Tonight?
9. Unchained Melody
10. Loving You
11. You’ve Lost That Lovin’ Feeling [again, a love lost song]
12. It’s Now Or Never
13. The Wonder Of You

MOVIES
1. King Creole
2. Jailhouse Rock
3. Trouble
4. Return To Sender
5. A Little Less Conversation
6. Viva Las Vegas
7. G.I Blues
8. Follow That Dream
9. Bossa Nova Baby
10. Rubberneckin’
11. Blue Hawaii
12. Loving You
13. Teddy Bear

COUNTRY
1. I Washed My Hands In Muddy Water
2. Kentucky Rain
3. For The Good Times
4. Guitar Man
5. Blue Moon of Kentucky
6. Just Because
7. Long Black Limousine
8. I’ll Hold You In My Heart (Until I Can Hold You in My Arms)
9. She Thinks I Still Care
10. I’m So Lonesome I Could Cry
11. Welcome to My World
12. Funny How Time Slips Away
13. There Goes My Everything

IN CONCERT
1. Polk Salad Annie
2. Suspicious Minds
3. Just Pretend
4. You’ve Lost That Lovin’ Feeling [to help ease the split vote, since it is in two categories]
5. Bridge Over Troubled Water
6. See See Rider
7. Walk A Mile In My Shoes
8. I Can’t Stop Loving You
9. You Gave Me A Mountain
10. An American Trilogy
11. Burning Love
12. My Way
13. A Big Hunk of Love

You will notice that even I chose some “typical” songs. Certain Elvis songs have personal, sentimental associations for me, and I just couldn’t skip them when they were on the list.

Even if you buy into this whole select by category business, they left out a couple of important categories. Where is the ’70s category for songs like “Promised Land,” “Stranger In The Crowd,” and “I’ve Lost You”? Where is the Blues category for songs like “Reconsider Baby” and “Baby, What You Want Me To Do”?

In a sense, Sony loaded the deck. The opportunity to present a truly unique Elvis CD will probably just devolve into releasing yet another typical compilation. Even casual Elvis fans will already have the majority of the winning songs. Is the intent of this disc to attract new fans, then? If so, maybe they should have called it I Might Be An Elvis Fan instead.

While the rest of us cannot be trusted to choose our own songs, Australian Elvis fans, on the other hand, will get to do an Elvis CD up right. The content for Sony Music Australia’s Elvis By Request album will also be determined by online fan voting (still in progress through July 13). Except this time, there is just one vote, and it is from the full list of recordings released during his lifetime, as well as many tracks released since then.

Australian fans who pre-order the CD by July 13 will even have their names included on a poster. While you have to live in Australia to get your name on the poster, you don’t have to live there to vote or buy the CD. In fact, I’ve already cast my ballot for my favorite song. Elvis By Request is due out on August 16.

Both concepts are reminiscent of the 1976 album Elvis In Demand, a project where members of the Official Elvis Presley Fan Club of Great Britain mailed in lists of five songs to vote for the content. The resulting record album made it to number 12 on the UK charts.

My main complaint about Elvis compilations tends to be that the same fifty or so songs are used in various combinations over and over. While I Am An Elvis Fan may end up looking like yet another similar compilation, Elvis By Request has the potential to be something special. It may very well turn out to be this generation’s Elvis In Demand.

* * *

While writing this post, I started thinking about what kind of Elvis compilation I would put together if Sony knocked on my door looking for help (someday, right?). Limiting myself to only masters released during his lifetime, it would probably look something like this.

Strangers No More

  • Money Honey
  • Like A Baby
  • For The Heart
  • How The Web Was Woven
  • Indescribably Blue
  • Clean Up Your Own Backyard
  • Early Morning Rain
  • Power Of My Love
  • Blue Moon
  • Stranger In The Crowd
  • Thinking About You
  • Baby, I Don’t Care
  • I Was The One
  • My Babe (Live)
  • Wearin’ That Loved-On Look
  • Witchcraft
  • I’ve Lost You
  • Make The World Go Away
  • Let Yourself Go
  • As Long As I Have You
  • Run On
  • Bringing It Back

Advice for Eric Bana as he takes on the role of Elvis (Conductor’s Reflections #11)

[Revised October 28, 2011]

Variety reported earlier this week that Eric Bana will play Elvis Presley in a new movie, Elvis & Nixon.

