vinyl

Elvis news . . . in a flash

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Now that we’re starting to get back to “normal” here on The Mystery Train Elvis Blog after wall-to-wall coverage of Elvis On Tour, I thought it would be a good chance to catch up on some of the other things going on in the Elvis world.

Too much, plus tax

While I’ve got some book and Blu-ray reviews in the works, one upcoming Elvis release I’m not likely to be reviewing anytime soon is The Complete Elvis Presley Masters collection, formally announced by Sony Legacy this week and available for pre-order. This 30-CD set checks in at $749 US, plus tax and shipping.

The initial run is limited to only 1,000 units worldwide. You get 814 recordings, a new 240-page hardcover book, and a display case.

Don’t get me wrong here. This looks like a terrific set, and I’m drooling over it as we speak! $749 is simply too much for me personally, especially considering I already have all of the songs (though not always in the same sound quality as what will no doubt be included on this set).

Checking out the other Elvis blogs

Over on Elvis Today, Thomas recently reviewed the FTD edition of How Great Thou Art. He notes, “Getting a front seat in RCA’s Studio B in Nashville and being able to listen to Elvis’ new producer Felton Jarvis directing the session with his supportive comments and encouragement, offers a valuable insight into how the recordings took place and how the songs evolved.” Certainly, a must-read post and, apparently, a must-listen CD set as well.

Phil has some great coverage this week on ElvisBlog about what he calls “Two Very Rare, Weird, and Valuable Elvis Records.” Each one of those rare records will actually cost far more than the 30-CD set referenced above, by the way. One features “Doncha’ Think It’s Time” by Elvis accidentally pressed by RCA on a record labeled as “One For The Money (Part 1)” by The Whispers. How Elvis’ 1958 recording ended up on this 1976 single is anyone’s guess.

This reminded me of a similar mistake that Sony Legacy recently made – in reverse! Some editions of their 2-CD reissue of On Stage-February 1970 have an Alice In Chains album as the first CD – though it is still labeled as Elvis. Sony is offering a disc exchange, but that’s one I’d recommend keeping if you happen to have it, even if you don’t like Alice In Chains. It’s kind of a double collectible, for Alice In Chains fans may want to obtain this unique disc as well.

Continue keeping Myrna Smith in your prayers

One of the beautiful voices you’ll hear on the real version of On Stage is that of Myrna Smith. Because of Elvis, I’ve been listening to Myrna for all of my life.

I mentioned this a couple of weeks ago, but I want to bring it up again. If you’re going to be in Memphis during Elvis Week, be sure to attend Elvis Unlimited‘s Back In Memphis concert, which will benefit Myrna – a founding member of the Sweet Inspirations vocal group that backed Elvis in concert performances from 1969 until his death in 1977. Myrna is hospitalized with a serious illness in California and the medical bills are quickly adding up. Kudos to Elvis Unlimited for taking the initiative to bring fans together to help her.

Even if you can’t attend the show, keep Myrna in your prayers, everyone. May she recover soon.

1971 Boston Concert among Upcoming FTD Releases

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Elvis performed exactly one time in Boston, on November 10, 1971. “By the time he finished you knew that underneath the control and the lightness of most of the evening’s music there stood a man with more natural ability, talent, and soul than I expect to see on the stage at any rock concert,” said Jon Landau in Rolling Stone of the show.

According to Elvis Matters, Sony’s Follow That Dream Records, a collectors label for Elvis fans, will release a soundboard recording of the Boston show on CD September 14. This one has apparently appeared in bootleg format before, but as someone who sticks to official releases, I can’t wait to hear this concert.

Also set for release in September is the Classic Album version of 1973’s Elvis (“Fool”), a two-CD set that will contain the original album and alternate takes.

Here is the tentative FTD schedule for the rest of the year. Note that the US releases of these albums tend to be a few weeks behind. Italicized descriptions are quoted from Elvis Matters.

