records

Elvis 1967: Single Release #1 (Indescribably Blue/Fools Fall In Love)

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Elvis’ first record release of 1967 was the 45 RPM single “Indescribably Blue” backed with “Fools Fall In Love.” Recorded in Nashville the previous year, the single shipped on January 10. “Indescribably Blue” eventually made it to #33 on the Billboard Hot 100 chart (February 25, 1967).

While it may not have been reflected in the chart position, “Indescribably Blue” was one of Elvis’ greatest records – showcasing a more powerful voice, yet harkening back to some of his earliest recordings. Elvis’ friend Lamar Fike, who passed away yesterday, apparently suggested that he record the song, which was written by Darrell Glenn.

The flip side was a cover of “Fools Fall In Love,” a Jerry Leiber and Mike Stoller song first recorded by the Drifters in 1957. While Elvis’ version is good and manages to overcome a weak, almost movie-tune-style arrangement, I definitely have to give the Drifters the edge on this one.

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Research Sources

  • Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen, St. Martin’s Press, New York, 1998.
  • The Elvis Encyclopedia by Adam Victor, Overlook Duckworth, New York, 2008.
  • ELVIS: His Life From A To Z by Fred Worth and Steve Tamerius, Wings Books, New York, 1992.
  • Billboard, Vol. 79, No. 8, Nielsen Business Media, Inc., February 25, 1967.

Throughout 2011, The Mystery Train Elvis Blog is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.

Some thoughts on “It’s Still Here” and Elvis In Nashville

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Thomas over at the Elvis Today blog has written a great review of the latest FTD classic album release, 1973’s Elvis (Fool). “Of the three ‘Elvis at the piano’ songs, my favorite has always been ‘It’s Still Here,'” he says.

“It’s Still Here” is definitely my favorite as well, by a long shot over “I’ll Take You Home Again, Kathleen” and “I Will Be True.” I first heard “It’s Still Here” on a 1988 compilation album called Elvis In Nashville. I remember listening to that record over and over, and particularly loving that song because it featured Elvis on piano. It’s one of those sad “Always On My Mind” style songs that I gravitate towards, anyway. Wonderful performance.

I just pulled out Elvis In Nashville from my record collection and decided to give it a spin. I haven’t played it in years. Wow, what a track listing! While it may just have been a compilation of previously released songs, it was my first exposure to many of them.

Side A
I Got A Woman
A Big Hunk O’ Love
Working On The Building
Judy
Anything That’s Part Of You
Night Rider
Where No One Stands Alone

Side B
Just Call Me Lonesome
Guitar Man
Little Cabin Home On The Hill
It’s Your Baby, You Rock It
Early Mornin’ Rain
It’s Still Here
I, John

This album made for a fascinating listening experience, showing how Elvis music from various time periods really blended much better together than some people would have you believe.

I also remember that “Night Rider” always skipped at a certain point of the song, even the first time I played the record. It wasn’t until I obtained ELVIS: From Nashville To Memphis-The Essential 60s Masters I several years later on CD that I was finally able to hear the song without the skip. As much as I love my old records, I can still pull out From Nashville To Memphis on CD and the sound quality is as perfect as the day I bought it. I do miss the pops and crackles of the record sound sometimes, though. Elvis In Nashville has a lot of that. I must’ve really played the heck out of this one back then.

Anyway, be sure to check out Thomas’ review of Elvis (Fool), which also features “It’s Still Here,” over on Elvis Today.

Elvis news . . . in a flash

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Now that we’re starting to get back to “normal” here on The Mystery Train Elvis Blog after wall-to-wall coverage of Elvis On Tour, I thought it would be a good chance to catch up on some of the other things going on in the Elvis world.

Too much, plus tax

While I’ve got some book and Blu-ray reviews in the works, one upcoming Elvis release I’m not likely to be reviewing anytime soon is The Complete Elvis Presley Masters collection, formally announced by Sony Legacy this week and available for pre-order. This 30-CD set checks in at $749 US, plus tax and shipping.

The initial run is limited to only 1,000 units worldwide. You get 814 recordings, a new 240-page hardcover book, and a display case.

Don’t get me wrong here. This looks like a terrific set, and I’m drooling over it as we speak! $749 is simply too much for me personally, especially considering I already have all of the songs (though not always in the same sound quality as what will no doubt be included on this set).

Checking out the other Elvis blogs

Over on Elvis Today, Thomas recently reviewed the FTD edition of How Great Thou Art. He notes, “Getting a front seat in RCA’s Studio B in Nashville and being able to listen to Elvis’ new producer Felton Jarvis directing the session with his supportive comments and encouragement, offers a valuable insight into how the recordings took place and how the songs evolved.” Certainly, a must-read post and, apparently, a must-listen CD set as well.

Phil has some great coverage this week on ElvisBlog about what he calls “Two Very Rare, Weird, and Valuable Elvis Records.” Each one of those rare records will actually cost far more than the 30-CD set referenced above, by the way. One features “Doncha’ Think It’s Time” by Elvis accidentally pressed by RCA on a record labeled as “One For The Money (Part 1)” by The Whispers. How Elvis’ 1958 recording ended up on this 1976 single is anyone’s guess.