To be honest, at this point, I have no interest in watching someone try to play Elvis. Instead, I would prefer to see a decent series of documentaries produced about his life.

The only reason Elvis & Nixon even hits my radar at all is because Bana appeared in the 2009 movie Star Trek – a fantastic film. Bana played the Romulan villain, Nero. I can’t imagine Bana playing Elvis – but, then, suitability for the role has never been part of the criteria when it comes to productions about Elvis, has it?

Eric Bana as he appeared in Star Trek (2009)

Eric Bana as he appeared in Star Trek (2009)

Oddly enough, there’s already been a movie about the few minutes Elvis spent with President Richard Nixon on December 21, 1970. In 1997, Showtime produced a comedy movie called Elvis Meets Nixon covering the same event.

No word yet on whether the new Elvis & Nixon will be a comedy. One clue, though, may be that it will be the directorial debut of actor Cary Elwes – who has some comedy roles in his background, including Mel Brooks’ Robin Hood: Men In Tights.

So, though I really don’t personally care about this movie, I do care enough about how Elvis is portrayed to the general public to offer Bana some free advice:

1.) Forget everything you think you know about Elvis.
2.) Watch Elvis: That’s The Way It Is, which was filmed four months before the events of Elvis & Nixon.
3.) Repeat #2 until you’re done with your role.

20 reasons to love Elvis after 1972 (Conductor’s Reflections #10)

Elvis rocks the world, 1973

Elvis rocks the world, 1973

If you believe many accounts, exploring the work of Elvis Presley after 1972 is a fruitless journey through five depressing years best left forgotten. While a downward spiral of personal problems certainly affected his music, I cannot agree with the overall sentiment.

Inspired by a recent Elvis Today Blog post, I want to share 20 reasons to love Elvis after 1972.

#1 Promised Land album (recorded 1973)
Any discussion around the greatest albums of Elvis’ career should include Promised Land. Featuring that perfect Elvis blend of rock ‘n’ roll, country, and gospel, this is one of his strongest efforts. Standouts include “Promised Land” – destroying any doubts that Elvis could still rock, “Thinking About You,” “It’s Midnight,” “You Asked Me To,” and the funky “If You Talk In Your Sleep.”

#2 Aloha From Hawaii event (1973)
The magnitude of performing the first worldwide satellite broadcast by an entertainer at times seemed to overwhelm even Elvis, particularly in the first half of the main show. All too easily dismissed by some fans, the overall Aloha From Hawaii event still remains worthy of praise. Beyond the actual television special, there was also a double album that remains a classic representation of the excitement of his 1970s stage show, with standouts including “An American Trilogy,” “A Big Hunk O’ Love,” “I’ll Remember You,” “Fever,” and “What Now My Love.”

The 1988 release of The Alternate Aloha on CD revealed Elvis was much more at ease during the rehearsal/back-up concert. “Burning Love,” despite the fact that Elvis misses some of the words, and “Suspicious Minds” exceed their counterparts on the real show.

Elvis Presley Enterprise’s definitive 2-DVD set Aloha From Hawaii Deluxe Edition (2004) captures both shows in terrific audio and video quality, as well as other footage shot at that time. Though he did not pass away until over four years later, for the mainstream public, Aloha From Hawaii would prove to be Elvis’ last hurrah.

#3 Moody Blue album (1974, 1976-1977)
Moody Blue is an album recorded at Elvis’ home, Graceland, and at Elvis’ second home, on stage in front of his fans. Of the four live numbers, the strongest is a haunting version of “Unchained Melody,” recorded on April 24, 1977, in Ann Arbor, Michigan. Many of the Graceland recordings are also stellar, including “Pledging My Love,” “Way Down,” “Moody Blue,” “She Thinks I Still Care,” and “He’ll Have To Go.” As the final album released before his death, Moody Blue allowed Elvis to finish in style.

#4 “Your Love’s Been A Long Time Coming,” Take 10 (1973)
“Your Love’s Been A Long Time Coming,” which expresses a father’s love for a newborn, never stood out to me until I heard this alternate take, first released on 2002’s Today, Tomorrow & Forever boxed set.