August 8, 2010

King Creole: The Music (book & CD)

KING CREOLE-THE MUSIC is a 200-page book with images exclusively designed to complement the music from the film. It consists of two main sections; the recording sessions on January 16, 1958 and song scenes from the filming of the movie (including behind-the scenes shots). The images are classic and well-known shots with the majority being previous unpublished and taken by the original still photographers on the set (no freeze-frames).

The accompanying CD consists of the masters and the well-known alternative masters (no unreleased session reels have been found). As always, the music has been re-mastered.

Good Times: The Outtakes (2 vinyl LPs)

Following on from the previous strictly Limited Edition series, FTD is pleased to announce the release of a special 2-disc 180-gram vinyl set of GOOD TIMES – THE OUTTAKES. Supplied in a deluxe gatefold sleeve, it features the superb original draft artwork design that was superseded prior to release. UNIQUE!

September 14, 2010

Boston Garden (CD, no official title yet)

FTD will release the soundboard of the November 10, 1971, BOSTON GARDEN Show (previously released on bootleg) as this is the only available show from the early tours of the seventies. We believe that this is of such historical importance, that it should be available to everyone. This will be a 5” digipack with a photo booklet.

Elvis (“Fool”) (2 CDs)

On the same date, a 2-CD set of ELVIS (FOOL) in the CLASSIC ALBUM series. This will feature a 7” digi-pack with an 8-page booklet.

September 2010

  • Soundboard CD – Concert not yet announced

November 2010

  • Classic Album 2-CD – Content not yet announced
  • Vinyl 2-LP – Content not yet announced

FTD releases are available from ShopElvis.com and other online Elvis retailers.

[7/11/2010 Update: ElvisNews.com has a posted a longer version of the comments from the FTD team:

Recently, we’ve had several frustrated e-mails from some customers about information getting out about our releases, prior to circulation of the official FTD announcement. Ideally, it shouldn’t be like that, but at the same time with so many people helping us in advance with our product origination, there is a good chance that word will spread before exact release plans can be chosen due to manufacturing and distribution issues. The nature of being involved in the ‘Elvis‘ industry dictates that the sharing of new information is a thrill to most people, so leaks will occur.

In an effort to improve the situation, we will try to announce our schedule further up front. The downside to this is that there will be times when unforeseen production problems cause releases to slip”

I think this is a huge step in the right direction for FTD. Maybe it’s time for them to finally get a small but informative website up and running?]

Other links

“Anyone could lose his heart like me”

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Don’t you love when an Elvis song that you previously paid little attention to comes out and smacks you across the forehead? You suddenly realize that it’s a great song. That’s what happened to me just now with 1963’s “Anyone” from the Kissin’ Cousins soundtrack.

I had iTunes on shuffle, using a smart playlist. It was “There Goes My Baby” by the Drifters, then “I Just Call You Mine” by Martina McBride, “Irreplaceable” by Beyoncé, Elvis foolin’ around on “The Cattle Call,” and then, BOOM, “Anyone.”

Why have I never noticed this beautiful song before? I had it rated as a measly two stars. I’ve bumped it up to four.

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My pal Thomas over at the Elvis Today blog seems a little down in his latest post about the forthcoming Follow That Dream Records releases. Up next will be a book and CD combo for 1958’s King Creole.

Unfortunately, the CD contains only previously released material, and misses being comprehensive by leaving out a couple tracks that were available on Hits Like Never Before. After that, there will be a vinyl release capturing highlights from the Classic Albums series version of Good Times.

Cheer up, Thomas. What’s the best thing about FTD? Variety. 1950s releases are few and far between on FTD, and perhaps the King Creole book (and potential sound upgrades) will be good enough to make this underdog a special release.

In the US, I have a slight advantage because I’ll be able to read some of the reviews from around the world before our pre-order period is over.

The other releases we’re waiting for, such as Promised Land, will come eventually. As you said, Elvis On Tour is on the way. We can’t have everything at once now, can we? We don’t want to be spoiled.