This reminded me of a similar mistake that Sony Legacy recently made – in reverse! Some editions of their 2-CD reissue of On Stage-February 1970 have an Alice In Chains album as the first CD – though it is still labeled as Elvis. Sony is offering a disc exchange, but that’s one I’d recommend keeping if you happen to have it, even if you don’t like Alice In Chains. It’s kind of a double collectible, for Alice In Chains fans may want to obtain this unique disc as well.

Continue keeping Myrna Smith in your prayers

One of the beautiful voices you’ll hear on the real version of On Stage is that of Myrna Smith. Because of Elvis, I’ve been listening to Myrna for all of my life.

I mentioned this a couple of weeks ago, but I want to bring it up again. If you’re going to be in Memphis during Elvis Week, be sure to attend Elvis Unlimited‘s Back In Memphis concert, which will benefit Myrna – a founding member of the Sweet Inspirations vocal group that backed Elvis in concert performances from 1969 until his death in 1977. Myrna is hospitalized with a serious illness in California and the medical bills are quickly adding up. Kudos to Elvis Unlimited for taking the initiative to bring fans together to help her.

Even if you can’t attend the show, keep Myrna in your prayers, everyone. May she recover soon.

“Anyone could lose his heart like me”

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Don’t you love when an Elvis song that you previously paid little attention to comes out and smacks you across the forehead? You suddenly realize that it’s a great song. That’s what happened to me just now with 1963’s “Anyone” from the Kissin’ Cousins soundtrack.

I had iTunes on shuffle, using a smart playlist. It was “There Goes My Baby” by the Drifters, then “I Just Call You Mine” by Martina McBride, “Irreplaceable” by Beyoncé, Elvis foolin’ around on “The Cattle Call,” and then, BOOM, “Anyone.”

Why have I never noticed this beautiful song before? I had it rated as a measly two stars. I’ve bumped it up to four.

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My pal Thomas over at the Elvis Today blog seems a little down in his latest post about the forthcoming Follow That Dream Records releases. Up next will be a book and CD combo for 1958’s King Creole.

Unfortunately, the CD contains only previously released material, and misses being comprehensive by leaving out a couple tracks that were available on Hits Like Never Before. After that, there will be a vinyl release capturing highlights from the Classic Albums series version of Good Times.

Cheer up, Thomas. What’s the best thing about FTD? Variety. 1950s releases are few and far between on FTD, and perhaps the King Creole book (and potential sound upgrades) will be good enough to make this underdog a special release.

In the US, I have a slight advantage because I’ll be able to read some of the reviews from around the world before our pre-order period is over.

The other releases we’re waiting for, such as Promised Land, will come eventually. As you said, Elvis On Tour is on the way. We can’t have everything at once now, can we? We don’t want to be spoiled.

“I call it America, and I love it”

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We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed. That whenever any form of government becomes destructive to these ends, it is the right of the people to alter or to abolish it, and to institute new government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness.” –From The Declaration of Independence, Thomas Jefferson, July 4, 1776

Cover of America The Beautiful, 1977 single

Cover of America The Beautiful, 1977 single

Not long after Elvis Presley died, my family bought the 45 RPM record single “My Way”/”America The Beautiful.” Though I had listened to Elvis records before this one, this is the earliest one for which I can specifically remember the songs.

We played it over and over, and I always sang along. I was only two or three-years-old, so the lyrics to “My Way” were way over my vocabulary at the time. On that one, I made up sound-alike words on the ones I didn’t understand. “America The Beautiful” was a lot easier for me, and I can even remember visualizing parts of the song.

Oh beautiful,
For spacious skies,
For amber waves of grain,
For purple mountains, majesty,
Above the fruited plains,
America, America,
God shed His grace on thee,
And He crowns thy good,
With brotherhood,
From sea to shining sea” –From “America The Beautiful,” Elvis Presley song, 1975 (written by Katharine Lee Bates & Samuel Ward)

I understood most of the words, but being that young, I didn’t really know their meanings in context. I thought all of that “majesty” and “crown thy good” stuff had something to do with Elvis being “the king.”

A few years later, my class was singing the song in elementary school. I was the first one to know all of the words, and I remember thinking it was cool we were singing an Elvis song! It took me a little while to figure out the whole thing.

America The Beautiful, history of Elvis Presley releases

  • December 6, 1975, Live, Las Vegas, Midnight Show: Live In Las Vegas
  • December 13, 1975, Live, Las Vegas, Dinner Show: Dinner At Eight
  • December 13, 1975, Live, Las Vegas, Midnight Show: Single, b/w “My Way”
  • February 8, 1976, Memphis: The Jungle Room Sessions (incomplete)
  • April 22, 1976, Live, Omaha: America
  • July 3, 1976, Live, Fort Worth: Rocking Across Texas
  • July 30, 1976, Live, New Haven: New Haven 76
  • October 18, 1976, Live, Sioux Falls: A Minnesota Moment (bonus song)

[Information source: Elvis In Norway Session Notes]

America The Beautiful, 1977 single

America The Beautiful, 1977 single

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Thanks to Steven over at the Discovering Elvis blog for the scanning tip.