#5 Bringing It Back/Pieces Of My Life single (1975)
Much like “Always On My Mind” backed with “Separate Ways” from 1972, 1975’s “Bringing It Back” backed with “Pieces Of My Life” evokes a complete story on one record. Though the music may not have been as groundbreaking, Elvis recorded songs of a much more personal nature in the 1970s compared to other times of his career. It’s not flashy jumpsuits that draw people to this time, but the sheer honesty of the music.

#6 My Way/America The Beautiful single (1977/1975)
“My Way” backed with “America The Beautiful” is the first Elvis record I can specifically remember playing. Recorded just weeks before his death for the Elvis In Concert television special at a show in Rapid City, South Dakota, “My Way” worked effectively as a farewell of sorts, while 1975’s “America The Beautiful,” recorded live in Las Vegas, spoke to his love of the United States and God. Though rock ‘n’ roll is not to be found on it, this record sums up Elvis Presley about as well as any other contender.

#7 “Pledging My Love,” Take 3 (1976)
One of the pleasant surprises of 1997’s Platinum: A Life In Music was take 3 of “Pledging My Love,” recorded at Graceland. Devoid of subsequent production overdubs, this works as a kind of “stripped-down” version.

#8 “Way Down,” Take 2A (1976)
Also from Platinum: A Life In Music, take 2A of “Way Down” is strong for the same reasons as “Pledging My Love” – a stripped-down sound reminiscent of earlier times. The extra band riff near the end is a delight and should have been included on the master.

#9 From Elvis Presley Boulevard, Memphis, Tennessee album (1976)
Recorded at Graceland, From Elvis Presley Boulevard is the saddest album released by Elvis. It is also his most honest. This one gives us a view into the man living in the famous mansion on Elvis Presley Boulevard. Overblown production and all, From Elvis Presley Boulevard is a beautiful and moving album. Highlights include “For The Heart,” “Hurt,” “Never Again,” and “Love Coming Down.”

#10 Good Times album (1973)
Unlike Promised Land, Moody Blue, and From Elvis Presley Boulevard, Good Times is unable to take a spot among the best albums of his career due to a few clunkers that weigh it down. However, “Good Time Charlie’s Got The Blues,” “Lovin’ Arms,” “I’ve Got A Thing About You, Baby,” and “My Boy” are standouts on this worthy album.

#11 “Where No One Stands Alone,” Live Recording (1977)
Whether we are talking 1953, 1977, or anywhere in between, Elvis Presley was always full of surprises. “Where No One Stands Alone,” released on 2007’s Unchained Melody, is one of his most incredible performances. Accompanying himself on piano, he sings the song on stage for what is apparently the only time. This live version from a February 16, 1977, concert in Montgomery, Alabama, exceeds his 1966 original.

#12 “Good Time Charlie’s Got The Blues,” Take 7 (1973)
Part of appreciating Elvis involves understanding that he never took himself as seriously as many others do. This broken up take and the resulting jokes after the fact highlight some of his behind-the-scenes humor. First released on Follow That Dream’s 2009 edition of Good Times.

#13 “She Thinks I Still Care,” Take 2B (1976)
“She Thinks I Still Care” is another alternate from the Graceland sessions. Released on 1995’s Walk A Mile In My Shoes, Take 2B takes the song at a brisker pace and works even better than the master.

#14 “I’m So Lonesome I Could Cry,” Home Recording (1973)
Though “I’m So Lonesome I Could Cry” seemed almost like album-filler on Aloha From Hawaii, Elvis sings a superior version with only himself on acoustic guitar several months later in private. Fortunately, someone rolled a tape recorder. This is a particularly poignant performance when you consider that it takes place only weeks after his divorce from Priscilla is finalized. This one can be found on 2005’s Elvis By The Presleys.

#15 Elvis Recorded Live On Stage In Memphis album (1974)
Yes, his third live album in three years had some repetitive material, but “How Great Thou Art,” “Lawdy, Miss Clawdy,” and “My Baby Left Me” help to make this one special, not to mention that it was recorded in Memphis. This version of “How Great Thou Art” earned Elvis his third and final Grammy.

#16 Raised On Rock album (1973)
Raised On Rock receives a lot of criticism, yet contains some strong tracks. Two of the best are “For Ol’ Times Sake” and “Sweet Angeline.”

#17 “I Really Don’t Want To Know,” Live Recording (1977)
Like “My Way,” this one was recorded in Rapid City on June 21, 1977, for the Elvis In Concert special, which aired posthumously. This is a great, though all too short, live version of a song he first recorded in 1970 (Elvis Country).