“I call it America, and I love it”

/ TY

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed. That whenever any form of government becomes destructive to these ends, it is the right of the people to alter or to abolish it, and to institute new government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness.” –From The Declaration of Independence, Thomas Jefferson, July 4, 1776

Cover of America The Beautiful, 1977 single

Cover of America The Beautiful, 1977 single

Not long after Elvis Presley died, my family bought the 45 RPM record single “My Way”/”America The Beautiful.” Though I had listened to Elvis records before this one, this is the earliest one for which I can specifically remember the songs.

We played it over and over, and I always sang along. I was only two or three-years-old, so the lyrics to “My Way” were way over my vocabulary at the time. On that one, I made up sound-alike words on the ones I didn’t understand. “America The Beautiful” was a lot easier for me, and I can even remember visualizing parts of the song.

Oh beautiful,
For spacious skies,
For amber waves of grain,
For purple mountains, majesty,
Above the fruited plains,
America, America,
God shed His grace on thee,
And He crowns thy good,
With brotherhood,
From sea to shining sea” –From “America The Beautiful,” Elvis Presley song, 1975 (written by Katharine Lee Bates & Samuel Ward)

I understood most of the words, but being that young, I didn’t really know their meanings in context. I thought all of that “majesty” and “crown thy good” stuff had something to do with Elvis being “the king.”

A few years later, my class was singing the song in elementary school. I was the first one to know all of the words, and I remember thinking it was cool we were singing an Elvis song! It took me a little while to figure out the whole thing.

America The Beautiful, history of Elvis Presley releases

  • December 6, 1975, Live, Las Vegas, Midnight Show: Live In Las Vegas
  • December 13, 1975, Live, Las Vegas, Dinner Show: Dinner At Eight
  • December 13, 1975, Live, Las Vegas, Midnight Show: Single, b/w “My Way”
  • February 8, 1976, Memphis: The Jungle Room Sessions (incomplete)
  • April 22, 1976, Live, Omaha: America
  • July 3, 1976, Live, Fort Worth: Rocking Across Texas
  • July 30, 1976, Live, New Haven: New Haven 76
  • October 18, 1976, Live, Sioux Falls: A Minnesota Moment (bonus song)

[Information source: Elvis In Norway Session Notes]

America The Beautiful, 1977 single

America The Beautiful, 1977 single

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Thanks to Steven over at the Discovering Elvis blog for the scanning tip.

Journey Back in Time to Elvis Presley’s Memphis

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When I was 15, my family took a summer vacation to Tennessee. Though we took a detour through Nashville, the main destination, of course, was Graceland in Memphis. One of the things I was unprepared for in the Graceland area was the sheer volume of Elvis merchandise available.

Back then, there were no online stores. While Elvis was certainly available in various places at home, especially in record stores, I had never seen anything like this. For instance, there was an entire record store devoted to Elvis that seemingly had every record he ever released (looking back, probably not).

While I had brought along what I considered a decent amount of spending money (probably the most amount of money I ever had at one time to that point), I quickly realized I was going to have to be very judicious in what I bought. I tried to focus on things that I had never seen before and definitely couldn’t buy back home. Records were out. Though they had records I had never seen, all of them were much more expensive than the prices I was used to paying.

Two of the items I bought were reprints of the two Memphis newspapers’ coverage of Elvis’ death in August 1977, the Memphis Press-Scimitar and the Commercial Appeal. While the articles represented a sad time, I enjoyed reading about Elvis within the context of his times – rather than with years of posthumous baggage.

That’s why I’m looking forward to the July 30, 2010, release of Elvis Presley’s Memphis, a 160-page hardcover book from the archives of The Commercial Appeal and Elvis Presley Enterprises. Along with photographs, the book will include reprints of various articles covering Elvis’ life.

I’ve given EPE a hard time this month over the Mr. Potato Head Elvis Presley fiasco, so it’s only fair for me to point out that the Elvis Presley’s Memphis book may turn out to be one of their best products since the release of the ELVIS: ’68 Comeback Special- Deluxe Edition and Elvis: Aloha From Hawaii-Deluxe Edition DVD sets.