Journey Back in Time to Elvis Presley’s Memphis

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When I was 15, my family took a summer vacation to Tennessee. Though we took a detour through Nashville, the main destination, of course, was Graceland in Memphis. One of the things I was unprepared for in the Graceland area was the sheer volume of Elvis merchandise available.

Back then, there were no online stores. While Elvis was certainly available in various places at home, especially in record stores, I had never seen anything like this. For instance, there was an entire record store devoted to Elvis that seemingly had every record he ever released (looking back, probably not).

While I had brought along what I considered a decent amount of spending money (probably the most amount of money I ever had at one time to that point), I quickly realized I was going to have to be very judicious in what I bought. I tried to focus on things that I had never seen before and definitely couldn’t buy back home. Records were out. Though they had records I had never seen, all of them were much more expensive than the prices I was used to paying.

Two of the items I bought were reprints of the two Memphis newspapers’ coverage of Elvis’ death in August 1977, the Memphis Press-Scimitar and the Commercial Appeal. While the articles represented a sad time, I enjoyed reading about Elvis within the context of his times – rather than with years of posthumous baggage.

That’s why I’m looking forward to the July 30, 2010, release of Elvis Presley’s Memphis, a 160-page hardcover book from the archives of The Commercial Appeal and Elvis Presley Enterprises. Along with photographs, the book will include reprints of various articles covering Elvis’ life.

I’ve given EPE a hard time this month over the Mr. Potato Head Elvis Presley fiasco, so it’s only fair for me to point out that the Elvis Presley’s Memphis book may turn out to be one of their best products since the release of the ELVIS: ’68 Comeback Special- Deluxe Edition and Elvis: Aloha From Hawaii-Deluxe Edition DVD sets.

If you happen to be in Memphis during Elvis Week in August, be on the lookout for an exclusive edition of this book that includes a DVD. The rest of us can pre-order the book alone over at Pediment Books.

“Together all alone”

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I’ve recently been playing Elvis’ last couple of non-compilation albums, From Elvis Presley Boulevard and Moody Blue, as well as associated outtakes on The Jungle Room Sessions and other releases. He recorded many of these songs in the den at Graceland in February and October of 1976.

I’ve also been listening to songs from Elvis In Concert, the first album released after he passed away, containing songs from his last concert tour in June 1977.

From Elvis Presley Boulevard (1976)

From Elvis Presley Boulevard (1976)

These recordings represent the last audio documentation we have of Elvis Presley the artist. From Elvis Presley Boulevard and Moody Blue are two of his finest albums. By this time, Elvis was apparently reluctant to record, so it is only through the efforts of people like producer Felton Jarvis that we have these recordings at all.

Boulevard has a thematically dark tone, established right from the beginning. If your Elvis experience is limited to the likes of “Blue Suede Shoes” and “Hound Dog,” it can make for some revealing and, at times, difficult listening.

I’m so hurt to think that you lied to me. I’m hurt way down deep inside of me. You said our love was true, and we’d never part. Now you want someone new, and it breaks my heart.” –From “Hurt,” Elvis Presley song, 1976 (written by Crane/Jacobs)

The pain is so evident in his voice as he pours out what is left of that broken heart. Reluctant or not, the results are some of the most honest music of his life.

What will become of me when you’re no longer here? If I can’t stop loving you, what am I to do? You’ll be free, but where will I be?” –From “Never Again,” Elvis Presley song, 1976 (written by Wheeler/Chesnut)

Let there be no doubt that Elvis could still rock, though. In the midst of Boulevard‘s otherwise slow songs suddenly appears “For The Heart,” and Elvis tears it up.

Though a gloomy tone is still present, Moody Blue lightens things up a bit compared to Boulevard. Rockers “Way Down,” “Moody Blue,” and a fun 1977 live version of “Little Darlin'” help in this regard, as does a 1974 live recording of “Let Me Be There” – first released on Elvis Recorded Live On Stage In Memphis.

I can still remember the first time I played Moody Blue. It was an album I borrowed from the local library, before I had any Elvis records of my own. I was fascinated by the fact that the record was blue rather than black. It began with a beautiful, haunting version of “Unchained Melody.” That song, as well as “Little Darlin'” and “Way Down” caught my attention, though I remember listening to the whole record over and over. What a perfect Elvis album.

You don’t have to face the music. You don’t have to face the crowd. Just go back where you came from. You ain’t even proud.” –From “It’s Easy For You,” Elvis Presley song, 1976 (written by Webber/Rice)

This turned into a longer post than I first planned. All I really wanted to say was how much joy listening to these songs has brought me in the last couple of days. Sometimes, you can listen to something in a whole new way. A song you’ve heard a hundred times can suddenly sound new.

That’s the great thing about being an Elvis fan, there is so much music out there to explore. I’ll never stop listening.