#18 “Reconsider Baby,” Live Recording (1977)
Elvis could always draw inspiration from the blues, even near the end. Recorded February 21, 1977, this is from the Unchained Melody album. Though Elvis formally recorded the song in 1960 for Elvis Is Back, he was playing around with this one at least as far back as 1956.

#19 “Shake A Hand,” Take 2 (1975)
2002’s 6363 Sunset included this stellar alternate of “Shake A Hand,” recorded at RCA’s Hollywood studio.

#20 “Bridge Over Troubled Water,” Live Recording (1977)
On April 29, 1977, in Duluth, Minnesotta, Elvis knocked out a great rendition of “Bridge Over Troubled Water,” though, like many 1977 recordings, it can be a painful listen. Featured on Spring Tours 77.

* * *

Elvis never claimed to be anything special. It seems, at times, people tear him down for being a flawed man rather than the perfect god they wrongly imagined him to be.

“I’m not a king, I’m just a man,” he sang in 1971’s “Until It’s Time For You To Go,” as if pleading for understanding. No one listened.

It turns out that our hero was only human, just like us. I think that makes his many accomplishments shine that much brighter.


October 23, 2011, Update:
In the comments, Joe mentioned that he decided to try all of the songs mentioned above as a playlist. I liked his idea, so here’s what I came up with.

  • For The Heart (From Elvis Presley Boulevard, Memphis, Tennessee)
  • You Asked Me To (Promised Land)
  • Bringing It Back (Today)
  • Love Coming Down (From Elvis Presley Boulevard, Memphis, Tennessee)
  • Lovin’ Arms (Good Times)
  • Pledging My Love (Moody Blue)
  • I’ve Got A Thing About You, Baby (Good Times)
  • For Ol’ Times Sake (Raised On Rock)
  • She Thinks I Still Care [Alternate] (Walk A Mile In My Shoes)
  • Good Time Charlie’s Got The Blues (Good Times)
  • Burning Love [Live] (The Alternate Aloha)
  • What Now My Love [Live] (Aloha From Hawaii Via Satellite)
  • Bridge Over Troubled Water [Live] (Spring Tours 77)
  • A Big Hunk O’ Love [Live] (Aloha From Hawaii Via Satellite)
  • Unchained Melody [Live] (Moody Blue)
  • An American Trilogy [Live] (Aloha From Hawaii Via Satellite)
  • Promised Land (Promised Land)
  • Never Again (From Elvis Presley Boulevard, Memphis, Tennessee)
  • It’s Midnight (Promised Land)
  • Way Down [Alternate] (A Life In Music)
  • He’ll Have To Go (Moody Blue)
  • If You Talk In Your Sleep (Promised Land)
  • Moody Blue (Moody Blue)
  • Your Love’s Been A Long Time Coming [Alternate] (Today, Tomorrow & Forever)
  • My Boy (Good Times)
  • I’ll Remember You [Live] (Aloha From Hawaii Via Satellite)
  • Fever [Live] (Aloha From Hawaii Via Satellite)
  • Lawdy, Miss Clawdy [Live] (Elvis Recorded Live On Stage In Memphis)
  • Suspicious Minds [Live] (The Alternate Aloha)
  • America The Beautiful [Live] (Elvis Aron Presley)
  • How Great Thou Art [Live] (Elvis Recorded Live On Stage In Memphis)
  • Way Down (Moody Blue)
  • Pieces Of My Life (Today)
  • Hurt (From Elvis Presley Boulevard, Memphis, Tennessee)
  • Sweet Angeline (Raised On Rock)
  • Thinking About You (Promised Land)
  • Good Time Charlie’s Got The Blues [Outtake] (Good Times [2009 FTD Edition])
  • I’m So Lonesome I Could Cry [Informal] (Elvis By The Presleys)
  • Pledging My Love [Alternate] (A Life In Music)
  • She Thinks I Still Care (Moody Blue)
  • Shake A Hand [Alternate] (6363 Sunset)
  • Reconsider Baby [Live] (Unchained Melody)
  • My Baby Left Me [Live] (Elvis Recorded Live On Stage In Memphis)
  • I Really Don’t Want To Know [Live] (Elvis In Concert)
  • Where No One Stands Alone [Live] (Unchained Melody)
  • My Way [Live] (Elvis Aron Presley)