If you happen to be in Memphis during Elvis Week in August, be on the lookout for an exclusive edition of this book that includes a DVD. The rest of us can pre-order the book alone over at Pediment Books.

“Together all alone”

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I’ve recently been playing Elvis’ last couple of non-compilation albums, From Elvis Presley Boulevard and Moody Blue, as well as associated outtakes on The Jungle Room Sessions and other releases. He recorded many of these songs in the den at Graceland in February and October of 1976.

I’ve also been listening to songs from Elvis In Concert, the first album released after he passed away, containing songs from his last concert tour in June 1977.

From Elvis Presley Boulevard (1976)

From Elvis Presley Boulevard (1976)

These recordings represent the last audio documentation we have of Elvis Presley the artist. From Elvis Presley Boulevard and Moody Blue are two of his finest albums. By this time, Elvis was apparently reluctant to record, so it is only through the efforts of people like producer Felton Jarvis that we have these recordings at all.

Boulevard has a thematically dark tone, established right from the beginning. If your Elvis experience is limited to the likes of “Blue Suede Shoes” and “Hound Dog,” it can make for some revealing and, at times, difficult listening.

I’m so hurt to think that you lied to me. I’m hurt way down deep inside of me. You said our love was true, and we’d never part. Now you want someone new, and it breaks my heart.” –From “Hurt,” Elvis Presley song, 1976 (written by Crane/Jacobs)

The pain is so evident in his voice as he pours out what is left of that broken heart. Reluctant or not, the results are some of the most honest music of his life.

What will become of me when you’re no longer here? If I can’t stop loving you, what am I to do? You’ll be free, but where will I be?” –From “Never Again,” Elvis Presley song, 1976 (written by Wheeler/Chesnut)

Let there be no doubt that Elvis could still rock, though. In the midst of Boulevard‘s otherwise slow songs suddenly appears “For The Heart,” and Elvis tears it up.

Though a gloomy tone is still present, Moody Blue lightens things up a bit compared to Boulevard. Rockers “Way Down,” “Moody Blue,” and a fun 1977 live version of “Little Darlin'” help in this regard, as does a 1974 live recording of “Let Me Be There” – first released on Elvis Recorded Live On Stage In Memphis.

I can still remember the first time I played Moody Blue. It was an album I borrowed from the local library, before I had any Elvis records of my own. I was fascinated by the fact that the record was blue rather than black. It began with a beautiful, haunting version of “Unchained Melody.” That song, as well as “Little Darlin'” and “Way Down” caught my attention, though I remember listening to the whole record over and over. What a perfect Elvis album.

You don’t have to face the music. You don’t have to face the crowd. Just go back where you came from. You ain’t even proud.” –From “It’s Easy For You,” Elvis Presley song, 1976 (written by Webber/Rice)

This turned into a longer post than I first planned. All I really wanted to say was how much joy listening to these songs has brought me in the last couple of days. Sometimes, you can listen to something in a whole new way. A song you’ve heard a hundred times can suddenly sound new.

That’s the great thing about being an Elvis fan, there is so much music out there to explore. I’ll never stop listening.

How to Win Auction Items and Explore Elvis the Music Fan

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I don’t usually pay a whole lot of attention to Elvis-related items that go up for auction. A lot of times, it is boring stuff like locks of his hair.

A recent British auction caught my eye, though. From Elvis Unlimited, here are excerpts from a description by Scotty Moore, Elvis’ first guitarist, of the lot he put up for auction in May:

I write this letter to confirm that I own a very special collection of records that used to belong to Elvis, and to confirm the story of the records: In early January 1968 […], Elvis asked if I could transfer his old favourite 78 RPM records to reel-to-reel tape for him at my studio. I told him yes.

When we met at the sessions in Nashville, which took place on January 15th and 16th 1968, Elvis brought with him a briefcase with 26 78s wrapped in the January 14th edition of the Memphis newspaper The Commercial Appeal.

Elvis left me the briefcase with the records and asked me to mail the tape back to his house in Memphis, which I did. I made a safety copy for myself and kept the records and tape in my studio in Nashville. Elvis never asked for the records to be returned. […]

Some years later – around 1973, I believe, I was cleaning out my studio when I noticed the briefcase with the 78 RPM records. I called Graceland who took notice of the titles, and I took the records back to my home studio in Nashville where they have been kept safe in my home ever since. […]

These records were some of Elvis’ first and all time favourite records. They influenced Elvis as a musician and vocalist for sure.”

For me, I find this a fascinating look at Elvis the music fan. That’s right, it’s Elvis as one of us.

Below is the list of records. If Elvis lived in modern times and had an iPod, this could certainly have been one of his playlists. I’ve italicized songs that Elvis is known to have professionally recorded.

  • Joe Turner: Corrine Corrina b/w Boogie Woogie Country Girl
  • The Dominoes: That’s What You’re Doing To Me b/w When The Swallows Come Back To Capistrano
  • Ivory Joe Hunter: It’s A Sin b/w Don’t You Believe Her
  • Roy Brown: Hurry, Hurry Baby b/w Travelin’ Man
  • Fats Domino: Blueberry Hill b/w Honey Chile
  • The Crickets: You’re Mine b/w Milk And Gin
  • Tommy Edwards: It’s All In The Game b/w All Over Again
  • Ray Charles: I Got A Woman b/w Come Back
  • Hank Snow: I’m Gonna Bid My Blues Goodbye b/w Just A Faded Petal From A Beautiful Bouquet
  • Louis Jones And His Band: Rock And Roll Bells b/w All Over, Goodbye
  • Lowell Fulson: Reconsider Baby b/w I Believe I’ll Give Up
  • Brownie Mcghee: I’m 10,000 Years Old b/w Cherry Red
  • The Four Lads: Moments To Remember b/w Dream On, My Love, Dream On
  • Johnny Ace With The Beale Streeter: My Song b/w Follow The Rule
  • Roy Hamilton: Hurt b/w Star Of Love
  • Sammy Davis Jr: Because Of You Parts 1 & 2
  • Fats Domino: Ain’t It A Shame b/w La-La
  • Lloyd Price: Lawdy Miss Clawdy b/w Mailman Blues
  • Buddy Blake: Rosie b/w You’ll Cry For Me
  • The Pearls: Your Cheatin’ Heart b/w I Sure Need You
  • Ivory Joe Hunter: Since I Met You Baby b/w You Can’t Stop This Rockin’ And Rollin’
  • Carl Perkins: Matchbox b/w Your True Love
  • Billy Ward And His Dominoes: Rags To Riches b/w Don’t Thank Me
  • The Billy Vaughn Orchestra: The Shifting Whispering Sands Parts 1 & 2
  • Arthur Gunter: Baby Let’s Play House b/w Blues After Hours
  • Willie Mae ‘Big Mama’ Thornton: Hound Dog b/w Night Mare

The lot of 26 records ending up fetching well over $100,000 US at auction. It was a big check to write, but I’m looking forward to receiving the records.

Just kidding, I don’t have that kind of splurge money. However, I did think of one relatively inexpensive way to “win” this auction – by buying and downloading the same songs from iTunes or Amazon. Plus, I already have a few of them on my iPod.

It turns out that 39 of the above songs are available on iTunes. The 13 “missing” songs are not currently available for download from the US versions of iTunes or Amazon. However, they may be available on CD – which I did not check as of yet.

A couple of CDs were released in the last few years purporting to contain songs that inspired Elvis, including some of the above tunes. Personally, I think it’s more fun to track down the exact ones in his collection – almost the equivalent of a young Elvis finding a much-wanted single in a Beale Street record shop.

In any event, for about $50 or less, you can download and listen to songs that Elvis enjoyed and gain new insight into the artist. For more information on the records, including pictures, see the official Scotty Moore site.